Until recently, the Dutch draughtsman Johan Thopas, who was born in 1626 both deaf and dumb, was only known to a small group of connoisseurs, dealers and collectors. However, his remarkable, subtle and technically refined portrait drawings on parchment deserve a wider audience. This handsome publication, the first devoted to his work, will prove to be an eye opener for many art lovers. Beginning with his earliest works (two beautiful miniatures of 1646 in the Fondation Custodia in Paris), Thopas produced incredibly refined drawings, usually with lead point on parchment. He had an almost magic control of the lead point, and his sense of texture and the way he was able to achieve this with minimal means is astounding, setting him apart from other draughtsmen in the Dutch Golden Age. Thopas was also able to capture brilliantly the characters of his sitters – such as the sulky husband and trouser-wearing wife in the 1684 companion pieces in the Victoria & Albert Museum, London. Apart from lead-point drawings, Thopas made several drawings in colour, on parchment and on Japanese paper. In most cases these drawings were done after life, although we do know that the large commission he received from the Bas-Kerckrinck family in Amsterdam included several drawings that were done after existing portraits. Furthermore, he produced at least one brilliant copy after a painting by Cornelis Cornelisz van Haarlem, Venus, Mars and Cupid, and even a painting, portraying a dead child. He must have made more paintings and certainly more drawings than the seventy we know today (all of which are catalogued and illustrated here). In this exhibition his only known painting and the one mythological drawing are accompanied by thirty of his most beautiful portraits, from private collections in the US, Canada, United Kingdom and the Netherlands, as well as well-known museums and print rooms, such as the Albertina in Vienna, the Amsterdam Rijksmuseum, the Städel in Frankfurt or the Victoria & Albert Museum in London.The author of the catalogue, Prof. Dr Rudolf E.O. Ekkart, is regarded as the most important connoisseur in the field of Dutch sixteenth- and seventeenth-century portraiture and the author of many important monographs and other publications in the field of Dutch portraiture. He was Director of the Netherlands Institute for Art History (RKD) in The Hague between 1990 and 2012 and gained momentum as Chairman of the Committee that carried his name and proved responsible for the return of many looted works of art that were returned to the heirs of many Jewish collectors in The Netherlands. Included in the book are Dutch and German translations of the essays.

A masterpiece of medieval Arab metalwork revealed, shedding light on courtly life in northern Iraq under the Mongol governorship. Accompanying a major scholarly exhibition at The Courtauld Gallery, this book explores one of the most beautiful and enigmatic objects in The Courtauld’s collection: the so-called ‘Courtauld wallet’, a brass container richly inlaid with gold and silver, imitating a lady’s textile or leather bag, and probably made in Mosul in northern Iraq around 1300. No other object of this kind is known. Decorated all round with courtly figuresand on the top with an elaborate banqueting scene featuring an enthroned couple, it has long been recognised as a masterpiece of Arab metalwork. Yet, despite the superb quality of its design and craftsmanship and its status as a unique object, this exceptional metalwork bag has never been properly published. Thus it remainslittle known outside a small circle of specialists, and little understood even within that circle. Encompassing a variety of multidisciplinary essays by distinguished historians and art historians – on subjects ranging from music at the Mongol court, Mosul under Mongol governorship and Mongol marriage customs to the role of womenunder the Ilkhanids –this publication aims to explore the origins, function and iconography of this splendid luxury object as well as the cultural context in which it was made and used. It will bring together other images of enthroned Mongols with female consorts, as well as scenes of hunters, revellers and musicians in a varietyof media, including illustrated manuscripts, ceramics, textile, and metalwork. By presenting the bag alongside carefully selected contemporary material, it will provide an insight into courtly life under the Mongols in the newly conquered areas of their empire, and will also provide an unrivalled opportunity to investigate the inlaid brass tradition in Mosul after the Mongol Conquest. Objects made before and after this seismic event will be reproduced side by side to demonstrate how the Mosul metalworkers adapted their work for their new patrons.

The Neolithic site of Çatalhöyük in Turkey has been world famous since the 1960s when excavations revealed the large size and dense occupation of the settlement, as well as the spectacular wall paintings and reliefs uncovered inside the houses. Since 1993 an international team of archaeologists, led by Ian Hodder, has been carrying out new excavations and research, in order to shed more light on the people who inhabited the site. The present volume discusses general themes that have emerged in the analysis and interpretation of the results of excavations in 2000-2008. It synthesizes the results of research described in other volumes in the same series. The volume commences with accounts of the recent work on community collaboration at the site, and with discussions of the methods used at the site. It then synthesizes the work on landscape use and mobility, integrating the work of subsistence analysis and the analysis of human remains. The storage and sharing of food is a related topic. The ways in which houses were constructed, lived in and abandoned leads to a broad discussion of settlement and social organization at Çatalhöyük and of their change through time. For example, shifts in the themes that occur in paintings in houses change through time as part of a wider set of social, economic and ritual changes in the upper levels. The social uses of materials and technologies are explored and the roles of materials in personal adornment. Finally, the discussion of variation through place and time is recognized as dependent on scales of analysis and social process.

This volume examines the evolution of a rural landscape in north Kent from the Late Mesolithic (c 7500 BC) to the 19th century, as revealed by analysis of the results of excavation on a site overlooking the marshes and tributaries of the River Medway, near Sittingbourne. Particular emphasis is placed on the prehistoric pottery assemblage and on understanding the site in terms of local and regional developments. Slight evidence for Late Mesolithic and Neolithic activity (residual finds only) was followed by the creation of a field system. This was well established by the Late Bronze Age, when pitting and refuse disposal suggests the presence of a nearby settlement. There are inconclusive indications from associated pottery that some field boundaries may have had Middle Bronze Age origins and that some structured deposition was taking place. A period of abandonment, possibly related to rising sea levels, preceded the construction of a Middle Iron Age unenclosed farmstead represented by four roundhouses constructed at some time after c 300 BC and the re-establishment of a field system. The local field boundaries were reorganised in the Late Iron Age, and remained in use during the 1st century AD, but were abandoned thereafter, with no archaeological evidence for subsequent land use until a new farm was established in the 11th to mid 13th centuries.

Puspika 2 is the outcome of the second International Indology Graduate Research Symposium and presents the results of recent research by young scholars into pre-modern South Asian cultures with papers covering a variety of topics related to the intellectual traditions of the region. Focusing on textual sources in the languages in which they were composed, different disciplinary perceptions are offered on intellectual history, linguistics, philosophy, literary criticism and religious studies.

The book “Similar but Different. Bell Beakers in Europe” deals with a cultural phenomenon, known as the Bell Beaker culture, that during the 3rd millennium B.C. was present throughout Western and Central Europe. This development played an important role in the formation of the Bronze Age at the turn of the 3rd and the 2nd millennium B

The early Old Kingdom tombs at Tehna are cut into the eastern escarpment bordering the Nile, some 12kms north of Minya in Upper Egypt. The cemetery consists of more than 15 rockcut tombs, 3 of which are illustrated and described in this first volume of the site. Complete with detailed colour illustrations and line drawings, the book records the wall scenes, sculpture, architecture, finds and a translation of inscriptions including a rare legal document in the tomb of Nikaiankh I.

Ritual happens in distinct places – in temples, in caves, along pilgrimage routes – and religious activities there incorporate a diverse set of objects such as holy water, cult statues, and sacred texts. Understanding religious ritual requires viewing it not as a disembodied event, but as emplaced, grounded in both built and natural surroundings, and integrated with its associated material objects. Here authors examine various religious practices in the Greco-Roman world and pilgrimage routes in contemporary Israel. Other contributions focus on the East, on domestic religion in prehistoric Taiwan, and the palimpsest of ritual activity in Buddhist China. One author considers not just ritual’s built and natural setting, but also the landscape of the human mind. By way of conclusion, many of the recurring issues concerning the material and topographic matrix of ritual practice are expanded upon in a final meditation on sacred space. The papers in this volume, with their disciplinary, geographic, and chronological diversity, will serve as a resource for theoretical approaches to the study of ritual practice that may have broad cross-cultural application and provide new insight into the relationship between ritual and place.The volume is based on a conference held at Brown University.

This collection of essays begins with the premise that violence, in its relationship to order, is a central element of history. Taking a broad definition of violence, including structural and symbolic violence, the contributions move beyond the problematic of civilization’s mitigating or foundational role, instead seeing violence as inherently social, and, perhaps, socially inherent (if variable). The question then becomes what forms of harm are authorized or banned in which social orders and how they change over time. Beginning with a theoretical introduction, this interdisciplinary volume includes seven papers representing cultural anthropology, history, archaeology and international relations. The papers range from China to the Americas and from the 2nd millennium BCE to the 21st century CE. Some deal with long-term developments while others focus on a single time and place. Many treat the issue of the visibility/invisibility of violence, while all in one way or another deal with the role of violence in the re-production of community. Together, the volume aims to paint, with a few strokes, the outlines of a deep historical anthropology of social violence. The volume is based on the proceedings of a symposium hosted at Brown University.

The Neolithic site of Çatalhöyük in Turkey has been world famous since the 1960s when excavations revealed the large size and dense occupation of the settlement, as well as the spectacular wall paintings and reliefs uncovered inside the houses. Since 1993 an international team of archaeologists, led by Ian Hodder, has been carrying out new excavations and research, in order to shed more light on the people who inhabited the site. Çatalhöyük Excavations presents the results of the excavations that took place at the site from 2000 to 2008 when the main aim was to understand the social geography of the settlement, its layout and social organization. Excavation, recording and sampling methodologies are discussed as well as dating, ‘levels’, and the grouping of buildings into social sectors. The excavations in three areas of the East Mound at Çatalhöyük are described: the South Area, the 4040 Area in the northern part of the site, and the IST Area excavated by a team from Istanbul University. The description of excavated units, features and buildings incorporates results from the analyses of animal bone, chipped stone, groundstone, shell, ceramics, phytoliths, micromorphology. The integration of such data within their context allows detailed accounts of the lives of the inhabitants of Çatalhöyük, their relationships and activities. The integration of different types of data in the excavation account mimics the process of collaborative interpretation that took place during the excavation and post-excavation process.

The historico-technical journal was founded in 2001. Published yearly, in the course of the years the journal has entered the international stage with the name “Conservation Science in Cultural Heritage”, and it is now published in English and in Italian, both in electronic format and on print. It is featured on many websites and international databases, it has been granted the opportunity to apply the Creative Commons (CC) licence and the “seal” of SPARC (Scholarly Publishing and Academic Resource Coalition), and it has been officially requested by EBSCO Publishing and H. W. Wilson Company to be part of their platforms. Since 2011, it has been edited by Mimesis Edizioni (Milano-Udine). The Advisory Committee is made of experts of various competences and cultural backgrounds. The journal publishes experimental studies and research that are historical, technical, diagnostic-analytical, normative, managerial and economico-financial in nature, related to the problems of safeguarding and valorising cultural and environmental heritage within interdisciplinary and internationalist fields. Briefly put, the aims pursued are scientific, institutional and communicational, so that the quality of information can reflect the “truth” of science and the “clarity” of communication.

In July 1834 excavation of a barrow at Gristhorpe, near Scarborough, Yorkshire, recovered an intact, waterlogged, hollowed-out oak coffin containing a perfectly preserved Bronze Age skeleton that had been wrapped in an animal skin and buried with worked flints, a bronze dagger with a whalebone pommel, and a bark vessel apparently containing food residue. Gristhorpe Man became the centrepiece of the Scarborough Philosophical Society’s museum display.In 2004, planned refurbishment of the renamed Rotunda Museum provided the opportunity for a scientific re-examination of the burial and grave goods in order to eluciate the life and death of this extraordinary survival of the British Early Bronze Age. Tree-trunk coffin burials are relatively rare and Gristhorpe Man, with his range of grave goods was likely to have held a special role in society. Analysis of the skeleton included an examination of its skeletal morphology and palaeopathological conditions combined with isotopic analyses of the bones and teeth in order to investigate mobility, diet, and status of the individual whose unusual large stature, dentition, and novel methods of conservation were of particular interest. These analyses, combined with examination of the surviving coffin lid, including the unique ‘face’ carved onto one end of it, the grave goods, and radiocarbon and dendrochronological dating, reveal fascinating insights into the social position, inter-regional contacts and the burial rite associated with this enigmatic mature man who probably saw active combat and who suffered from a benign brain tumour that may have seriously altered his personality in his later years.

A fundamental component of the study of worked osseous objects is the identification of the raw materials chosen to make them. In archaeological contexts many objects become degraded to the point where identification is very difficult and the way in which these materials decay during burial and upon excavation can vary greatly. Correct identification is crucial to the investigation of objects, their conservation and future curation. Above all, understanding raw material selection aids our understanding of human-animal interaction in the past both on pragmatic and symbolic levels since the choices made by artisans vary by cultural tradition as well as availability.The 20 papers presented here explore a wealth of information pertaining to the use of osseous materials over the long period of human craftsmanship and tool manufacture by exploring several key themes:· Raw material selection and curation within tool types· Social aspects of raw material selection· New methods of materials identificationIt is demonstrated that the issue of raw material identification has numerous implications for conservation work, reproduction of objects, the physical characteristics of the tool or ornament, availability of raw materials, the materials chosen for procurement and the cultural reasons that lie behind the choice of raw materials from particular species and skeletal elements to produce planned tool and ornament types. Together, these papers emphasize the need for confident and correct materials identification and demonstrate that functionality is by no means the only, nor necessarily the most important, factor in the selection of osseous raw materials for the fabrication of tools and other cultural objects

Charting a decade of intensive fieldwork along a 2km stretch of the Colne Fen, Earith fen-edge, the scope of these books is formidable and together they include the work of 65 contributing specialists (with a foreword by Ian Hodder). The fieldwork involved innovative methodologies, and groundbreaking scientific and micro-sampling studies are presented within the volumes. Portions of text are, moreover, avowedly experimental (e. g. intertextuality and antiquarian-informed perspectives) and it explores the long-term interplay of landscape process and (proto-) historicism. Appropriate to the practice of a comparative archaeology and the ‘challenge of numbers’, throughout emphasis is given to multiple-scale settlement and spatial/distributional analyses.The scale of Volume II — the ‘Roman book’ — is even more daunting. Aside from including reports of earlier local excavations, it is primarily concerned with two major ‘set-piece’ sites. The one, Langdale Hale, was a mass-production supply farm; the other, The Camp Ground, a great inland barge-port settlement linked to the Car Dyke canal. Both reflect upon the potential role of the state and address crucial issues of ‘Romanization’, with facets of their sequences markedly contrasting with the Stonea-engendered Fenland Imperial Estate model. Besides uniquely detailing the character of the settlements’ Late Roman usage (involving terpen-like mounds and raised ‘platformed’ structures) and trade connections, the port-site’s aftermath is also discussed as an important assemblage of Anglo-Scandinavian bonework was recovered. To provide further immediate-landscape context, the results from neighbouring sites alsofeature, including an important Late Roman cemetery at Knobbs Farm, Somersham.

In the last fifty years the investigation of maritime archaeological sites in the sea, in the coastal zone and in their interconnecting locales, has emerged as one of archaeology's most dynamic and fast developing fields. No longer a niche interest, maritime archaeology is recognised as having central relevance in the integrated study of the human past. Within maritime archaeology the study of watercraft has been understandably prominent and yet their potential is far from exhausted. In this book Jon Adams evaluates key episodes of technical change in the ways that ships were conceived, designed, built, used and disposed of. As technological puzzles they have long confounded explanation but when viewed in the context of the societies in which they were created, mysteries begin to dissolve. Shipbuilding is social practice and as one of the most complex artefacts made, changes in their technology provide a lens through which to view the ideologies, strategies and agency of social change. Adams argues that the harnessing of shipbuilding was one of the ways in which medieval society became modern and, while the primary case studies are historical, he also demonstrates that the relationships between ships and society have key implications for our understanding of prehistory in which seafaring and communication had similarly profound effects on the tide of human affairs.

This book presents the proceedings of the 2009 conference relating to the 2008 exhibition at the British Museum entitled "Hadrian: Empire and Conflict" and complements and expands upon the exhibition catalogue. It covers such subjects as architecture, sculpture, archaeology, economics, numismatics and philhellenism and ranges over the Roman Empire from Britain and Spain in the West to Turkey and Georgia in the East. The original contributions by international scholars present the latest state of research and the first publication of some new material. Thorsten Opper is a curator of Greek and Roman sculpture at the British Museum. He organised the internationally acclaimed 2008 exhibition "Hadrian: Empire and Conflict" and authored the accompanying catalogue (British Museum Press 2008). He currently directs a fieldwork project at Hadrian's Villa, near Rome.