This book is about two islands off the coast of Continental Europe, the seas that surrounded them, and the ways in which they were used over a period of three thousand years. Instead of the usual emphasis on finds in the intertidal zone, it focuses on parts of Britain and Ireland where traces of the prehistoric shoreline survive above sea level. It explores a series of Neolithic and Early Bronze Age sites which were investigated in the nineteenth and early twentieth centuries and have been largely forgotten. These places were very different from the Iron Age ports and harbours studied in recent years. How can we identify these special sites, and what are the best ways of interpreting them? The book considers the evidence for travel by sea between the settlement of the earliest farmers and the long distance movement of metalwork. It emphasises the distinctive archaeology of a series of coastal locations. Little of the information is familiar and some of the most useful evidence was recorded many years ago. It is supplemented by new studies of these places and the artefacts found there, as well as reconstructions of the prehistoric coastline. The book emphasises the important role of 'enclosed estuaries', which were both sheltered harbours and special places where artefacts were introduced by sea. Other items were made there and exchanged with local communities. It considers the role played by these places in the wider pattern of settlement and their relationship to major monuments. The book describes how the character of coastal sites changed in parallel with developments in maritime technology and trade. The main emphasis is on Neolithic and Early Bronze Ages uses of the seashore, but the archaeology of the Middle and Later Bronze Age provides a source of comparison.

This book concerns textile production at the fringes of north-western Europe – areas in western Norway and the North Atlantic in the expanding, dynamic and transformative period from the early Viking Age into the Middle Ages. Textiles constitute one of the basic needs in human life – to protect and keep the body warm but also to show social status and affiliations. Textiles had a wide spectrum of use areas and qualities, fine and coarse in various contexts, and in the Viking Age not least related to the production of sails – all essential for the development and character of the period. So, what were the tools and textiles like, who made them, who used them and who exposed them? By tracing textile production from the remains of tools and textiles in varied landscapes and settings – Viking Age graves and in-situ workplaces from the whole period – and combining this with textual information, many layers of information are exposed about technology and qualities as well as gender, gender roles, social relations, power and networks. By combining tools, textiles and texts in various settings, this book aims to contextualise dispersed archaeological finds of tools and textiles to uncover patterns across larger areas and in a long-term perspective of half a millennium. Related to the overall societal changes from the early Viking Age raids, colonisation to centralisation to urbanisation in the Middle Ages, the tools and textiles reveal diversity, as well as stability and change.

Why are some things valuable while others are not? How much effort does it take to produce valuable objects? How can one explain the different appraisal of certain things in different temporal horizons and in different cultures? Cultural processes on how value is attached to things, and how value is re-established, are still little understood. The case studies in this volume, originating from anthropology and archaeology, provide innovative and differentiated answers to these questions. However, for all contributions there are some common basic assumptions. One of these concerns the understanding that it is rarely the value of the material itself that matters for high valuation, but rather the appreciation of the (assumed or constructed) origin of certain objects or their connection with certain social structures. A second of these shared insights addresses the ubiquity of phenomena of 'value in things'. There is no society without valued objects. As a rule, valuation is something negotiated or even disputed. Value arises through social action, whereby it is always necessary to ask anew which actors are interested in the value of certain objects (or in their appreciation). This also works the other way round: Who are those actors who question corresponding objective values and why?

The Neolithic site of Çatalhöyük has been world famous since the 1960s when excavations conducted by Mellaart revealed the large size and dense occupation of the settlement, as well as spectacular wall paintings and reliefs in the houses. This volume discusses general themes that have emerged in the analysis and interpretation of the results of excavations undertaken at Çatalhöyük between 2009 and 2017, although many authors also discuss data generated through the whole 25-year period of excavation by the Çatalhöyük Research Project since 1993.This volume scrutinizes Çatalhöyük as the by-product of the activities of a community residing in central Turkey 9,000 years ago, but also as the outcome of the interactions of a community of researchers with wide-ranging theoretical perspectives and methodological approaches. The volume commences with an overview of community engagement practices and of the ways different audiences have interacted with the site through the life of the project. It then considers the differences in approach of the Mellaart and recent excavations and reflects on different methodological perspectives that have been used at the site. It synthesizes the diverse array of environmental resources that would have been used in different times of the year. The ways in which the community at Çatalhöyük was held together, but also how community dynamics may have changed over time, are considered through the analysis of open areas, house architecture and contents, and the sequence of activities in houses. Modeling changes in practices over time shows that the effects of new introductions such as cooking pottery played out over many phases of occupation. The evidence for violence at the site is re-evaluated integrating the analysis of human remains and different forms of artifacts such as projectile points, clay balls and maceheads. The use of pigments on house surfaces, objects and human bodies and the social practices surrounding these practices are considered.The diversity of themes discussed in this volume captures the multifaceted nature of Çatalhöyük.

This volume, with origins in a panel at the 2018 Celtic Conference in Classics, presents creative new approaches to epigraphic material, in an attempt to 'shake up' how we deal with inscriptions. Broad themes include the embodied experience of epigraphy, the unique capacities of epigraphic language as a genre, the visuality of inscriptions and the interplay of inscriptions with literary texts. Although each chapter focuses on specific objects and epigraphic landscapes, ranging from Republican Rome to early modern Scotland, the emphasis here is on using these case studies not as an end in themselves, but as a means of exploring broader methodological and theoretical issues to do with how we use inscriptions as evidence, both for the Greco-Roman world and for other time periods. Drawing on conversations from fields such as archaeology and anthropology, philology, art history, linguistics and history, contributors also seek to push the boundaries of epigraphy as a discipline and to demonstrate the analytical fruits of interdisciplinary approaches to inscribed material. Methodologies such as phenomenology, translingualism, intertextuality and critical fabulation are deployed to offer new perspectives on the social functions of inscriptions as texts and objects and to open up new horizons for the use of inscriptions as evidence for past societies.

Archaeoastronomy and archaeology are two distinct fields of study which examine the cultural aspect of societies, but from different perspectives. Archaeoastronomy seeks to discover how the impact of the skyscape is materialised in culture, by alignments to celestial events or sky-based symbolism; yet by contrast, archaeology's approach examines all aspects of culture, but rarely considers the sky. Despite this omission, archaeology is the dominant discipline while archaeoastronomy is relegated to the sidelines. The reasons for archaeoastronomy’s marginalised status may be found by assessing its history. For such an exploration to be useful, archaeoastronomy cannot just be investigated in a vacuum but must be contextualised by exploring other contemporaneous developments, particularly in archaeology. On the periphery of both, there are various strands of esoteric thought and pseudoscientific theories which paint an alternative view of monumental remains and these also play a part in the background. The discipline of archaeology has had an unbroken lineage from the late 19th-century to the present. On the other hand, archaeoastronomy has not been consistently titled, having adopted various different names such as alignment studies, orientation theory, astro-archaeology, megalithic science, archaeotopography, archaeoastronomy and cultural astronomy: names which depict variants of its methods and theory, sometimes in tandem with those of archaeology and sometimes in opposition. Similarly, its academic status has always been unclear, so to bring it closer to archaeology there was a proposal in 2015 to integrate archaeoastronomy research with that of archaeology and call it skyscape archaeology. This volume examines how all these different variants came about and consider archaeoastronomy's often troubled relationship with archaeology and its appropriation by esotericism, to shed light on its position today.

This book explores the role of material culture in the formation of corporeal aesthetics and beauty ideals in different past societies and thus contributes to the cultural relativization of bodily aesthetics and related gender norms. The volume does not explore beauty for the sake of beauty, but extensively explores how it serves to form and keep gender norms in place. The concept of beauty has been a topic of interest for some time, yet it is only in recent times that archaeologists have begun to approach beauty as a culturally contingent and socially constructed phenomenon. Although archaeologists and ancient historians extensively dealt with gender, they dealt less with it in relation to beauty. The contributions in this volume deal with different intersections of gender and corporeal aesthetics by turning to rich archaeological, textual and iconographic data from ancient Sumer, Aegean Bronze Age, ancient Egypt, ancient Athens, Roman provinces, the Viking world and the Qajar Iran. Beauty thus moves away from a curiosity and surface of the body to an analytic concept for a better understanding of past and present societies.

The metaphor of the palimpsest has been increasingly invoked to conceptualise cities with deep, living pasts. This volume thinks through, and beyond, the logic of the palimpsest, asking whether this fashionable trope slyly forces us to see contradiction where local inhabitants saw (and see) none, to impose distinctions that satisfy our own assumptions about historical periodisation and cultural practice, but which bear little relation to the experience of ancient, medieval or early modern persons. Spanning the period from Constantine’s foundation of a New Rome in the fourth century to the contemporary aftermath of the Lebanese civil war, this book integrates perspectives from scholars typically separated by the disciplinary boundaries of late antique, Islamic, medieval, Byzantine, Ottoman and modern Middle Eastern studies, but whose work is united by their study of a region characterised by resilience rather than rupture. The volume includes an introduction and eighteen contributions from historians, archaeologists and art historians who explore the historical and cultural complexity of eastern Mediterranean cities. The authors highlight the effects of the multiple antiquities imagined and experienced by persons and groups who for generations made these cities home, and also by travellers and other observers who passed through them. The independent case studies are bound together by a shared concern to understand the many ways in which the cities’ pasts live on in their presents.

This newest volume in the Çatalhöyük Research Project Series continues the interpretation of the material obtained during excavation of the site from 2009 to 2017 under the direction of Professor Ian Hodder. Çatalhöyük, a 9,000-year-old tell site in central Turkey, is of international importance due to its large size at an early date, its dense population and its long occupation. Its well-preserved buildings and rich art in the Neolithic East Mound give a unique insight into early village life, and the site allows study of many of the main questions dealing with the formation of settled villages/towns and the early intensification of agriculture. This volume, in 16 chapters by project specialists, focuses on the material artefacts recovered from the site, including a range of clay objects (ceramics, clay balls, tokens, figurines) and others made of stone, shell and textile. The analysis of these items, within a framework of intersecting and transformative “flows” of matter that are entangled with human aims and strategies, illuminates issues of procurement and exchange, house and community (including shifting cooking practices and the early management of cattle), and the organisation of production. Collectively, they reveal how change was generated across 1,100 years of occupation by the ‘productive potential’ of things.

A defining fixture of our contemporary world, video games offer a rich spectrum of engagements with the past. Beyond a source of entertainment, video games are cultural expressions that support and influence social interactions. Games educate, bring enjoyment, and encourage reflection. They are intricate achievements of coding and creative works of art. Histories, ranging from the personal to the global, are reinterpreted and retold for broad audiences in playful, digital experiences. The medium also magnifies our already complicated and confrontational relation with the past, for instance through its overreliance on violent and discriminatory game mechanics. This book continues an interdisciplinary conversation on game development and play, working towards a better understanding of how we represent and experience the past in the present. Return to the Interactive Past offers a new collection of engaging writings by game creators, historians, computer scientists, archaeologists, and others. It shows us the thoughtful processes developers go through when they design games, as well as the complex ways in which players interact with games. Building on the themes explored in the book The Interactive Past (2017), the authors go back to the past to raise new issues. How can you sensitively and evocatively use veterans’ voices to make a video game that is not about combat? How can the development of an old video game be reconstructed on the basis of its code and historic hardware limitations? Could hacking be a way to decolonize games and counter harmful stereotypes? When archaeologists study games, what kinds of maps do they draw for their digital fieldwork? And in which ways could we teach history through playing games and game-making?

Explores the Irish Mesolithic - the period after the end of the last Ice Age when Ireland was home to hunter-gatherer communities, mostly from about 10,000-6,000 years ago. At this time, Ireland was an island world, with striking similarities and differences to its European neighbours - not least in terms of the terrestrial ecology created by its island status. To understand the communities of hunter-gatherers who lived there, it is essential that we consider the connections established between people and the other beings and materials with which they shared the world and through which they grew into it. Understanding the Mesolithic means paying attention to the animals, plants, spirits and things with which hunting and gathering groups formed kinship relationships and in collaboration with which they experienced life. The book closes with a reflection on hunting and gathering in Ireland today. The overriding aim of the book is to provide a point of entry into the lives of the Irish Mesolithic, to show the different ways in which people have lived on this island, and to show how we might narrate those lives.

This volume provides an ambitious synopsis of the complex, colourful world of textiles in ancient Mediterranean iconography. A wealth of information on ancient textiles is available from depictions such as sculpture, vase painting, figurines, reliefs and mosaics. Commonly represented in clothing, textiles are also present in furnishings and through the processes of textile production. The challenge for anyone analysing ancient iconography is determining how we interpret what we see. As preserved textiles rarely survive in comparable forms, we must consider the extent to which representations of textiles reflect reality, and critically evaluate the sources. Images are not simple replicas or photographs of reality. Instead, iconography draws on select elements from the surrounding world that were recognisable to the ancient audience, and reveal the perceptions, ideologies, and ideas of the society in which they were produced. Through examining the durable evidence, this anthology reveals the ephemeral world of textiles and their integral role in the daily life, cult and economy of the ancient Mediterranean.

This book focuses on the introduction of Neolithic extraction practices across Europe through to the Atlantic periphery of Britain and Ireland. The key research questions are when and why were these practices adopted and what role did extraction sites play in Neolithic society. Neolithic mines and quarries have frequently been seen as fulfilling roles linked to the expansion of the Neolithic economy. However, this ignores the fact that many communities chose to selectively dig for certain types of stone in preference to others and why the products from these sites were generally deposited in special places such as wetlands. To address this question, 168 near-global ethnographic studies were analysed to identify common trends in traditional extraction practises to produce robust statistics about their motivations and material signatures. Repeated associations emerged between storied locations, the organisation of extraction practices, long-distance distribution of products, and the material evidence such activities left behind. This suggests that we can now probably identify mythologised/storied sites, seasonality, ritualised extraction, and the use-life of extraction site products. The ethnographic model was tested against data from 223 near-global archaeological extraction sites, which confirmed a similar patterning in both material records. It was used to analyse the social context of 79 Neolithic flint mine and 51 axe quarry excavations in Britain and Ireland and to review their European origins. The evidence that emerges confirms the pivotal role played by Neolithic extraction practices in European Neolithisation and that the interaction of indigenous foragers with migrant miners/farmers was fundamental to the adoption of the new agropastoral lifestyle.

This memoir is not really about research questions or main conclusions. It tells the story of a boy growing up in Plymouth, Devon, getting excited about archaeology after visits to mainland Greece and Crete, trying to get into Greek archaeology and re-locating northwards into the Balkans, where he spent a career in prehistoric research. The chapters alternate between museum/university experiences and my major research projects. The experiences of working in that part of the world as the Third Balkan War was starting were dramatic and a history-style chapter is devoted to these beginnings. The Balkan prehistoric club in the west is a very small and select group so there is an intrinsic interest about how westerners did their archaeology there and how they interacted with local colleagues. There is also a sense of a ‘colonial relationship’ between westerners knowledgeable about theory and method, with well-stocked libraries and large research grants and easterners with little of the above. On a basic level, the memoir presents stories with implications for east - west relationships that will soon disappear from living memory. The ways that research projects originated and developed are strongly featured and there is a fund of anecdotes about prehistorians living and dead. The publication of this memoir records those fragments of the discipline’s history that are in danger of being lost forever. But my life story is not erased from this account, which is not an anthropological work but, rather, a participant account with a modicum of relevant personal details. The book providing the archaeological results is the publication Forging identities in the prehistory of Old Europe. Dividuals, individuals and communities 7000-3000 BC - a synthesis of academic research in Balkan prehistory. This memoir provides the insider story to the research results.

Bone tool studies are at a crossroads. A current path is to go beyond the concatenation of methods or concepts borrowed from other disciplines and aim instead at a truly integrated approach that is more in line with the objectives of interdisciplinary and transdisciplinary research. The papers in this volume follow this direction by adopting various forms of dialogue and integration between old and new methods and approaches, including technological analysis, usewear analysis, typology, zooarchaeology, stable isotope analysis, experimental archaeology or spatial analysis. They represent a mixture of methodological issues, case studies, and discussions of larger cultural and historical phenomena that span thousands of years and many parts of the World, from South Asia to the Near East and Europe, and from North to South America. The synergies deriving from these multi-perspective approaches lead to the repeated identification of diverse social aspects of past societies, including the identification of general social contexts of bone tool production and use, transmission of knowledge, the symbolic dimensions of artifacts, and intergroup relations as well as warfare and state formation processes.All these papers grew out of communications presented at the 13th meeting of the Worked Bone Research Group (WBRG) on October 7th–13th, 2019, at the Département d’anthropologie, Université de Montréal, Canada. The WBRG is an official working group of the International Council for Archaeozoology (ICAZ) dealing with the study of worked faunal remains from archaeological sites.

New research into the techniques of tablet weaving, sprang, braiding, knotting and lace is presented in this lavishly illustrated volume written by leading specialists from Austria, Canada, Denmark, France, Germany, Sweden, Switzerland, the UK and USA. Drawing inspiration from the pioneering work of Peter Collingwood, this publication explores aspects of these craft skills in the prehistoric, Roman and medieval world through scientific, object-based analysis and 'research through making'. Chapters include the growth of patterned tablet weaving for trimming garments in prehistoric Central Europe; recently identified styles of headdress worn in the Roman Rhineland and pre-Islamic Egypt; Viking-age Dublin as a production centre for tablet-woven bands; a new interpretation of the weaving technique used to make luxurious gold bands in the twelfth to late thirteenth centuries; and the development out of plaiting of bobbin lace borders in gold and silver threads from the fifteenth to early seventeenth centuries. Practical experiments test methods of hand spinning and the production of figure-hugging hose in ancient Greece and Renaissance Italy. A typology of braid and knotting structures in late medieval Europe is also set out for the first time. Diagrams, illustrations and photographs enrich each chapter with a wealth of visual source material. The work is the outcome of recent discoveries of archaeological textile finds from excavations as well as fresh examination of material recovered in the past, or preserved in treasuries. Early textiles form an increasingly popular subject of interest and this publication, which is a landmark in the study of various specialised textile techniques, aims to provide the reader with a better understanding of these virtuoso craft skills in antiquity.