Tell el-Amarna is the modern name for the ancient Egyptian city of Akhenaten, situated in a bay of hills formed by the cliffs of the eastern desert about halfway between Cairo and Luxor. The city was founded in the 14th century BC by the Pharaoh Akhenaten to be a royal palace for himself and his wife Nefertiti, the capital of all Egypt, and the center of the state cult of the Sun God in the form of Aten (sun disc), which became an obsession of the Pharaoh. The city contained temples, palaces, state buildings and great private mansions, but was abandoned by Akhenaten’s successor, his son Tutenkhamen. The city was demolished, never to be re-inhabited. This volume presents a detailed, illustrated catalogue of the many statues, statuettes, reliefs, inlays and inscriptions recorded and collected by Flinders Petrie, together with glass and faience objects and moulds. Part II provides a summary of developments in royal names and titles with a discussion on research into names and evidence of royal status. This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.

First published in 1979, this facsimile edition of Jeffrey Spencer’s comprehensive study provides a detailed account of the brick architecture of ancient Egypt. Part I provides introductory information on brick manufacture, early use of brick in Egypt and explains the corpus of brick bonding systems. Part II provides an account of the surviving brick buildings, discussed by type, with special reference to technical and structural matter. Part III presents an examination of the constructional techniques employed at different periods for various purposes. A discussion of the kinds of bricks used, their sizes, and bonding is included. This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts – of which Brick Architecture in Ancient Egypt is one. The Oxbow Classics in Egyptology series makes a selection of these important resources – which remain invaluable source material – available again in print for a new generation of students and scholars.

Hailed as a sumptuously produced and finely illustrated outstanding contribution to ancient Egyptian studies, this facsimile reprint of Patrick Houlihan’s 1986 comprehensive study makes a welcome return in the Oxbow Classics in Egyptology series. Animals of all kinds are amply illustrated in Egyptian art, none more so than birds, in both secular and religious contexts and in hieroglyphic scripts. A great variety of bird species has for millennia made twice yearly migrations passing over Egypt, which is also an important overwintering area for many. These migrant birds, together with indigenous species were an abundant and easily exploited source of food for ancient Egyptians, for domestication and status display. Tomb scenes displaying birds provided as food for the deceased are abundant, as are procession scenes of offering with bearers bringing gifts of fowl. Many birds also had religious associations. Houlihan provides a systematic and unparalleled survey of all the bird life depicted by the ancient Egyptians in art and hieroglyphic writing – some 72 species (plus bats) – with a list of known mummified species, discussions on their religious and secular associations, and many illustrations. Their present-day distributions are compared with that known from the time of the Pharoahs. A checklist of the birds of modern Egypt is provided by Steven Goodman.

This facsimile reissue of Anthea Page’s 1983 catalogue makes this important source material available again in print for a new generation of students and scholars. The catalogue documents 82 ostraca held in The Petrie Museum of Egyptian and Sudanese Archaeology collection in London.Ostraca are flakes of limestone or broken sherds of pottery used essentially as 'notepads' for private letters; laundry lists; records of purchases; roughly inscribed images of people, birds, and animals; and copies of literary works. In Ancient Egypt they reveal the artist-craftsman at practice, leisure and play. Apprentices, for instance, copied scenes to improve techniques; artists drew pictures to amuse, perhaps with satirical images and caricatures, or made measured studies for finished works. A wide range of trivial examples survive, together with more serious devotional, votive and dedicatory pieces.

Flinders Petrie undertook excavation and survey of ancient Egyptian towns in the Faiyum oasis, south-west of Cairo, in 1888–90. The work included opening of a pyramid at Illahun and excavation of a nearby cemetery, excavation and planning of over 2000 chambers of the city of Kahun, excavation of a Ptolemaic cemetery at Gurob, and work at the temple site at Medinet Gurob. This facsimile volume presents brief descriptions of the work with a focus on the artifacts and inscriptions recovered and recorded with an attempt to establish a chronology of occupation in the oasis. The entrance to the pyramid at Illahun, its peculiar structure and exploration of its various internal passages and chambers are described, including the sepulchre containing the red granite sarcophagus of Usertesen II, accompanied by a table of offerings. A series of nearby tombs produced a wealth of artifacts associated with burials, wooden coffins and cartonnages, including glazed objects, amulets, scarabs, beads, silver cowries, carved and inscribed wooden objects and statuettes. At Kahun the complete surviving plan of the ancient town revealed a regular layout thought by Petrie to be the work of a single architect. He identified the acropolis, at least eight great houses, dwelling houses, rubbish heaps, and storerooms arranged along numerous narrow ‘workmen’s’ streets with drainage channels. Much evidence for construction materials and techniques and house fittings, wall plaster and paint was recovered. Portable objects included decorated pottery, some of it imported; pottery trays of offerings; stonework; wooden carvings; flint sickles and knives; inscribed stelae; a variety of copper tools; scarabs and clay seals; stone weights and many tools, including several workshop groups. A family tomb in the cellar beneath one house contained 12 coffins, each containing several bodies with grave offerings buried in succession, two baby boxes and a heap of offerings. At Gurob, the plan of the main temple and surrounding enclosures, within which were contained most of the houses, was established and an outline of its history determined. An unusual practice of burning personal belongings in pits beneath the houses was identified and the groups of objects and inscriptions discussed. The nearby cemetery was also investigated with pit-like tombs producing undecorated coffins but finely painted cartonnages, badly decomposed papyri and a few funerary objects. A discussion of the wider urban landscape concludes the narrative. There are specialist reports on the papyri and stone implements. This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, and re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.

Facsimile edition of the 1974 reissue of Flinders Petrie’s 1896 account of the excavation (mainly) of tombs in the area around Ballas and Naqada on the edge of the Egyptian desert, 30 miles north of Thebes. Several areas of the ancient towns of Deir and Nubt – the latter identified as the center of Set worship – and more tombs were investigated. At each cemetery, traditionally furnished Old and Middle Kingdom tombs were examined and many proved to have been plundered and reused in antiquity. Petrie named these later burials as of a New Race and describes them in detail at Ballas and Naqada. A collection of mostly Palaeolithic flint artefacts is also described. This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.

Wie lässt sich Subalternität in der Vergangenheit untersuchen, wenn heute fast ausschließlich Hinterlassenschaften der Eliten erhalten sind? Warum lohnt sich eine solche Untersuchung und wo führt sie hin? Diesen Fragen wird in dem vorliegenden Buch über die Beziehung von Assyrien und Urartu im eisenzeitlichen Nordmesopotamien (ca. 9. bis 7. Jh. v.u.Z.) nachgegangen. Denn zwischen den kriegerischen Nachbarn gab es eine Vielzahl Deportierter und Kriegsgefangener, deren Erfahrungen und Leben in der Forschung bisher wenig Beachtung fanden. Dabei konnten postmoderne und postkoloniale Denker:innen aus Literaturwissenschaften, Humangeographie oder Soziologie unlängst darlegen, dass historisch oft gerade diese ausgegrenzten, vergessenen gesellschaftlichen Gruppen zum Motor von Veränderung werden.Dieses Buch reiht sich ein in einen interdisziplinären Diskurs über Subjektivierung, Produktion von (sozialem) Raum, Subalternität und Habitus, und integriert diese Konzepte in die Archäologie Westasiens. Dabei werden verschiedene Orte mittels Methoden aus dem Feld der „Archäologie der Sinne“ quantitativ und qualitativ untersucht, um auf die Grundzüge der sinnlichen Organisation Urartus und Assyriens zu schließen. Die Gegenüberstellung der so rekonstruierten sensorischen Welten geschieht vor dem Hintergrund der Frage, wie Deportierte und Kriegsgefangene nach ihrer Verschleppung die neue Umgebung wahrnahmen. Welche Auswirkungen hatte dieser abrupte Wandel der Lebensverhältnisse durch Gefangenschaft und Zwangsumsiedlung? Wie wurden die neuen, subalternen Subjektpositionen nonverbal mittels räumlicher Ordnung kommuniziert und evoziert – und gab es Stellen, an denen es durch Irritation, Missverständnis und ungeplantes Verhalten zu niedrigschwelliger Subversion kam?English abstractHow can subalternity be studied in the past when today almost exclusively the remains of the elites are preserved? Why is such an investigation worthwhile and where does it lead? These are the questions Vera Egbers explores in her book on the relationship of Assyria and Urartu in Iron Age northern Mesopotamia (c. 9th to 7th centuries BCE). For between these neighbors, who were engaged in an ongoing violent conflict, there were the numerous deportees and prisoners of war whose experiences and lives have received little attention in research to date. Yet postmodern and postcolonial thinkers from literary studies, human geography, and sociology have already demonstrated that historically it is often these marginalized, forgotten social groups that become the engine of change.This book joins an interdisciplinary discourse on subjectivation, production of (social) space, subalternity, and habitus, and integrates these concepts into the archaeology of West Asia. In doing so, various sites are examined quantitatively and qualitatively using methods from the field of the so-called archaeology of the senses, in order to infer the basic features of the sensory organization of Urartu and Assyria. The comparison of these reconstructed sensory worlds takes place against the background of the question of how deportees and prisoners of war perceived the new environment after their deportation. What were the effects of this abrupt change in living conditions due to captivity and forced resettlement? How were the new, subaltern subject positions communicated and evoked nonverbally by means of spatial organization – and were there places where low-threshold subversion occurred through irritation, misunderstanding, and unplanned behavior?

Across Western Asia, the astonishing increase in the availability of durable ceramic containers in the seventh millennium BCE had significant societal repercussions – so much so that vital social, economic, and symbolic activities became dependent upon the availability of pottery containers. These early ceramic containers, however, established themselves alongside flourishing pre-existing container traditions, with vessels made in a wide range of materials including clay, bitumen, basketry, leather, wood, and stone. How did prehistoric people respond to the emergence of containers as a key factor in their lives? Building on Olivier Nieuwenhuyse’s rich scholarly legacy, this volume brings together 18 papers by leading scholars in the field of container technology, discussing cases from eastern Asia to Africa, but with a focus on prehistoric Western Asia. Looking not just at pottery but also explicitly beyond, the contributions consider and address the cross-overs of different kinds of raw materials for containers and their crafting; the multiplicity of temporal scales in the production, use and discard of pottery; the social anchoring of vessels’ use and deposition as evident in their specific contexts; and local as well as regional variations in early pottery.

The collection of essays in this book focuses on the highlands of Iran in pre-modern times, reaching from the Paleolithic to the medieval period. What holds the diverse contributions together is an issue that is closely related to debates in our own times: crises and how societies in the past dealt with them. We start from the premise that general circumstances in the fractured topographic structure of the Iranian highlands led to unique relations between ecological, social, economic and political conditions. In three sections entitled “Climate and palaeoenvironment”, “Settlement, subsistence and mobility” und “Political and economic institutions”, the authors ask what sorts of crises afflicted past societies in the Iranian highlands, to what extent they proved resilient, and especially what strategies they developed for enhancing the resilience of their ways of life. Looking for answers in paleoenvironmental proxy data, archaeological findings and written sources, the authors examine subsistence economies, political institutions, religious beliefs, everyday routines and economic specialization in different temporal, spatial and organizational scales.This book is the first volume of a series published by the German-Iranian research cooperation “The Iranian Highlands: Resiliences and Integration in Premodern Societies”. The goal of the research project is to shine a new light on communities and societies that populated the Iranian highlands and their more or less successful strategies to cope with the many vagaries, the constant changes and risks of their natural and humanly shaped environments.

Facsimile edition of the 1974 reissue of Flinders Petrie’s 1921 corpus of prehistoric pottery and slate palettes from pre-dynastic, prehistoric Egypt. The pottery corpus was produced separately to accompany the catalogue of Egyptian artifacts in the volume Prehistoric Egypt and comprises hundreds of line drawings illustrating the shapes, forms and types of decoration. It was intended to be a ‘graveside’ aid for use during excavation, with the intent that it be used with record cards to classify and date pottery that could then be returned to the grave. The corpus of palettes updated Petrie’s original classification published Ballas and Naqada, to include many new finds and refine the typology and sequence. This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.

This is the facsimile edition of the 1974 reissue of Flinders Petrie’s 1921 description and catalogue of pre-dynastic, prehistoric artifacts from Egypt. Draws together evidence from various excavations and surveys undertaken by himself and others to present a fully illustrated, detailed catalogue of recovered artifacts of flint, other stone, clay, pottery, ivory/tusk and bone, metalwork, wood, shell and glass. He attempts to establish relative dating sequence based on a combination of object typologies and grave associations, combined with the then-latest geological and sedimentological information, concluding that the material covered a period from around 10,000–5000 BC. Objects are described by material and form, set within his established chronological framework.This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.

Facsimile edition of the 1974 reissue of Flinders Petrie’s 1917 pioneering typological catalogue of Egyptian metal, wooden and composite tools and weapons, one of a number of such catalogues to be reissued in this new series. The volume is arranged by category, first of general tools, including axes, chisels and knives, and then weapons, such as daggers and spears. This is followed by sections on woodworking (artisans') and builders’ tools, personal items, agricultural equipment and a range of domestic items. Within each category, sub-categories are defined, described and discussed and the full range is illustrated as outline drawings and photographs across 79 plates. The catalogue addresses questions of chronology, typological development, and distribution, and provides a limited discussion of comparable material from outside Egypt. This series comprises facsimile re-issues of typological catalogues produced between 1898 and 1937 by W.M. Flinders Petrie, based on his vast collection of Egyptian artefacts which now reside in The Petrie Museum of Egyptian and Sudanese Archaeology, University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles by contemporary experts. Petrie’s catalogues remain invaluable source material today. The Oxbow Classics in Egyptology series now makes a selection of these important resources available again in print for a new generation of students and scholars.

This facsimile edition of the 1972 reissue of Flinders Petrie’s 1914 pioneering typological catalogue of Egyptian amulets, is one of a number of such catalogues to be reissued in this new series. Remarkably – although points of detail emanating from more recent research have surfaced – it remains unsurpassed in its comprehensive description, typological classification, and interpretation. While an absence of reasoned argument for the dating of his various groups is a weak point of Petrie’s study from the point of view of modern scholarship, his attention to detail and careful consideration of typology and potential meaning, borne of decades of observation, means that this, and the other catalogues in the series, remain as invaluable reference books for Egyptologists. Based on examination of his own extensive collection of Egyptian artifacts, Petrie presents a typologically ordered catalogue divided into seven main groups defined on the basis of interpretation rather than subject: amulets of ‘similar’ kind, for example, relating to body parts; power; property; protection; human-headed; animal-headed; and animal gods. Each class of object is described along with its varieties: material, distribution, position within burials, its chronological position as defined by Petrie himself, and its meaning interpreted. Collections containing examples are listed and hundreds of objects are presented in photographs and a selection of burial associations illustrated by coffin plans.

This facsimile volume of detailed catalogues prepared by Sir Flinders Petrie of ancient weights and measures, is based on examination of over 4,000 Egyptian weights within his collections. Eight standards have been identified and are described. The text discusses forms, multiples and fractions of standard weights, materials, and evidence for the adoption of different standards. A much smaller collection of steelyards, measures of capacity, lineal measures, and balances is also described and illustrated. This volume is part of a new series comprising facsimile re-issues of typological catalogues produced between 1898 and 1937 by W. M. Flinders Petrie, based on his vast collection of Egyptian artefacts. Mostly excavated by Petrie during many seasons of campaign in the latter years of the 19th and early decades of the 20th century, these artefacts now reside in the Petrie Museum at University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles, based on more recent examination of elements of the Petrie Collection by contemporary experts. The Oxbow Classics in Egyptology series makes a selection of these important resources available again in print for a new generation of students and scholars.

This facsimile reissue of Flinders Petrie’s extensive catalog of buttons and scarabs describes and illustrates over 1500 examples, along with an appendix on additions to the ‘Scarabs and Cylinders’ volume published earlier. In keeping with his other object catalogs, Petrie devises object classifications based on form with an attempt at dating their sequences. He describes the back of the objects, materials, their designs and inscriptions, and offers ideas on their meanings. Particular attention is paid to animal and human representations and those possibly of gods. He also identifies several local series.This volume is part of a new series comprising facsimile re-issues of typological catalogues produced between 1898 and 1937 by Sir W. M. Flinders Petrie, based on his vast collection of Egyptian artefacts. Mostly excavated by Petrie during many seasons of campaign in the latter years of the 19th and early decades of the 20th century, these artefacts now reside in the Petrie Museum at University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles, based on more recent examination of elements of the Petrie Collection by contemporary experts. The Oxbow Classics in Egyptology series makes a selection of these important resources available again in print for a new generation of students and scholars.

A facsimile volume of a detailed catalogue prepared by Flinders Petrie on artifacts largely collected from his Egyptian explorations of a series of glass stamps of Egyptian manufacture that were used from the Roman to Abbasid period variously as tokens, counters, weights, or attached to glass cups as indications of measure. Various categories are identified and described, makers’ names discussed, and weight standards considered. Over 700 stamps are illustrated both as photographs and transcribed line drawings. This volume is part of a new series comprising facsimile re-issues of typological catalogues produced between 1898 and 1937 by W. M. Flinders Petrie, based on his vast collection of Egyptian artefacts. Mostly excavated by Petrie during many seasons of campaign in the latter years of the 19th and early decades of the 20th century, these artefacts now reside in the Petrie Museum at University College, London. Long out of print, the catalogues were re-issued in facsimile by publishers Aris & Phillips in the 1970s alongside newly-commissioned titles, based on more recent examination of elements of the Petrie Collection by contemporary experts. The Oxbow Classics in Egyptology series makes a selection of these important resources available again in print for a new generation of students and scholars.