The settlement at Bornais in the Western Isles of Scotland is one of the largest rural settlements known from the Norse period in Britain. It spans the period from the fifth to the fifteenth century AD when the Atlantic seaboard was subject to drastic changes. The islands were systematically ravaged by Viking raiders and then colonised by Norse settlers. In the following centuries the islanders were central to the emergence of the Kingdom of Man and the Isles, played a crucial role in the development of the Lordship of the Isles and were finally assimilated into the Kingdom of Scotland. This volume explores the stratigraphic sequence uncovered by the excavation of Bornais mounds 2 and 2A. The excavation of mound 2 revealed a sequence of high status buildings that span the Norse occupation of the settlement. One of these houses, constructed at the end of the eleventh century AD, was a well preserved bow-walled longhouse and the careful excavation and detailed recording of the floor layers has revealed a wealth of finds that provides invaluable insight into the activities taking place in this building. The final house in this sequence is very different in form and use, and clearly indicates the increasing Scottish influence on the region at the beginning of the thirteenth century. The excavation of mound 2A provides an insight into the less prestigious areas of the settlement and contributes a significant amount of evidence on the settlement economy. The area was initially cultivated before it became a settlement local and throughout its life a focus on agricultural activities, such as grain drying and processing, appears to have been important. In the thirteenth century the mound was occupied by a craftsman who produced composite combs, gaming pieces and simple tools. The evidence presented in this volume makes a major contribution to the understanding of Norse Scotland and the colonisation of the North Atlantic in a period of dramatic transformations.

This is the first volume describing the results of the CAUs excavations in Cambridge and it is also the first monograph ever published on the archaeology of the town. At 1.5 hectares the Grand Arcade investigations represent the largest archaeological excavation ever undertaken in Cambridge, significantly enhanced by detailed standing building recording and documentary research.

Owned by the National Trust and managed by English Heritage, Mount Grace Priory in North Yorkshire, established in 1398 and suppressed in 1539, was one of only nine successful Carthusian monasteries in England and one of the best-preserved medieval houses of that order in Europe. First excavated by Sir William St John Hope in 1896-1900 and in state guardianship since 1955 it is acknowledged as a type site for late-medieval Carthusian monasteries. The modern study of Mount Grace began in 1957 when Hope’s interpretation of the monks’ cells about the great cloister was found to be simplistic. This was followed between 1968 and 1974 by the excavation of individual monks’ cells in the west range of the great cloister and two cells in the north range, together with their gardens, areas not excavated by Hope. The examination of the monks’ cells was completed in 1985 by the excavation of the central cell of the north cloister range, together with its garden and the cloister alley outside the cell. The cultural material recovered from these cells indicated the ‘trade’ each monk practiced, predominantly the copying and binding of books. Because each cell was enclosed by high walls, the pottery and metalwork recovered could be identified to an individual monk. In 1987 English Heritage commissioned the re-excavation of two areas that had been examined by Hope, the water tower in the great cloister and the prior’s cell, refectory and kitchen in the south cloister range and the guest house in the west range of the inner court. The contrast between this semi-public area of the monastery and the monks’ cells was dramatic. Coupled with this excavation was a reappraisal of the architectural development of the monastery and reconstruction of lost structures such as the cloister alley walls and the central water tower.

Westminster Abbey contains the only surviving medieval Cosmatesque mosaics outside Italy. They comprise: the ‘Great Pavement’ in the sanctuary; the pavement around the shrine of Edward the Confessor; the saint’s tomb and shrine; Henry III’s tomb; the tomb of a royal child, and some other pieces. Surprisingly, the mosaics have never before received detailed recording and analysis, either individually or as an assemblage. This two-volume publication presents a holistic study of this outstanding group of monuments in their historical architectural and archaeological context. The shrine of St Edward is a remarkable survival, having been dismantled at the Dissolution and re-erected (incorrectly) in 1557 under Queen Mary. Large areas of missing mosaic were replaced with plaster on to which mosaic designs were carefully painted. This 16th-century fictive mosaic is unique in Britain. Conservation of the sanctuary pavement was accompanied by full archaeological recording with every piece of mosaic decoration drawn and coloured by David Neal, phase plans have been prepared, and stone-by-stone examination undertaken, petrologically identifying and recording the locations of all the materials present. It has revealed that both the pavements and tombs include a range of exotic stone types. The Cosmati study has shed fresh light on every aspect of the unique series of monuments in Westminster Abbey; this work will fill a major lacuna in our knowledge of 13th-century English art of the first rank, and will command international interest.

This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organised workshops in urban settings employing standardised skill levels and as evidence of changing material use: from small amounts of fibres produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.

The idea that the past was an era with long periods of little or no change is almost certainly false. Change has always affected human society. Some of the catalysts for change were exogenous and lay in natural transformations, such as climate change or plant and animal diseases. Others came from endogamous processes, such as demographic change and the resulting alterations in demographic pressure. They might be produced by economic changes in the agrarian economy such as crop- or stock-breeding or better agricultural husbandry systems with the resultant greater harvests. Equally, they might be from technological developments in industry and manufacturing affecting traditional forms of production. We should also note changes in ideology within society and even between principal groups, such as secular and ecclesiastical bodies. We need to consider the impact of politics and warfare.These innovations, transmissions and transformations had profound spatial, economic and social impacts on the environments, landscapes and habitats evident at micro-, meso- and macro-levels. Changes, alterations and modifications may affect how land was worked, how it was organized, and the nature of buildings and rural complexes (homesteads, work buildings, villages, monasteries, towns and landscapes). The authors of the 36 papers focus in particular on transmissions and transformations in a longue durée perspective, such as from early medieval times (c. 500AD) to the High Middle Ages (c. 1000/1200 AD), and from medieval to post-medieval and early modern times (1700). The case studies include the shrinking and disappearance of settlements; changes in rule and authority; developments in the agrarian economy; the shift from handwork to manufacturing; demographic change.

Until now insular and continental material, mostly metal-work, found in pagan Viking Age graves in Norway, has been interpreted as looted material from churches and monasteries on the British Isles and the Continent. The raiding Vikings brought these objects back to their homeland where they were often broken up and used as jewellery or got alternative functions. Looting or Missioning looks at the use and functions of these sacred objects in their original Christian contexts. Based on such an analysis the author proposes an alternative interpretation of these objects: they were brought by Christian missionaries from different parts of the British Isles and the Continent to Norway. The objects were either personal (crosses, croziers, portable reliquaries etc.), objects used for baptism (hanging bowls), equipment to officiate a mass (mountings from books or reading equipment, altars or crosses) or to give the communion (pitchers, glass vessels, chalices, paten). We know from contemporary sources (Ansgar in Birka, Sweden in the ninth century) that missionaries brought this sort of equipment on their mission journeys. We also hear that missionaries were robbed, killed or chased off. Mikkelson interprets the sacred objects found in Viking Age pagan graves as objects that originate from the many unsuccessful mission attempts in Norway throughout the Viking Age. They changed function and were integrated in the pagan tradition.The conversion and Christianisation of Norway can thus be seen as a long-lasting process, at least from about 800 (but probably earlier) to the beginning of the eleventh century. As we must assume that the written sources on the subject are incomplete, the archaeological evidences are the main source. In addition to metal work and written sources, the dating and interpretation of stone crosses, rune stones, manuscript fragments and early Christian graves and churches are discussed. The main part of the manuscript regards the context of all these sources, studied in each part of Norway separately: Where do we find concentrations of objects that could support the interpretation of these being the result of mission attempts, and where can we combine archaeological and written sources to tentatively create more complete stories related to mission? One analysis is of special interest to British and Norwegian scholars and even a broader audience. It refers to the chieftain Ohthere from Northern Norway, who visited King Alfred the Great in Winchester in 890. The author finds a link between Alfred´s court and Ohthere´s farm which, it is argued, for was Borg at Vestvågøy, Lofoten, where the biggest Viking Age house in Northern Europe has been excavated. In the hall of this house were found a rare glass beaker with gold cross decorations, a Continental or British made pitcher, pieces of a bronze bowl and an æstel of gold. This last piece is only found in Northern Norway and in England, with Wessex and Mercia as the core areas. “The Alfred Jewel” (Ashmolean Museum) is also an æstel of the same main type, but much more splendid and with an inscription relating it to King Alfred. Mikkelson argues for a bishop being sent from Wessex and Alfred´s court on Ohthere´s ship back to Northern Norway as a missionary.

This book is a study of the rich and fascinating traditions found early Irish literature concerning smiths and the fashioning of metal. The smith had a special status within the traditional societies of early Ireland and elsewhere in the Celtic-speaking world. The figure is associated with magic and the supernatural, as well as having special legal status, and a marginal and ambiguous position within the community. John Carey is an internationally known expert on Old Irish language and literature and includes here texts and translations of magical spells, incantations, and narratives connected with smiths and their craft.

Telling the story of the flight of the Jews from Egypt based on the biblical book of Exodus, the Haggadah was – and still is – used during the Seder, the ritual meal of the first night of Passover. The text of this remarkable manuscript has been richly illustrated by many artists in different countries for over seven hundred years. With its seventy-fi ve illustrations, occupying the margins of almost every page, this manuscript expresses the elegant language of the Gothic International style in Lombardy. Directly related to the workshop of the renowned master builder, sculptor, and illuminator Giovannino de’ Grassi, who fl ourished under the patronage of the noble Visconti family in Milan, the present volume was probably commissioned by a wealthy individual. The presumed date of origin of the Lombard Haggadah corresponds with a period known for its wave of immigration into Lombardy of northern European Jews, who were especially welcomed by Duke Gian Galeazzo Visconti. Last on public exhibition in the Paris World’s Fair in 1900, when it belonged to a French family, the Lombard Haggadah was then sold in 1927 in London to the noted collector of Hebrew manuscripts Salman Schocken. Little known, the manuscript has remained in private hands ever since. It survives as the earliest stand-alone Italian Haggadah. Of the greatest rarity, it is one of three illustrated medieval Haggadahs still privately owned. Sharon Liberman Mintz, Curator of Jewish Art, The Jewish Theological Seminary, states “I have worked with Hebrew illuminated manuscripts all of my professional life, and this one stands out for its fresh, charming, and sometimes unique paintings as well as its historical importance”.

Change and Resilience offers a view of the main Mediterranean islands from West to East in Late Antiquity because Mediterranean islands can contribute in fundamental ways to our understanding not only of earlier colonizations but also later periods. The volume explores specifically the time frame from the fall of the Roman empire to the Medieval period. A first group of papers covers islands and island groups in the Central and Western Mediterranean, including the Balearic Islands, Corsica, Sardinia, Sicily, and the Adriatic islands. Together, these five papers highlight several common themes across the region: local or indigenous sites were often reoccupied in Late Antiquity, the rural countryside typically played a significant role in the contributions of islands to wider Mediterranean economic networks, and islands – big and small – often played significant roles in shifting political and religious power. The second group focuses on the Eastern Mediterranean. Three papers cover a range of islands, including Crete, the Cyclades, and Cyprus. Together they emphasize the impacts external shifts in political power and economic ties in the Eastern Mediterranean had on island landscapes, as well as the connected relationship between sacred space and territorial occupation across many of these islands. The final group of papers pivots on changing perceptions of island landscapes in Late Antiquity—or “island mindscapes.” Three papers focus on how communities adapted as they underwent Christianization in island contexts, emphasizing the diverse and varied ways that island landscapes became “Christianized,” as well as how other political and economic factors shaped the dynamics of change.

This study reconstructs twelfth-century sculptural and architectural finds, found during the restoration of the Perpendicular Great Cloister of Christ Church, Canterbury, as architectural screens constructed around 1173. It proposes that the screens provided monastic privacy and controlled pilgrimage to the Altar of the Sword's Point in the Martyrdom, the site of Archbishop Thomas Becket's murder in 1170. Excavations in the 1990s discovered evidence of a twelfth-century tunnel leading to the Martyrdom under the crossing of the western transept. Construction would have required rebuilding the crossing stairs and the screens flanking the crossing. The roundels, portraying lions, devils, a 'pagan', Jews, and a personification of the synagogue, are reconstructed on the south side of the crossing as a screening wall framing the entrance to this tunnel. The quatrefoils with images of Old Testament prophets are reconstructed as a rood screen on the west side of the crossing. In the Martyrdom, a screen is proposed with perhaps the earliest known sculptural representation of Thomas Becket. The rood screen, located behind the Altar of the Holy Cross, would have provided a visual focus during Mass, monastic processions, and sermons, especially during Christmas and Holy Week. The row of prophets, pointing upwards at the Rood, would have functioned as the visual equivalent of the dialogue of the ‘Ordo prophetarum’ that predicted the Messiah as proof to Jews and other unbelievers of Christian redemption. The roundels, just around the corner on the south screening wall, can be interpreted as representing the unbelieving Other and forces of evil warning pilgrims to seek penance at the altar of the newly canonized St Thomas. In addition to this new interpretation, a catalog raisonné and an account of the discovery of the finds offers material for future research that has been unavailable to previous studies. All the finds were photographed by the author as the restoration progressed;16 pieces of which have since been lost, making some of the unpublished photographs essential evidence of the archaeological record.

This edited volume explores how (what is today) Scotland can be compared with, contrasted to, or was connected with other parts of Early Medieval Europe. Far from a ‘dark age’, Early Medieval Scotland (AD 300–900) was a crucible of different languages and cultures, the world of the Picts, Scots, Britons and Anglo-Saxons. Though long regarded as somehow peripheral to continental Europe, people in Early Medieval Scotland had mastered complex technologies and were part of sophisticated intellectual networks. This cross-disciplinary volume includes contributions focussing on archaeology, artefacts, art-history and history, and considers themes that connect Scotland with key processes and phenomena happening elsewhere in Europe. Topics explored include the transition from Iron Age to Early Medieval societies and the development of secular power centres, the Early Medieval intervention in prehistoric landscapes, and the management of resources necessary to build kingdoms.

In 2003 archaeologists discovered an intact princely burial between busy Priory Crescent and the railway line near Priory Park in Prittlewell. A find of international significance, this is the richest and most important Anglo-Saxon burial found since the 1939 discovery of the great ship burial at Sutton Hoo in Suffolk. The lavishly furnished wooden chamber beneath a mound contained the coffin of a high-status man, evidently a Christian, who died at the end of the 6th century AD. The results of years of study of the excavated evidence are described and illustrated here to provide an account of the burial and the grave goods, and the information they give us about the East Saxon kingdom, where the man lived, and its contacts with Kent, Francia and the Christian Mediterranean.

Magic, sorcery and witchcraft are among the most common themes of the great medieval Icelandic sagas and poems, the problematic yet vital sources that provide our primary textual evidence for the Viking Age that they claim to describe. Yet despite the consistency of this picture, surprisingly little archaeological or historical research has been done to explore what this may really have meant to the men and women of the time. This book examines the evidence for Old Norse sorcery, looking at its meaning and function, practice and practitioners, and the complicated constructions of gender and sexual identity with which these were underpinned. Combining strong elements of eroticism and aggression, sorcery appears as a fundamental domain of women's power, linking them with the gods, the dead and the future. Their battle spells and combat rituals complement the men's physical acts of fighting, in a supernatural empowerment of the Viking way of life. What emerges is a fundamentally new image of the world in which the Vikings understood themselves to move, in which magic and its implications permeated every aspect of a society permanently geared for war. In this fully-revised and expanded second edition, Neil Price takes us with him on a tour through the sights and sounds of this undiscovered country, meeting its human and otherworldly inhabitants, including the Sámi with whom the Norse partly shared this mental landscape. On the way we explore Viking notions of the mind and soul, the fluidity of the boundaries that they drew between humans and animals, and the immense variety of their spiritual beliefs. We find magic in the Vikings' bedrooms and on their battlefields, and we meet the sorcerers themselves through their remarkable burials and the tools of their trade. Combining archaeology, history and literary scholarship with extensive studies of Germanic and circumpolar religion, this multi-award-winning book shows us the Vikings as we have never seen them before.

Torre Abbey is one of the more impressive monastic sites in Devon, both as a ruin and as a conversion to a comfortable post-medieval mansion. Founded in 1196 as a house of the Premonstratensian ‘White Canons’, the church and the monastic buildings round the cloister were built soon after and not greatly modified in later medieval changes. Converted to domestic use after the Dissolution, the Abbot’s house and part of the cloister was for 300 years the home of the Cary family, and it continued as the home of their successors until 1930 when it was acquired by Torquay Borough Council. A major programme of excavation was undertaken on the church by the Exeter Museums Archaeological Field Unit in the 1980s, followed by a series of above-ground investigations of the historic building fabric. A later phase of museum reordering and redisplay led to further exploratory work by Museum of London Archaeology, and then by Oxford Archaeology. This report publishes the results of the excavations and building surveys, including the architectural development of the abbey church and claustral buildings, discoveries made in removing render from the walls of the monastic refectory, and changes made for the post-medieval mansion. Geophysical surveys suggest that much more remains to be discovered on the site. The finds include an impressive collection of worked stone from medieval monuments and architectural features, an important group of ceramic paving tiles, and tantalising remains of stained glass windows. This fully illustrated publication brings to a close a major enterprise in the 30-year investigation of the site and buildings under the auspices of the Torbay Council.

The Bay of Skaill, Marwick Bay, and Birsay Bay form openings in the high sandstone cliffs of Orkney’s Atlantic coast. These west-facing bays have long been favoured locations for settlement, with access to the ocean, to fresh water, to land and to resources for cultivation. The coastline of Orkney’s North-West Mainland is recognised worldwide as a location of exceptional archaeological importance, dominated by the Neolithic world heritage site of Skara Brae, and the Viking-Norse remains on the tidal Brough of Birsay. Many of its archaeological sites have been exposed by coastal erosion, a serious problem which continues its destructive progress with every oceanic storm. Rescue excavation has contributed essential data, but its resources have concentrated on the zone of immediate threat, and until recently less has been understood about the archaeology of the landscape that lies behind the eroding shore. From 2003, a new archaeological research project began to investigate the hinterlands of the three bays. Using the rapidly-developing applications of archaeological geophysics, coupled with topographical survey, it has sought to create a broader and better-informed landscape context. Much of the land is dominated by windblown sand, at the Bay of Skaill and Birsay Bay in particular, reflecting centuries of environmental change, and requiring adaptive methodologies and approaches. Several new areas of archaeological interest have been identified, and many previously-known sites are now better-understood. Excavation was used selectively to test the survey results. In one area in particular, a cluster of large settlement mounds on the northern side of the Bay of Skaill, two major Viking-Norse settlement clusters were identified and investigated. These held exceptionally well-preserved deposits, which have required detailed dating and analysis. The artefact assemblages include evidence for ferrous metalworking along with iron and copper alloy objects, combs, glass and amber beads, worked stone, ceramics and a range of archaeobotanical and archaeozoological remains. A Viking silver hoard discovered in 1858 and a Viking grave uncovered in 1888 are revisited. This monograph brings together the survey and excavation results, and tells a new story of an ancient landscape.