Etai-Eken is a legend told in a series, a cycle of poems, which is to say, told in different languages. The action of the poems in the poem is their moving in and out of the legend by the changes of access to the larger legend; an access of the present in the ancient, of the present’s knowledge and experience of it.

The Axion Esti is probably the most widely read volume of verse to have appeared in Greece since World War II and remains a classic today. Those who follow the music of Greek composer Mikis Theodorakis have been especially drawn to Odysseus Elytis's work, his prose is widely considered a mirror to the revolutionary music of Theodorakis. The "autobiographical" elements are constantly colored by allusion to the history of Greece, thus, the poems express a contemporary consciousness fully resonant with those echoes of the past that have served most to shape the modern Greek experience.

An International Poetry Forum Selection, translated from the Swedish by May Swenson with Leif Sjöberg. Tomas Tranströmer 2011 Nobel Laureate in Literature “Tomas Tranströmer, who is today one of Sweden’s most distinguished poets . .

Shelton says of his work: "I consider myself a regionalist and a surrealist. I have lived in the desert for ten years and hope that my work reflects that fact." In the forty-seven poems in this collection the poet moves backward and forward through time but always in the same landscape, the desert-mountains of southern Arizona, which foster his surrealistic view of his interior conflict. He is followed by peculiarly insistent voices from the past.

C.D. Wright has described Roberson’s work as “lyric poetry of meticulous design and lasting emotional significance," comparing its musical qualities to the work of saxophonist Steve Lacy, jazz pianist Thelonious Monk, and composer Johann Sebastian Bach.

Whoever looks to a new book by James Dickey for further work in an established mode, or for mere novelty, is going to be disappointed. But those who seek instead a true widening of the horizons of meaning, coupled with a sure-handed mastery of the craft of poetry, will find this latest collection satisfying indeed.Here is a man who matches superb gifts with a truly subtle imagination, into whose depths he is courageously traveling-pioneering-in exploratory penetrations into areas of life that are too often evaded or denied. "The Firebombing," "Slave Quarters," "The Fiend"-these poems, with the others that comprise the present volume, show a mature and original poet at his finest.

This volume represents, under one cover, the major work of the man whom critics and readers have designated the authentic poet of his American generation. For this collection, James Dickey has selected from his four published books all those poems that reflect his truest interests and his growth as an artist. He has added more than a score of new poems - in effect, a new book in themselves - that have not previously been published in volume form. Specifically, Poems 1957-1967 contains 15 of the 24 poems that were included in his first book, Into the Stone (1960); 25 of the 36 that made up Drowning With Others (1962); 22 of the 24 in Helmets (1964); the entire 22 in the National Book Award winner Buckdancer's Choice (1965); and, under the titles Sermon and Falling, the exciting new poems mentioned above. Seldom can the word "great" be used of the work of a contemporary in any art. But surely it applies to the poems of James Dickey.

With that three-line epigraph, David Ignatow declares the thrust and purpose of his compelling new book. Unlike his previous work, which was written largely in reaction to the world about him-the urban landscape with its clamor and violence and business pressures-these new poems turn inward. They explore and confirm the individual in his never ending search for awareness and realization: a process in which conflict, love, sorrow, and insight in the end come together into a precarious balance that is its own form of peace.

The poems of Robert Bly are rooted deep in the earth. Snow and sunshine, barns and cornfields and cars on the empty nighttime roads, abandoned Minnesota lakes and the mood of America now-these are his materials. He sees and talks clearly: he uses no rhetoric nor mannered striving for effect, but instead the simple statement that in nine lines can embody a mood, reveal a profound truth, illuminate in an important way the inward and hidden life. This is a poet of the modern world, thoroughly aware of the complexities of the moment but equally mindful of the great stream of life-all life-of which mankind is only a part.

These new poems by the author of Saint Judas and The Green Wall embody a sharp break with his earlier work. Their impact is well described by the British critic Michael Hamburger: "He has absorbed the work of modern Spanish and other continental poets and evolved a medium of his own. This medium dispenses with argument and rhetoric, and presents the pure substance of poetry, images which are 'the objective correlatives' of emotion and feeling. It is only in the new collection that Wright has found this wholly distinctive voice."Mr. Wright is well known for his previous books and his contributions to virtually every literary journal of importance. His numerous honors include a Fullbright fellowship, a Kenyon Review fellowship, and many other prizes and awards.