Rivers, rains, oceans, floods-an abiding fascination with the sea-inspire much of the imagery and musicality in this first book by A.E. Stringer. In Channel markers, Stringer explores the delicate balance between the island of himself and his fluid surrounding environment, embarking on a voyage to find himself and the others-a blind man, a sailor, and a bum-around him. He discovers that solid ground is a place of only tentative security, both threatened and enchanted by the power of the sea.

Night Watch on the Chesapeake is Peter Meinke’s third collection of poetry. The poems traverse a wide landscape of topics from playing baseball, the death of a friend, divorce, and even poetry itself.

When Sam Ray was killed at nineteen in an accident, his father began writing poetry dedicated to his memory. Sam's Book is a collection of these elegies and other poems written during Sam's lifetime. "How should I mourn? " David Ray asks. By recalling poignant events from the past he transcends his grief. He remembers Sam's first bath, a "holy/Rite"; tying the shoelaces of the "little man"; traveling to Greece, where Sam is "the first.../to see the holy moon." With painful wit and regret he summons up the image of his son's blue Toyota, fastidiously transformed by Sam and his girlfriend into a "love nest." Ray muses on what he taught Sam and what Sam taught him. Originally published in 1987, Sam's Book won the 1988 Maurice English Poetry Award.

An outstanding examination of the Crises that lead to the colonial rebellions of 1689.

Winner of the 1987 American Book Award The Essential Etheridge Knight is a selection of the best work by one of the country’s most prominent and liveliest poets. It brings together poems from Knight’s previously published books and a section of new poems.

This book documents the Innuit use of the kayak and umiak boats. The kayak was predominantly a hunting boat, used for long voyages, usually up rivers and streams. The umaik, by contrast, was for hunting and travelling, and was often taken whale-hunting off the north coast of Alaska. The book is divided into two sections - one for each boat type - and is lavishly illustrated throughout.

The Stock Exchanges of Ireland traces the evolution of the markets which have operated in Ireland from their emergence (Dublin at the end of the eighteenth century, and later Belfast and Cork in the nineteenth) to the mid-1980s when this book was published. It starts with the historical circumstances - the beginnings of the Irish National Debt in the mid-eighteenth century and the problems of government borrowing in time of peace and war - which preceded the formation, in 1799, of the Dublin Stock Exchange. Later chapters examine many aspects of the market's development during the nineteenth century: changes in its practices and customs; the origins of some of the oldest surviving broking firms; the important trade in government securities between London and Dublin; the Irish railways; and the formation of joint stock companies in Ireland. Finally, the role of the Stock Exchange in the finance of government and industry since Irish independence is fully covered. Throughout, The Stock Exchanges of Ireland is soundly based on the surviving records (to which the author was granted full access) of the three Irish markets - Dublin, Cork and Belfast. Important new material was also obtained from the Irish Record Office, the National Library of Ireland, the archives of the Bank of Ireland and the Record Office of the Bank of England. The book makes a comprehensive and significant contribution to Irish and financial history, and will prove an essential work of reference. It is also a lively, readable account of growth, change and development in the Irish markets, which should interest all concerned with banking, finance, investment and stockbroking. Among W. A. Thomas's other publications on the history of financial institutions are The Stock Exchange: Its History and Functions (with E. Victor Morgan) (1962), The Provincial Stock Exchanges (1973) and The Finance of British Industry 1918-1966 (1980) .

Cold Comfort is a book of poems written out of deep affection and concern for the world in a dangerous time. An urbane stylist, Anderson characteristically focuses on rural and small-town America, where the events of personal history intersect those of the larger world.

• Winner of the 1987 William Carlos Williams Award presented by the Poetry Society of AmericaWith The Imaginary Lover, Alicia Suskin Ostriker takes her place among the most striking and original poets whose work is informed by feminist consciousness. Her characterization of the best poetry by women, in the New York Times Book Review, aptly describes this book: “intimate rather than remote, passionate rather than distant, defying divisions between emotion and intellect, private and public, life and art, writer and reader.” To read her poems is to “discover not only more of what it means to be a woman but more of what it means to be human. ”

In Evidence is a collection of poems in the voices of allied troops who liberated Nazi concentration camps in Europe in the sprong of 1945. Barbara Helfgott Hyett heard poems in the eyewitness testimony of United States soldiers. She has shaped the words of thirty speakers into a songle narrative, a single voice.

This book introduces to a larger audience the work of a group of Mexican writers whose work reflects the stimulus of the \u201cboom\u201d of the 1960s, especially in the experimental nueva novella.Duncan views the work of six writers in the context of more well known writers of the period (Ruflo, Fuentes, and Del Paso), and concludes with a chapter on other recent innovators in Mexican literature. Despite their diversity, these texts share many common features, and unlike social realism, the works are not openly political, but at the same time they question assumptions about reality itself-and the relation of fiction to truth.

Colley Cibber changed the course of the English-speaking theater. One of the most complete theater men in the history of the stage, he fostered the change from drama as the handmaiden of literature to theater as an independent and lively art. In the process, Cibber became one of London's brightest stars, one of its most popular playwrights and, for thirty years, manager of the most important theater in England, Drury Lane. Yet above all, Cibber was an actor, and this fact governed his life and career. In his plays, he demonstrated a remarkable awareness of the audience in the playhouse, while the character of a fool, which he created for the stage, gradually became the mask he wore in private life. The man himself achieved fame and wealth and gained powerful friends who gave him the post of Poet Laureate. But the mask and his success brought equally powerful enemies who made him the target of their ridicule and succeeded in destroying his reputation.Since then the distorted image created by Pope and Fielding has amused generations of readers, but it does not explain how such a supposed fool remained a favorite with the public throughout his career, had more plays in the repertory than any other contemporary author, successfully managed a major theatrical company, or wrote the best theatrical history of his age. This biography looks at the man behind that distorting mask, his position in his own time, and his contribution to the theater.

Shakespeare was clearly fascinated by the relationship between fathers and daughters, for this primal bond of domination and defiance structures twenty-one of his comedies, tragedies, and romances. In a conflict that is at once social and interpersonal, Shakespeare's fathers demand hierarchical obedience while their daughters affirm the new, more personal values upheld by Renaissance humanists and Puritans.In her penetrating analysis of this compelling relationship, Diane Dreher examines the underlying psychological tensions as well as the changing concepts of marriage and the family during Shakespeare's time. She points to the pain and conflict caused by sex role polarization. Shakespeare's possessive fathers tyrannize over their daughters, unwilling to relinquish their "masculine" power and control and leaving these young women with only two alternatives: paternal domination or defiance and loss of love. The logic of Shakespeare's plays repudiates traditional stereotypes, showing how women like Ophelia and Desdemona are destroyed by conforming to the passive Renaissance ideal.The book concludes with a consideration of Shakespeare's androgynous characters -- dynamic women in doublet and hose, and fathers who become sensitive, caring, and empathetic. Shakespeare's balanced characters thus reconcile the polarities within themselves and bring greater harmony to their world.Domination and Defiance is the first book on this most provocative relationship in Shakespeare. Shedding new light on the complex father-daughter bond, character, and motivation, it makes a major contribution to literary studies.

Ann Beattie, Annie Dillard, Maxine Hong Kingston, Toni Morrison, Cynthia Ozick, Grace Paley, Marge Piercy, Anne Redmon, Anne Tyler, and Alice Walker all seem to be especially concerned with narrative management. The ten essays in this book raise new and intriguing questions about the ways these leading women writers appropriate and transform generic norms and ultimately revise literary tradition to make it more inclusive of female experience, vision, and expression.The contributors to this volume discover diverse narrative strategies. Beattie, Dillard, Paley, and Redmon in divergent ways rely heavily upon narrative gaps, surfaces, and silences, often suggesting depths which are lamentably absent from modern experience or which mysteriously elude language. For Kingston and Walker, verbal assertiveness is the focus of narratives depicting the gradual empowerment of female protagonists who learn to speak themselves into existence.Ozick and Tyler disrupt conventional reader expectations of the "anti-novel" and the "family novel," respectively. Finally, Morrison's and Piercy's works reveal how traditional narrative forms such as the Bildungsroman and the "soap opera" are adaptable to feminist purposes.In examining the writings of these ten important women authors, this book illuminates a significant moment in literary history when women's voices are profoundly reshaping American literary tradition.

This book is characterized by narrative vitality and emotional range. In Wetherell’s stories a suburban retiree’s assumptions about the ethos of Long Island life are challenged and dismissed by a younger generation, a young English woman achieves miracles by dancing with wounded soldiers during World War II, a tennis-mad bachelor plays an interior game as real to him as an actual match, and a black drifter converts an Asian couple to his bleak vision of American life and finds strange kinship with them.

The disagreement of philosophers is notorious. In this book, Rescher develops a theory that accounts for this conflict and shows how the basis for philosophical disagreement roots in divergent 'cognitive values'-values regarding matters such as importance, centrality, and priority. In light of this analysis, Rescher maintains that, despite this inevitable discord, a skeptical or indifferentist reaction to traditional philosophy is not warranted, seeing that genuine value-conflicts are at issue. He argues that philosophy is an important and worthwhile enterprise, notwithstanding its inability to achieve rationally constrained consensus on the issues. Given the nature of the enterprise, consensus is not a realistic goal, and failure to achieve it is not a defect. Accordingly, Rescher argues against the revisionist views proposed by Richard Rorty and Robert Nozick. His discussions are devoted to providing a clear view of why philosophical problems arise and how philosophers address them.