This book presents the positions held by ḥanafite Muslim jurists in South Asia in the 17th century with regard to the coexistence of Muslims and non-Muslims, and, secondly, compares the opinions put forth by these South Asian jurists with those maintained by their counterparts in Central Asia and the Middle East.

This collection of essays explores the rise of scientific medicine and its impact on Victorian popular culture. Chapters include an examination of Charles Dickens’s involvement with hospital funding, concerns over milk purity and the theatrical portrayal of drug addiction, plus a whole section devoted to the representation of medicine in crime fiction. This is an interdisciplinary study involving public health, cultural studies, the history of medicine, literature and the theatre, providing new insights into Victorian culture and society.

Toi Derricotte’s story is a hero’s journey - a poet earning her way home, to her own commanding powers. “I”: New and Selected Poems shows the reader both the closeness of the enemy and the poet’s inherent courage, inventiveness, and joy. It is a record of one woman’s response to the repressive and fracturing forces around the subjects of race, class, color, gender, and sexuality. Each poem is an act of victory as the author finds her way through repressive forces to speak with beauty and truth. This collection features more than thirty new poems as well as selections from five previous collections.

Following modern and postmodern philosophy’s critique of metaphysics, experiences of transcendence are often considered ‘aesthetic’ rather than ‘metaphysical.’ However, aesthetics is mostly identified with the study of art, and aesthetic phenomena are considered particularly sensuous. This book criticizes such an approach to aesthetics, which has led many philosophers and theologians to neglect or reject aesthetics as a philosophical or theological discipline. It demonstrates how contemporary philosophy and theology may benefit from studying the mind-opening and world-transformative nature of our experiences of transcendence. In addition, it presents the significance of such experiences for the understanding of, for example, art, faith, prayer, presence, beauty, sensitivity, imagination, receptivity, and divinity. Imaginative Moods: Aesthetics, Religion, Philosophy is related to the simultaneously published monograph Poetic Inclinations: Ethics, History, Philosophy. Together they constitute a comprehensive presentation in English of the author’s philosophy of experience, which includes new ways of conceiving of and applying aesthetics, hermeneutics, and phenomenology, and of integrating these disciplines, as well as theology.

Philosophy originates in wonder that generates sensitive thinking, also called ‘aesthetic thinking’—an expanded mode of thought that bridges and dissolves contradictions. This book questions the disregard for such thinking in modern society, including the neglect of it in most educational institutions and contemporary research. It describes what it means to think in an aesthetic way when ‘aesthetic’ is synonymous with ‘sensitive’ (not ‘sensuous’), including how such thinking may foster human well-being and develop our notions of history, hospitality, freedom, and the good life. The formative nature of aesthetic thinking is presented alongside the attestation of its relevance in many disciplines and a broad spectrum of society—in border studies, education policy, and social work, and in life in general. Poetic Inclinations: Ethics, History, Philosophy is related to the simultaneously published monograph Imaginative Moods: Aesthetics, Religion, Philosophy. Together they constitute a comprehensive presentation in English of the author’s philosophy of experience, which includes new ways of conceiving of and applying aesthetics, hermeneutics, and phenomenology, and of integrating these disciplines, as well as theology.

The first ever critical edition and complete translation of the Syriac Life of Saint Simeon of the Olives, who was an abbot of Qartmin Monastery in Tur Abdin and a bishop of the city of Harran in the late seventh and early eighth century AD.

Recognized as a saint by both Chalcedonian and non-Chalcedonian Christians alike, Jacob of Sarug (d. 521) produced many narrative poems that have rarely been translated into English. Of his reported 760 metrical homilies, only about half survive. Part of a series of fascicles containing the bilingual Syriac-English editions of Saint Jacob of Sarug’s homilies, this volume contains his homily on Samson. The Syriac text is fully vocalized, and the translation is annotated with a commentary and biblical references. The volume is one of the fascicles of Gorgias Press's Complete Homilies of Saint Jacob of Sarug, which, when complete, will contain all of Jacob’s surviving sermons.

The Ṣaḥīfa of Medina is preserved thanks to two 9th century historiographers: Ibn Hishām and Abū ‘Ubayd. It clearly illustrates, through variants present in both the text and its chain of transmission, the challenges posed by sources that reach us by way of oral tradition. The present investigates its nuances, as adding greater clarity to the social and political context of this challenging and important text.

The Armenian Church Synaxarion is a collection of saints' lives according to the day of the year on which each saint is celebrated. Part of the great and varied Armenian liturgical tradition from the turn of the first millennium, the first Armenian Church Synaxarion represented the logical culmination of a long and steady development of what is today called the cult of the saints. This volume, the first Armenian-English edition, is the seventh of a twelve-volume series - one for each month of the year - and is ideal for personal devotional use or as a valuable resource for anyone interested in saints.

This is not a conventional history book. It is rather a study of the sociology of historical writing about a period that, although quite distant in time (330 B.C. to A.D. 670), still influences political discourse about the Arab world, and especially the relationship between the West and the Middle East. This book focuses on the riddle of the disappearance of the Arabs from history before Islam, their sudden appearance behind the banners of the Prophet, and the powerful and traumatic effect this emergence into world history has had on the relationship between the Arabs and the West.

This study into both reformism and mysticism demonstrates both that mystical rhetoric appeared regularly in supposedly anti-mystical modernist writing and that nineteenth- and twentieth-century Sufis actually addressed questions of intellectual and political reform in their writing, despite the common assertion that they were irrationally traditional and politically quietist.

In and Around Maimonides presents eight highly focused studies on Moses Maimonides and those around him.

Fostering a dialogue enriched by contributions from both the analytic and the continental tradition (and drawing on authors such as Broch, Diderot, Levinson, and Wittgenstein), this volume delves into the complex relationship between aesthetics and values. Notably, it focuses on decisive aspects of the nature of aesthetic value and its multiple connections to other kinds of value. This concerns not only the issue of how it can be distinguished from artistic value, with which it is often associated and sometimes even confused, but also, as is becoming increasingly evident in the contemporary debate, the urgency of inquiring into how aesthetic and artistic values relate to moral, cognitive, and political values.

Holoholo is the Hawaiian word for walking out with no destination in mind. In the three sections of this book, Barbara Hamby walks out into the current American chaos with its inferno of wars, street violence, apocalyptic fantasies, and racial tension. Fueled by an American lingo that embraces slang, Yiddish, street talk, and the yearning to be able to describe her moment in time, these poems encompass the complicated past, difficult present, and unknown future. Every foray offers a glimpse of the world constructed from one woman's collage of consciousness.

For twenty years, Ilan Stavans has been translating poetry from Spanish, Yiddish, Hebrew, French, Portuguese, Russian, German, Georgian, and other languages. His versions of Borges, Neruda, Sor Juana Inés de la Cruz, Ferreira Gullar, Raúl Zurita, and dozens of others have become classics. This volume, which includes poems from more than forty poets from all over the world, is testimony to a life dedicated to the pursuit of beauty through poetry in different languages.

In this 19th century Russian social novella, two contrasting characters - one a western-educated intellectual, the other a hidebound country squire - find themselves thrown together on a long cross country journey in a primitive but sturdy carriage - a tarantas. Their shared observations as the troubled panorama of the Russian countryside rolls past is the basis for this commentary on the country’s prospects for social change. Renowned translator Michal R. Katz offers the first new translation of this overlooked novella since the late 1800s, shortly after original publication.