A miscreant, misanthrope, and misfit, two-nosed Luther Jukes lands in jail for murdering a man who insulted his froglike facial features. As Luther schemes in his cell, "hoosegow scullery maid" Juanita Sparks frets over an unwanted pregnancy. But there may be a bit of magic that can sort out this mess. In the style of underground comix, Ed McClanahan and J. T. Dockery present Juanita and the Frog Prince, an outrageous tale adapted from McClanahan's novella of the same name, originally published in A Congress of Wonders. Set in 1940s Kentucky, Juanita features a cast of characters trying to get ahead at all costs, including the Right Reverend Philander Cosmo Rexroat, redheaded rich boy Warren Harding Skidmore, and "Bad-Cess" Sallie Jukes, the town apothecary rumored to have "access to sinister forces." Rendered in bold strokes of ink that swirl from panel to panel, Luther's and Juanita's stories become further entangled until, in desperation, they attempt to harness the power of a lucky toadstone to create their own fairytale ending -- or do they?Juanita and the Frog Prince is a southern Gothic psychedelic trip of a comic that will enrapture readers until the stroke of midnight -- and the final KLANG of the clocktower bell.

A critique of rationalism, this book aims to explain both its powerful contributions to mathematics and the physical sciences, where our arithmetical, geometrical, and mechanical intuitions have had a highly productive role in the development of pure theory, and its disastrous failures in cosmology and the moral sciences. In these supposed sciences, rationalism has all but destroyed the social conscience of the West by creating the disastrous political philosophy of neoliberalism. To reset our moral compasses, we must develop new, socially just versions of the old welfare states. And to restore democracy we must return to Keynesian economic management.

Should we blame our neighbour for forgetting to water our plants? To what extent are people responsible for the consequences of their actions? When is it fair to condemn a wrongdoer? Practical philosophy has a long-standing interest in the mechanisms that drive responsibility ascriptions (how and why should we hold people responsible?), and in the conditions that make those ascriptions legitimate (when is it fair to do so?). By default, healthy adults whose behaviour is interpretable by reference to their psychological makeup are held responsible for their actions. However, in the last few decades in particular, the scope and meaning of the notion of responsibility have been targeted by growing scepticism. In its first part, this volume explores and discusses the most promising accounts of responsibility emerging in the philosophical debate on the topic. In the second part, the book outlines a novel proposal about the enabling conditions, the meaning and the intersubjective role of responsibility ascriptions.

Steven Pinker’s book 'Enlightenment Now' establishes that great progress has been made on the aims of the European Enlightenment. However, the minds of many economists, moralists and political thinkers in the West are still set firmly in the eighteenth century. Progress has been due mainly to the physical scientific revolutions of the 19th and 20th centuries, and the industrial revolutions they generated. A new enlightenment is needed to overcome this poverty of social theory, and bring our economists and political theorists up to date in the socially connected, commercially integrated and existentially threatened world of the 21st century.

In March 1856, a dead body washed onto the shore of the Mississippi River. Nothing out of the ordinary. In those days, people fished corpses from the river with alarming frequency. But this body, with its arms and legs tied to a chair, struck an especially eerie chord. The body belonged to a man who had been a passenger on the luxurious steamboat known as the Ohio Belle, and he was the son of a southern planter. Who had bound and pitched this wealthy man into the river? Why? As reports of the killing spread, one newspaper shuddered, "The details are truly awful and well calculated to cause a thrill of horror."Drawing on eyewitness accounts, Murder on the Ohio Belle uncovers the mysterious circumstances behind the bloodshed. A northern vessel captured by secessionists, sailing the border between slave and free states at the edge of the frontier, the Ohio Belle navigated the confluence of nineteenth-century America's greatest tensions. Stuart W. Sanders dives into the history of this remarkable steamer -- a story of double murders, secret identities, and hasty getaways -- and reveals the bloody roots of antebellum honor culture, classism, and vigilante justice.

Despite the stereotypes and misconceptions surrounding Appalachia, the region has nurtured and inspired some of the nation's finest writers. Featuring dozens of authors born into or adopted by the region over the past two centuries, Writing Appalachia showcases for the first time the nuances and contradictions that place Appalachia at the heart of American history.This comprehensive anthology covers an exceedingly diverse range of subjects, genres, and time periods, beginning with early Native American oral traditions and concluding with twenty-first-century writers such as Wendell Berry, bell hooks, Silas House, Barbara Kingsolver, and Frank X Walker. Slave narratives, local color writing, folklore, work songs, modernist prose -- each piece explores unique Appalachian struggles, questions, and values. The collection also celebrates the significant contributions of women, people of color, and members of the LGBTQ community to the region's history and culture. Alongside Southern and Central Appalachian voices, the anthology features northern authors and selections that reflect the urban characteristics of the region. As one text gives way to the next, a more complete picture of Appalachia emerges -- a landscape of contrasting visions and possibilities.

The aim with the present series, The Quran: Word List, is to present every word form in the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In volumes one and two each attested word form in the Quran is listed alphabetically with no parsing and no alteration. These are listed by word form < lemma < root. Volume three consists of two sections. In section one, the lemmas assigned to each attested word form are listed. In section two, the assigned roots are listed. In assigning each word a root and lemma, Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The aim with the present series, The Quran: Word List, is to present every word form in the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In volumes one and two each attested word form in the Quran is listed alphabetically with no parsing and no alteration. These are listed by word form < lemma < root. Volume three consists of two sections. In section one, the lemmas assigned to each attested word form are listed. In section two, the assigned roots are listed. In assigning each word a root and lemma, Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The aim with the present series, The Quran: Word List, is to present every word form in the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In volumes one and two each attested word form in the Quran is listed alphabetically with no parsing and no alteration. These are listed by word form < lemma < root. Volume three consists of two sections. In section one, the lemmas assigned to each attested word form are listed. In section two, the assigned roots are listed. In assigning each word a root and lemma, Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

Hailed by Milan Kundera as “an heir of Joyce and Kafka,” Prix Goncourt winner Patrick Chamoiseau is among the leading Francophone writers today. With most of his novels having appeared in English, this book opens a new window on his oeuvre. A moving poetic essay that bears witness to the forgotten history of the French penal colony in French Guiana, French Guiana: Memory Traces of the Penal Colony (Guyane: Traces-Mémoires du bagne) is accompanied by more than sixty evocative color photographs by Rodolphe Hammadi and translated, here for the first time, deftly by Matt Reeck.

Patricia Crone reassesses one of the most widely accepted dogmas in contemporary accounts of the beginnings of Islam: the supposition that Mecca was a trading center. In addition, she seeks to elucidate sources on which we should reconstruct our picture of the birth of the new religion in Arabia.

In 1773, a young, African American woman named Phillis Wheatley published a book of poetry that challenged Western prejudices about African and female intellectual capabilities. Based on fifteen years of archival research, The Age of Phillis, by award-winning writer Honorée Fanonne Jeffers, imagines the life and times of Wheatley: her childhood in the Gambia, West Africa, her life with her white American owners, her friendship with Obour Tanner, and her marriage to the enigmatic John Peters. Woven throughout are poems about Wheatley’s “age”—the era that encompassed political, philosophical, and religious upheaval, as well as the transatlantic slave trade. For the first time in verse, Wheatley’s relationship to black people and their individual “mercies” is foregrounded, and here we see her as not simply a racial or literary symbol, but a human being who lived and loved while making her indelible mark on history.

This book stresses the importance of returning to David Hume’s political thought, focusing on his ideas about the origin of government and political obedience, and his vision of the ideals of liberty, property, political stability, and moderation, all of which represent a precious source of inspiration for the development of political conservatism. Spartaco Pupo outlines the principle, counter-revolutionary features that characterise Hume’s conservatism: political realism; mistrust of sudden and violent innovations; scepticism toward abstractions; opposition to rationalist arrogance; respect for custom and institutional continuity; the need for the preservation of stability; rejection of ideological rhetoric, sectarianism, and dogmatism; constant denial of intellectual subsidies; and the defence of the national interest. In so doing, Pupo argues that Hume’s ‘sceptical’ and ‘secular’ version of conservatism – the fi rst to appear on the political scene of modernity – differs signifi cantly from the Anglo-American conservatism that was to arise a few decades after his death, in the wake of Edmund Burke’s writings.

Martin Kern has a special sensitivity to fonts, a skill that he uses to solve typographical crimes. When a local printer is found dead in his workshop, his body in the shape of an X, Martin and his co-investigator, journalist Lucy Tan, are drawn into a mystery that is stranger than anything they have encountered before. Someone is leaving typographical clues at the scenes of a series of murders. All the trails lead back to Pieter van Floogstraten, a Dutch design genius who disappeared without trace in the 1970s, and who has since been engaged in a mystical scheme to create the world’s most perfect font, which is concealed in locations around the globe. But is he really the killer, and how are the crimes connected to his secret font? In solving the mystery, Martin and Lucy may have to expose Martin’s hero as a psychopath. The main plot of the novel unfolds in Melbourne, while interleaved chapters set variously in a Tibetan monastery, on the plains of Peru, in London, Naples and Amsterdam, gradually reveal the story of Floogstraten in flashback. Other characters include a noir-style private font investigator, a typographical monk from the Renaissance, a Dutch prog rock group named I Am A Dolphin, and a collective of Italian typo-terrorists. This novel takes the reader into the arcane world of typographers and their typefaces, of symbols, swashes and glyphs, where the difference between a serif and sans serif could mean life and death.

War and its aftermath change the lives of everyone they touch. In 1946 the Japanese War Crime Trials begin in Tokyo, where General MacArthur is initiating his grand strategy for converting Japan to a democracy and a bastion against Asian communism. Bill Liston, an Australian law lecturer conscripted to assist in the prosecutions, is embroiled in the dubious legal manoeuverings and questionable summary justice. His fiancée Irene White remains in Brisbane. Both are brought into contact with survivors of the war years – an exotic Dutch commando, a martinet Land Army Officer, teenage prisoners of war rescued from the sinking of HMAS Perth, military and legal careerists, and shattered Japanese civilians. Amongst all of this, Bill and Irene struggle to resolve their relationship and their future.

On Bondi Beach tells the story of a day in Bondi by allowing residents and visitors to tell their stories. The beach changes as the day passes. Different people arrive and leave, and as their lives and stories intersect, those being talked about become those who are talking. This is a book about living in a particular place, but it is also about contemporary Australia, flourishing in transience and diversity.