The philosopher and novelist Ayn Rand (1905-1982) is a cultural phenomenon. Her books have sold more than twenty-eight million copies, and countless individuals speak of her writings as having significantly influenced their lives. Despite her popularity, Rand’s philosophy of Objectivism has received little serious attention from academic philosophers. Concepts and Their Role in Knowledge offers scholarly analysis of key elements of Ayn Rand’s radically new approach to epistemology. The four essays, by contributors intimately familiar with this area of her work, discuss Rand’s theory of concepts - including its new account of abstraction and essence - and its central role in her epistemology; how that view leads to a distinctive conception of the justification of knowledge; her realist account of perceptual awareness and its role in the acquisition of knowledge; and finally, the implications of that theory for understanding the growth of scientific knowledge. The volume concludes with critical commentary on the essays by distinguished philosophers with differing philosophical viewpoints and the author’s responses to those commentaries. This is the second book published in Ayn Rand Society Philosophical Studies, which was developed in conjunction with the Ayn Rand Society to offer a fuller scholarly understanding of this highly original and influential thinker. The Ayn Rand Society, an affiliated group of the American Philosophical Association, Eastern Division, seeks to foster scholarly study by philosophers of the philosophical thought and writings of Ayn Rand.

Queerness, labels, and allyship are central themes in this moving collection of stories set in Turkey, where Middle Eastern and Euro-American expressions of identity collide and naming one's orientation is a fraught endeavor. An eleven-year-old undergoes hand surgery that will allow him to wear a wedding ring in adulthood. Two college roommates reach an erotic understanding as they indulge in dessert. A sex worker meets an American same-sex marriage activist in the Aegean countryside. A passionate hookup during Istanbul Pride ends in teargas. Two friends' tempers flare over cold red wine on a hot summer night by the Dardanelles. A father, his son, and the son's drag queen boyfriend bond over classic Turkish cinema on the Mediterranean coast. In Sweet Tooth and Other Stories, Serkan Görkemli weaves together interconnected narratives of four Turkish characters—Hasan, Gökhan, Nazlý, and Cenk—who search for clarity, love, and acceptance amid social change. Set in a rich mixture of urban and rural locales, the stories take place from the 1980s through the 2010s against the backdrop of Turkey's transition from military-backed secularism to the rise of the religious right, local and global media representations, and the emergence of LGBTQ+ identities. Görkemli creates a complex and engaging network of plots about his characters' struggles and triumphs in navigating families, communities, and themselves. Braving discrimination, they strive to embrace their identities and find joy, solace, and approval within a society that marginalizes who they are and how they love.

Incantation and elegy shine through one another in this extraordinary poetic memoirWhen poet Danielle Vogel began writing meditations on the syntax of earthen and astral light, she had no idea that her mother's tragic death would eclipse the writing of that book, turning her attention to grief's syntax and quiet fields of cellular light in the form of memory. Written in elegant, crystalline prose poems, A Library of Light is a memoir that begins and ends in an incantatory space, one in which light speaks. At the book's center glows a more localized light: the voice of the poet as she reflects, with ceremonial patience, on the bioluminescence of the human body, language's relationship to lineage, her mother's journals written during years of estrangement from her daughter, and the healing potential of poetry. A mesmerizing elegy infused with studies of epigenetic theory and biophotonics, A Library of Light shows that to language is to take part in transmission, transmutation of energy, and sonic (re)patterning of biological light.[sample poem]When we are. When we are there, we lay togetherand cover ourselves with our voices. When we areten, we are also twenty-one. We speak of breathing,but this is a thing we cannot do. When we areseven, we are also eighteen. When we are eighteen,we begin our bodies. But we are unmappable,unhinged. A resynchronization of codes, thecrystalline frequencies of stars, seeds, vowels, lyingdormant within you. We are the oldest dialect. Asound the voice cannot make but makes.

The definitive guide to a major African American poet. This volume promises to be the definitive guide to Calvin C. Hernton's unparalleled poetic career, re-introducing readers to a major voice in American poetry. Hernton was a cofounder of the Umbra Poets Workshop; a participant in the Black Arts Movement, R. D. Laing's Kingsley Hall, and the Antiuniversity of London; and a teacher at Oberlin College who counted amongst his friends bell hooks, Toni Morrison, and Odetta. As a pioneer in the field of Black Studies, Hernton developed a theoretical and practical pedagogy with lasting impact on generations of students. He may be best known as an anti-sexist sociologist, following in the footsteps of W.E.B. Du Bois, but Hernton viewed himself, above all, as a poet. This volume includes a generous selection of Hernton's previously published poems, from classics like the often anthologized "The Distant Drum" to the visionary epic The Coming of Chronos to the House of Nightsong, reprinted in full for the first time since 1964, alongside uncollected and unpublished material from the Calvin C. Hernton papers at Ohio University, a new critical introduction, and detailed notes, chronology, and bibliography. [sample poem] The Distant Drum I am not a metaphor or symbol.This you hear is not the wind in the trees.Nor a cat being maimed in the street.I am being maimed in the streetIt is I who weep, laugh, feel pain or joy.Speak this because I exist.This is my voiceThese words are my words, my mouthSpeaks them, my hand writes.I am a poet.It is my fist you hear beatingAgainst your ear.

A Black poet performs a shamanic soul retrieval of the seven-hundred-year-old diasporic Black arts traditionContinuing her search for a neotropical mythos in this brilliant second collection, poet fahima ife articulates various scenes of subduction. Spoken in quiet recognition and grounded in desire, Septet for the Luminous Ones imagines a lush soundscape textured in oblique spiritual fusion of the Taíno and Yoruba. Or, what it sounded like coming together for the first time, and what it sounds like ever after, breathless, diaspora calling. Similar to the incidents in Maroon Choreography, what resounds in these poems is an ecstatic love song of the Caribbean Americas, of the main lands and islands, shaped and reshaped as breathwork, ritual, communion, and fantasy. In essence, the collection speaks to raise the vibrational frequencies of all beings on Earth through a pulse of Black English.[sample poem]preface to a twenty-volume spiritual ascentneoromanticismthe seven players, and our consortsi am like a radio, channel of my own

The definitive edition of the complete work of a master Caribbean poet The Complete Poetry of Aimé Césaire gathers all of Cesaire's celebrated verse into one bilingual edition. The French portion is comprised of newly established first editions of Césaire's poetic ouvre made available in French in 2014 under the title Poésie, Théâtre, Essais et Discours, edited by A. J. Arnold and an international team of specialists. To prepare the English translations, the translators started afresh from this French edition. Included here are translations of first editions of the poet's early work, prior to political interventions in the texts after 1955, revealing a new understanding of Cesaire's aesthetic and political trajectory. A truly comprehensive picture of Cesaire's poetry and poetics is made possible thanks to a thorough set of notes covering variants, historical and cultural references, and recurring figures and structures, a scholarly introduction and a glossary. This book provides a new cornerstone for readers and scholars in 20th century poetry, African diasporic literature, and postcolonial studies.

The first comprehensive keyword-in-context concordance to the Syriac New Testament in six large volumes. It unlocks the treasure trove of the Syriac New Testament Peshitta readings and helps the reader to dive into the heart of this ancient Christian text, exploring its linguistic nuances, contextual meanings, and spiritual depths.

The first bilingual edition of this radically original work Aimé Césaire's masterpiece, Notebook of a Return to the Native Land, is a work of immense cultural significance and beauty. This long poem was the beginning of Césaire's quest for négritude, and it became an anthem of Blacks around the world. Commentary on Césaire's work has often focused on its Cold War and anticolonialist rhetoric—material that Césaire only added in 1956. The original 1939 version of the poem, given here in French, and in its first English translation, reveals a work that is both spiritual and cultural in structure, tone, and thrust. This Wesleyan edition includes the original illustrations by Wifredo Lam, and an introduction, notes, and chronology by A. James Arnold.

The fall of the Iron Curtain in the early 1990s ushered in a new tide of European immigrants to the United States. These populations, which hailed primarily from Eastern Europe and the former Soviet Union, were largely adrift in America's cultural melting pot. Laden with their belongings and informed by their experiences, these immigrants became citizens of a new diaspora searching for space to exist in their adopted home. In Between a Bird Cage and a Bird House, author Katerina Stoykova follows that which "calls / the roaming mind / looking for land" with the shell of her homeland at her back. Through themes of domestic abuse, the death of a parent, the loss of a friend, and the search for cultural identity, the poems in this collection transcend the borders of language and nation-states. As a Bulgarian immigrant, Stoykova weighs the differences between safety and captivity, exploring how one can feel sheltered yet still not feel at home.Through a series of addresses to her new domestic partner, America, the speaker in this collection expresses gratitude while simultaneously interrogating the landscape that has come to "home" her. With every line of verse, Stoykova's unique grasp on the turns of the English language brings a fresh perspective to immigrant identity and lays bare the terrifying and thrilling duality of living between two cultures.

Amy M. Alvarez explores the cultural, spiritual, and place-based experiences of Afro-Caribbean and African American diasporic peoples in this haunting and emotionally charged collection of poems that meditates on the meaning of home and existence. Born in New York City to Jamaican and Puerto Rican parents, Alvarez draws readers into a journey of self-discovery and identity, connecting the past with the present while highlighting the complexities of navigating life as a multicultural American. The musicality of her language weaves together themes of environment, family, and migration, as well as her own ancestry as a Black Latinx woman. Makeshift Altar is an intimate collection that explores identities forged by colonialism and displacement and shaped by individual choice and collective power.

A chapbook from Pulitzer Prize winner Rae Armantrout on climate change.Notice is the product of a life-long interest in natural sciences by Pulitzer Prize winning poet Rae Armantrout. The collection draws poems from her previous books calling our attention to how language frames and shapes our relationships to climate and kin. The title is a call to take heed of the signs coming to us daily. "Notice" can be read as a noun or a verb. As a noun it might be thought of as a public warning. The author has selected poems that respond in various ways to the environmental crisis which we all see developing and about which we don't seem to be able to take appropriate action. The poem "Preparedness," for instance, hazards a wild guess about the cause of this failure to act. Some of the poems here address the problem directly. In others the focus is broader or the approach more subtle. There are even a few poems in which the author allows for something like hope.

Joshua "Josh" Gibson (1911–1947) is a baseball legend - one of the greatest power hitters in the Negro Leagues, and in all of baseball history. At the height of his career, this trailblazing athlete suffered grueling physical ailments, lost his young wife who died giving birth to their twins, and endured years of Jim Crow–era segregation and discrimination - all the while breaking records on the ball field. Dorian Hairston's debut poetry collection explores the Black American experience through the lens of Gibson's life and seventeen-year baseball career, which culminated in his posthumous election to the Baseball Hall of Fame in 1972. Hairston brilliantly reconstructs the personas of Gibson and others in his orbit whose encounters with white supremacy interweave with the inevitability of losing loved ones. By alternating between the perspectives of Gibson, members of his family, and contemporary Black baseball players, Hairston captures the complexity and the pain of living under the oppressive weight of grief and racial discrimination. Emotive, prescient, and absorbing, these powerful poems address social change, culture, family, race, death, and oppression—while honoring and giving voice to Gibson and a voiceless generation of African Americans.

The Safety of Small Things meditates on mortality from a revealing perspective. Images of stark examination rooms, the ravages of chemotherapy, biopsies, and gel-soaked towels entwine with remembrance to reveal grace and even beauty where they are least expected. Jane Hicks captures contemporary Appalachia in all of its complexities: the world she presents constantly demonstrates how the past and the present (and even the future) mingle unexpectedly. The poems in this powerful collection juxtapose the splendor and revelation of nature and science, the circle of life, how family and memory give honor to those we've lost, and how they can all fit together. This lyrical and contemplative yet provocative collection sings a song of lucidity, redemption, and celebration.

ANTHROPOCENE AND CRITICAL PHENOMENOLOGY. CRITICAL PHENOMENOLOGY AFTER MERLEAU-PONTY (PART II). AROUND MERLEAU-PONTY. TEXTS BYNicola Banwell, Gael Caignard, Myriam Coté, Stanislas De Courville, Gianluca De Fazio, Elena De Silvestri, Luca Fabbris, Emmanuel Falque, Giovanni Fava, Lisa Guenther, Galen A. Johnson, Rajiv Kaushik, Corinne Lajoie, Emily S. Lee, Federico Leoni, Paolo Missiroli, Cinzia Orlando, Pietro Pasquinucci, Marie-Anne Perreault, Stéphanie Perruchoud, Andrea Pitts, Joel Michael Reynolds, Camille Roelens, Tristana Martin Rubio, Davide Scarso, Alessandra Scotti, Jenny Slatman, Bryan Smyth, Ted Toadvine

The contagious joy of a party, the solemn silence in a church, the gloomy atmosphere of endless rows of identical houses in an ugly city. Through a criticism of the reification and psychologization that goes back to the very beginning of Western philosophy, Hermann Schmitz offers a fundamentally new theory of embodiment and feelings based on atmospheres, unstable but powerful phenomena that fill the “surfaceless spaces” of lived experience. This collection of essays, selected by Schmitz himself, offers a comprehensive portrait of his theory, both in its fundamental outlines and later progress.