"Humor is merely tragedy standing on its head with its pants torn." -- Irvin S. CobbBorn and raised in Paducah, Kentucky, humorist Irvin S. Cobb (1876--1944) rose from humble beginnings to become one of the early twentieth century's most celebrated writers. As a staff reporter for the New York World and Saturday Evening Post, he became one of the highest-paid journalists in the United States. He also wrote short stories for noted magazines, published books, and penned scripts for the stage and screen.In Irvin S. Cobb: The Rise and Fall of a Southern Humorist, historian William E. Ellis examines the life of this significant writer. Though a consummate wordsmith and a talented observer of the comical in everyday life, Cobb was a product of the Reconstruction era and the Jim Crow South. As a party to the endemic racism of his time, he often bemoaned the North's harsh treatment of the South and stereotyped African Americans in his writings. Marred by racist undertones, Cobb's work has largely slipped into obscurity.Nevertheless, Ellis argues that Cobb's life and works are worthy of more detailed study, citing his wide-ranging contributions to media culture and his coverage of some of the biggest stories of his day, including on-the-ground reporting during World War I. A valuable resource for students of journalism, American humor, and popular culture, this illuminating biography explores Cobb's life and his influence on early twentieth-century letters.

Jane Gentry (1941--2014) possessed an uncanny ability to spin quietly expansive and wise verses from small details, objects, and remembered moments. The hallmarks of her work are insight into nature, faith, the quotidian, and -- perhaps most prominently -- the grounding of her home and family in the state of Kentucky. This innovative poet and critic was for many years one of the animating spirits of literary life in the region. Gentry and her daughters collaborated with editor Julia Johnson to organize this definitive collection. The result is an important literary anthology that assembles Gentry's most celebrated poems alongside new, previously unpublished works. Johnson uses Gentry's own methodology to arrange the poems in sequences comparable to those found in her previous collections. This organization showcases the range of the poet's work and the flexibility of her style, which is sometimes ironic and humorous; sometimes poignant; but always clear, intelligent, and revelatory.This volume includes two full-length collections of poetry in their entirety -- A Garden in Kentucky and Portrait of the Artist as a White Pig. The final section features Gentry's unpublished work, bringing together her early poems, verses written for loved ones, and a large group of more recent work that may have been intended for future collections. Alternately startling and heart-wrenching, The New and Collected Poems of Jane Gentry offers a valuable retrospective of the celebrated poet's work.

In To See the Earth Before the End of the World, Ed Roberson presents us with 120 new poems, each speaking in his unique voice and seen through his unique eye. Earth and sky, neighborhood life and ancient myths, the art of seeing and the architecture of the imagination are all among the subjects of these poems. Recurring images and ideas construct a complex picture of our world, ourselves, and the manifold connections tying them together. The poems raise large questions about the natural world and our place in it, and they do not flinch from facing up to those questions. Roberson’s poems range widely through different scales of time and space, invoking along the way history and myth, galaxies and garbage trucks, teapots and the history of photography, mating cranes and Chicago's political machine. This collection is composed of five sequences, each developing a particular constellation of images and ideas related to the vision of the whole. Various journeys become one journey—an epic journey, invoking epic themes. There are songs of creation, pictures of the sorrows of war, celebrations of human labor and human society, a respect for tools and domestic utensils that are well made, the deep background of the past tingeing the colors of the present, and the tragic tones of endings and laments, a pervading awareness of the tears in things. Most of all, there is the exhilaration of a grand, sweeping vision that enlarges our world.

First published in 1923, just before César Vallejo left Peru for France, Scales combines prose poems with short stories in a collection that exhibits all the exuberance of the author’s early experimentalism. A follow-up to Vallejo’s better-known work, Trilce, this radical collection shattered many aesthetic notions prevailing in Latin America and Europe. Intermingling romantic, symbolist, and avant-garde traditions, Scales is a poetic upending of prose narrative that blends Vallejo’s intercontinental literary awareness with his commitment to political transformation. Written in part from Trujillo Central Jail, where Vallejo would endure some of the most terrifying moments of his life, Scales is also a testament of anguish and desperation, a series of meditations on justice and freedom, an exploration of the fantastic, and a confrontation with the threat of madness. Edited and translated from the Castilian by the scholar Joseph Mulligan, this first complete English translation, published here in bilingual format and accompanied by extensive archival documentation related to Vallejo’s incarceration, this volume gives unprecedented access to one of the most inventive practitioners of Latin American literature in the twentieth century.

Angel Rama (1926-1983) is a major figure in Latin American literary and cultural studies, but little has been published on his critical work. In this study, José Eduardo González focuses on Rama's response to and appropriation of European critics like Walter Benjamin, Theodor Adorno, and Georg Lukács. González argues that Rama realized the inapplicability of many of their theories and descriptions of cultural modernization to Latin America, and thus reworked them to produce his own discourse that challenged prevailing notions of social and cultural modernization.

Old Louisville in Louisville, Kentucky, is the third-largest National Preservation District in the United States and the largest Victorian-era neighborhood in the country. Beneath the balconies and terraces of the district's Gothic, Queen Anne, and Beaux Arts mansions, current residents trade riveting stories about their historic homes. Many of these tales defy rational explanation. When David Dominé moved into one of these houses, he dismissed local rumors of a resident poltergeist named Lucy. However, before long, unnerving, disembodied footsteps and mysterious odors caused him to flee his home in the middle of the night.Since that night, David Dominé not only embraced the possibility of supernatural phenomenon but also turned it into a popular tour series and best-selling collection of books, which have brought new attention to this iconic neighborhood. The book that launched the guided tours, Ghosts of Old Louisville, introduced readers to the hauntingly beautiful Lady of the Stairs and the Widow Hoag, who waits eternally near Fountain Court for a lost child who will never return. These tales of things that go bump in the night not only reveal why Old Louisville is considered the "most haunted neighborhood in America," but also help to preserve this historically and architecturally significant community.

Old Louisville in Louisville, Kentucky, is the third-largest National Preservation District in the United States and the largest Victorian-era neighborhood in the country. Beneath the balconies and terraces of the district's Gothic, Queen Anne, and Beaux Arts mansions, current residents trade riveting stories about their historic homes. Many of these tales defy rational explanation. When David Dominé moved into one of these houses, he dismissed local rumors of a resident poltergeist named Lucy. However, before long, unnerving, disembodied footsteps and mysterious odors caused him to flee his home in the middle of the night.Since that night, Dominé has not only opened his mind to the idea of paranormal phenomena but also turned it into popular tours and a bestselling collection of books, which have brought new attention to this iconic neighborhood. In Haunts of Old Louisville, he takes readers inside the opulent Ferguson Mansion -- where a phantom tosses books off shelves -- and introduces them to the spectral stable hand who lurks around Campion House. He also examines historic tales pulled out of the headlines and even explores the claim that a winged demon haunts the ornate towers of Walnut Street Baptist Church. These tales of things that go bump in the night not only reveal why Old Louisville is considered the "most haunted neighborhood in America," but also help to preserve this historically and architecturally significant community.

Old Louisville in Louisville, Kentucky, is the third-largest National Preservation District in the United States and the largest Victorian-era neighborhood in the country. Beneath the balconies and terraces of the district's Gothic, Queen Anne, and Beaux Arts mansions, current residents trade riveting stories about their historic homes. Many of these tales defy rational explanation. When David Dominé moved into one of these houses, he dismissed local rumors of a resident poltergeist named Lucy. However, before long, unnerving, disembodied footsteps and mysterious odors caused him to flee his home in the middle of the night.Since that night, Dominé has not only opened his mind to the idea of paranormal phenomena but also turned it into popular tours and a bestselling collection of books, which have brought new attention to this iconic neighborhood. In Phantoms of Old Louisville: Ghostly Tales from America's Most Haunted Neighborhood, Dominé recounts a horrifying encounter at the Spalding Mansion and the long history of the kindly spirit Avery, who guards the iconic Pink Palace. These tales of things that go bump in the night not only reveal why Old Louisville is considered the "most haunted neighborhood in America," but also help to preserve this historically and architecturally significant community.

This Introduction aims to provide basic guidance to important areas of Syriac studies. The relevance of Syriac studies to a variety of other fields is explored. A brief orientation to the history of Syriac literature is offered, and Syriac is set within the context of the other Aramaic dialects. A thorough discussion on important tools (Instrumenta Studiorum) is presented; topics include grammars, dictionaries, the Bible in Syriac, histories of Syriac literature, bibliographical aids and relevant series, periodicals, and encyclopedias. This Introduction should prove useful both for the student beginning Syriac studies and for scholars working in adjacent fields.

Whitehall civil servant Magnus Sparling is called home to Dublin because Edwin, his father, has been accused of attempting to poison his wife. Magnus does a thorough job interrogating his father. He is discreet, patient and pragmatic, but Edwin resolutely refuses to confess. Why is Magnus convinced of Edwin’s guilt, his aunt Charlotte asks.Magnus tells Charlotte a story that has long been suppressed in the family: an account of a few extraordinary and precious days in the past when he accompanied his father on a clandestine journey beyond the Mojave Desert to meet Edwin’s blood-mother. The more Magnus probes for the truth about the attempted poisoning, the greater is his need to relinquish old fears. What he fails to anticipate is that Charlotte, a secret fantasist, has important news to add.A compelling tale of family secrets, and love lost and regained, by a writer at the height of his powers.

Grange Abbey is the family saga of the Bannon construction dynasty, through the hard times and good, through recessions and growth, tragedy and success. Spanning generations, we see how James and his sons Frank, Simon and Paul come from humble beginnings to create a powerful construction empire and we also see the personal costs that success entails. Whether it is James striving to create a company amid the ashes of post-second world war Britain, Frank taking on unions and risking it all in the brash '80s, or Paul standing up to bullies in his schooldays, the Bannons pride themselves on determination, bravery and loyalty to their friends. They stand by the courage of their convictions, whatever the consequences and exact revenge, whoever has crossed them in life or love. The rewards if they succeed are a lavish lifestyle of untold wealth of yachting, beautiful women, shooting, gala balls and ultimately Grange Abbey itself. The property seams to symbolize the family clan and yet, means so much more. It takes grit to build a dynasty. Do the Bannons have what it takes to maintain one?

Greenland, circa 2015. Three women are found murdered in the capital city Nuuk. Ongoing issues in the country involving the desire for independence from the Kingdom of Denmark are redirected, as race and gender recolor the scene, and the mystery unravels in clashing graphic detail. An intertwined story of corruption, greed, domination, and sovereignty reveals itself through the discoveries of three investigators—Russian, Chinese, and a Danish Greenlander. The politics at hand are reenacted in the very act of investigating the murders, revealing the Inuit of Greenland as the true and only victims of this crime.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

Jerusalem Throne Games explores the political battle for power to succeed David expressed through selected stories from the beginning of the Book of Genesis. In these confrontations, combatants wielded a new weapon of war that was changing the course of human history, the alphabet prose narrative. With this weapon, competing factions battled for throne not with the blog, the op ed, the tweet or the essay, but through storytelling. In this book six of those stories from Gen. 4-11 are analysed through the lens of the succession of Solomon and the collapse of his kingdom. These stories are identified as “son” stories or supplements to the existing alphabet narrative from the time of David. They were written by the various factions or priesthoods vying for power and are political in nature. Each story, the Sons of Cain, the Sons of Seth, the Sons of God, the Sons of Noah, the Son of Cush (Nimrod), and the Sons of men (Tower of Babel), is reviewed through selected commentaries from ancient times to the leading ones of the 20th century. These tensions raised highlight the need to revise the Documentary Hypothesis, the traditional scholarly approach for understanding the writing of these stories. A new Documentary Hypothesis is proposed for the writer known as J, the traditional author of these six stories. It presents the creation of supplemental and interactive writing by the Levites, Zadokites, and Aaronids who battled for power to name, dominate, and influence the person on the throne. The story of Jerusalem throne games began with the death of David and continued for centuries. The goal in this book is to understand the creation and meaning of those stories in their original political context in the time of Solomon.

Acclaimed author and Catholic thinker Flannery O'Connor (1925--1964) penned two novels, two collections of short stories, various essays, and numerous book reviews over the course of her life. Her work continues to fascinate, perplex, and inspire new generations of readers and poses important questions about human nature, ethics, social change, equality, and justice. Although political philosophy was not O'Connor's pursuit, her writings frequently address themes that are not only crucial to American life and culture, but also offer valuable insight into the interplay between fiction and politics. A Political Companion to Flannery O'Connor explores the author's fiction, prose, and correspondence to reveal her central ideas about political thought in America. The contributors address topics such as O'Connor's affinity with writers and philosophers including Eric Voegelin, Edith Stein, Russell Kirk, and the Agrarians; her attitudes toward the civil rights movement; and her thoughts on controversies over eugenics. Other essays in the volume focus on O'Connor's influences, the principles underlying her fiction, and the value of her work for understanding contemporary intellectual life and culture.Examining the political context of O'Connor's life and her responses to the critical events and controversies of her time, this collection offers meaningful interpretations of the political significance of this influential writer's work.

At the Weldon Institute in Philadelphia, a mob of zealous balloon enthusiasts plans to conquer the sky in a state-of-the-art dirigible. When a stranger, the mysterious Robur, declares that the future belongs not to balloons but to heavier-than-air flying machines, the Institute scornfully dismisses the idea. But Robur demands vengeance—and has a unique flying machine that will allow him to take it. By turns an impassioned argument for aviation, a wild proto-steampunk adventure, and a jubilant celebration of the dream of flight, Robur the Conqueror ranks among Jules Verne’s most iconic and influential works. Its technological speculations, including the unforgettable aircraft Albatross, are a vibrant snapshot of nineteenth-century scientific innovation. This, the first complete English translation of Verne’s 1886 novel, includes an insightful introduction, explanatory chapter notes, never-before-published glimpses of Verne’s original manuscript, all the first-edition illustrations by Léon Benett, and an up-to-date Verne biography and primary and secondary bibliography. It is an essential new edition of a seminal science fiction classic.