When images look like something they do so because they are different from what they resemble. This difference is not sufficiently captured by the traditional theories of representation and mimesis, and yet it is the condition for any such theory. Various contemporary image theorists have pointed out that Plato already understood that images are not what they look like. Images have their own existence, which cannot be identified with a concept, but should be examined in terms of actions. This book comprises fifteen articles that investigate what images do, particularly in relation to the disciplines of architecture, design and visual arts. It claims that it is the differentiating power of images—their actions—which constitutes their capacity to look like something they are not, as well as create something that does not yet exist. What Images Do addresses the crucial role that images might play in producing and investigating what we have not yet seen or understood in and of reality.

Life Cyckle Risks and the Politics of the Welfare State presents the dual risk model of the welfare state. Previous research in the field has predominantly studied the role of modernization and the associated labor market risks; this book gives equal weight to a different class of social risks, namely those related to the life cycle. Labor market and life cyckle risks each have profound, but distinct consequences for the political process of the welfare state, including public opinion formation, party competition, and public policy-making. The dual risk model helps us to understand why some social programs are prioritized over others in terms of political attention and public spending - and how this prioritization leads to mounting economic inequalities in modern-day societies.

Behind rolling hills, overlooking the fjord and the islands of Southern Funen, you will find Faaborg Museum. With its boldly coloured walls and decorative tile floors made from local clay, the building has quite literally sprung from Funen soil in a symbiosis of local nature and culture. Inside, visitors will find art by the ‘Funen Painters’, created during the period 1880 to 1928 when Faaborg was home to one of Denmark’s pre-eminent artists’ colonies. With their paintings of rural Funen, farmworkers and domestic scenes, the artists Peter Hansen, Fritz and Anna Syberg, Jens Birkholm and Johannes Larsen introduced new subject matter and new methods of painting in Danish art. Faaborg Museum was founded in 1910 by Mads Rasmussen, art patron and manufacturer of tinned goods and preserves. The museum was intended as a celebration of the art created in and around Faaborg. Together with the artists, he commissioned the architect Carl Petersen to create a building to house the museum’s collection – a building that is now acclaimed as a masterpiece of neoclassical architecture and embodies a rare union of art, architecture and design. Faaborg Museum and the Artists’ Colony presents the history of Faaborg Museum, its architecture, collection and artists to international audiences for the first time. Lavishly illustrated, the book features architectural photographs and plans as well as dozens of reproductions of the museum’s art.

In this pioneering musicological study the Danish emeritus professor Finn Egeland Hansen proposes that the classical-romantic main current of the 19th century in fact represents two sub-currents, the one focusing on the romantic aspects, the other focusing on the classical aspects of its musical style. His thesis is discussed with excerpts from the standard musicological literature plus writings by Saint-Saëns, and Finn Egeland Hansen exemplifies his argument in readings of the music by three stylistically different composers – the French Camille Saint-Saëns and Charles Gounod and the Danish Niels W. Gade. Finn Egeland Hansen labels these harbingers’ style as retro-classicism.

Proceedings of the well-esteemed Danish Institute in Athens conducting several archaeological excavations in Greece. This is the ninth volume of the journal. It includes articles on archaeology, art history, ancient and modern Greek history, philology and literature.

Volume 15,3: Architecture, Topography, Finds. Expanding on the publication of the shipsheds and slipways found in the northern half of Group 1 (Area 1) on the eastern side of Zea Harbour in Volume I.1–2 (2011) of the peer-reviewed Ancient Harbours of the Piraeus series, Volume II presents further results of the archaeological investigations conducted by the Zea Harbour Project (ZHP) in 2004-2010 and 2012 of ancient shipsheds and slipways in Zea Harbour (Pashalimani), both identified and possible, making them the best documented structures in Athens’ naval bases and in the wider Mediterranean. Approximately half of Volume II is devoted to the remains of shipsheds and possible shipsheds in the southern half of Group 1 (Area 2), while studies of structures identified as wide unroofed slipways in Group 2 (Area 3) on the south-eastern side of the same harbour basin occupy the balance of the book. After Chapter 1’s introduction to terminology and methodology, Chapter 2 presents the architecture of the shipsheds and possible shipsheds found in the southern half of Group 1 (Area 2), along with the arrangement and topography of this massive naval complex, which in the 4th century BC covered between 11,630 m2 and 11,989 m2. Chapter 3 examines and catalogues the ceramics and other small finds discovered in the same area, discussing their excavation contexts, composition, and chronological significance. Chapter 4 focuses on the architecture and topography of seven wide, unroofed slipways found in Group 2 in the northern part of Area 3 that represent a building type previously unknown in the Piraeus, probably designed either for a larger warship known as the penteres (‘five’), introduced into the Athenian navy between 329/8 BC and 326/5 BC, or for a larger Hellenistic-period warship type. Chapter 5 analyses and catalogues the ceramic small finds recovered during the excavation of the structures featured in Chapter 4. Chapter 6 presents the new evidence regarding relative sea-level change in the harbours of Zea and Mounichia and its impact on the reconstructed lengths and layouts of the slipways and shipsheds at Zea in Group 1 (Areas 1–2) along with the wide slipways of Group 2, including greater accuracy in the recalculated lengths of the Group 1 shipsheds and slipways presented in Volume I; furthermore, it reaffirms the validity of the ZHP’s methodology and published results in relation to shipsheds around the Mediterranean. Chapter 7 recapitulates the authors’ topographical, architectural, and chronological conclusions regarding the complexes at Zea and Mounichia, which contain the only identifiable shipsheds for triremes anywhere in the ancient world. Descriptive catalogues of the Area 2 and 3 quarries and Area 2 trenches (Appendices 1–2), Figures, and Plates complete the volume.

Estate Landscapes in Northern Europe is the first study of the role of the landed estate as an agent in the shaping of landscapes and societies across northern Europe over the past five centuries. Leading us into the fascinating variations of manorial worlds, the present volume seeks to open the field to include a broader perspective on estate landscapes. Estate – or manorial – landscapes were distinctive elements within the historic landscape and created their own character. Marked by larger scale fields associated with the home or demesne farm as well as a higher proportion of woodland and timber trees the landscapes reflected the scale of the resources available to the landowner and the control they exerted over the local communities. But they also represented the performative aspects of life for the elite, such as their engagement with hunting. While existing works have tended to emphasize the economic and agricultural aspect of estate landscapes, this volume draws out the social, cultural and political impact of manors and estates on landscapes throughout northern Europe. The chapters provide insights into a broad range of histories, such as the social worlds of burghers and nobility in the Dutch Republic, or the relationship between the distribution of land and the agitation for electoral reform in nineteenth-century England. Elsewhere in Scandinavia the impact of the reformation and conquest in Norway is balanced against the continuity of ownership in Sweden, where developing the natural resources for industrial enterprise such as ironworks and sawmills brought in new owners. Estate Landscapes in Northern Europe is the first product of the collaboration of researchers from Norway, Germany, Sweden, the United Kingdom, Denmark, and the Netherlands, joined together in the European Network for Country House and Estate Research (ENCOUNTER).

The League of Nations – Perspectives from the Present is an accessible and richly illustrated edited volume displaying a wide variety of cutting-edge research on the many ways the League of Nations shaped its times and continues to shape our contemporary world. A series of bite-size studies, divided into three thematic parts, investigates how the League affected the world around it and the lives of the people became part of this ‘first great experiment’ in international organisation. Recent research has reinterpreted the League as a laboratory of global economic, political and humanitarian governance. Expanding on this, the volume aims to show that the League is an ‘academic site’, where international history – as a discipline – has re-invented itself by integrating new approaches from social, cultural and media history. With an introduction by Director-General Michael Møller of the United Nations Organisation in Geneva, this work is a timely reminder of the fragile, varied and enduring history of multilateralism, on the centenary of the signing of the Treaty of Versailles.

The island of Rhodes in the south-eastern Aegean is in a strategic position for sea-routes between west and east. Its four ancient city-states, Lindos, Kamiros, Ialysos, and from the end of the fifth century BC the new capital of Rhodes, have all provided significant evidence for the political and cultural importance of the island throughout Antiquity. The islands rich historical past has attracted the interest of travelers, archaeologists and scholars over the centuries. Their travelogues, letters, diaries and drawings contains a plethora of information, and constitute an essential and valuable source for the ongoing research in ancient Rhodes. The papers included in this volume throw new light on the early exploration history of Rhodes. From the earliest documented discoveries to the more systematic work done by British, French, Danish and Italian archaeologists. What are the sources for these early activities and how do they contribute to and challenge our understanding of the ancient sites and the archaeological material they yielded? How may archaeological finds that came to European museums in this period be re-contextualised and, through new analytical methods, continue to enrich our understanding of ancient Rhodes? And, finally, what are the challenges for more recent excavation and restoration work carried out at the sites that were first excavated in this formative period of archaeological research? These and many more questions will be addressed in this book by a number of leading scholars within the field.

The seabed in southern Scandinavia contains numerous traces of a submerged prehistoric landscapes. Large parts of this landscape were gradually flooded by rising seas between 9500 and 4000 BC and perceptions of the Maglemose culture (9500-6400 BC) have consequently been based almost exclusively on former inland settlements. This book investigate two questions that are directly related to our current understanding of the populations of the now submerged areas: 1) Do we have a repre­sentative picture of the spread of Early Mesolithic sites in southern Scandinavia, or does the weighting towards inland sites reflect the fact that coastal sites have not been identified below present-day sea-level? 2) How did sea-level rise impact Mesolithic populations at different temporal and spatial scales, and how were these experienced from 8000-4000 BC? These questions are examined in the light of eight new coastline models that are made to determine the Mesolithic coastline positions and to facilitate new evaluations of possible relationships between sea-level changes and cultural changes.

Ascending and Descending the Acropolis – Mobility in Athenian Religion provides new perspectives on religious mobilities within the geographically limited region of Attica in Greece from the Late Bronze Age to the second century AD. Attica is a particularly fruitful region to study these forms of mobility, as it provides rich evidence across a range of material and textual sources for a variety of different mobile situations – both inside the city of Athens itself (such as on and circumnavigating the Acropolis) and to sanctuaries in its hinterland (such as Eleusis and Brauron), as well to as more distant sanctuaries, such as Delphi.

For millenia, urban networks have shaped the development of human societies. Today, new archaeological approaches are unveiling the evolution of these networks in unprecedented detail. Urban Networks Evolutions reviews the new approaches to urban evolution as archaeology endeavours to characterise both the scale and pace of historical events and processes. Issuing from the work of the Danish National Research Foundation's Centre of Excellence, the Centre for Urban Network Evolutions (UrbNet), the book compares the archaeology of urbanism from medieval Northern Europe to the Ancient Mediterranean and the Indian Ocean World. The 40 contributors demonstrate how new techniques for refining archaeological dates, contexts, and the provenance ascribed to material culture, afford a new high-definition approach to the study of global and interregional dynamics. This opens up for far-reaching questions as to how and to what extent urban networks catalysed societal and environmental expansions and crises in the past.

This two volume monograph about the region of Thy in the early Bronze Age provides a high resolution archaeological and ecological model of the organisation of landscape, settlements and households during the period 1500-1100 BC. Bordering the North Sea to the west, and the calmer waters of the Limfjord to the east, the region of Thy in Denmark experienced four centuries of intense economic and demographic expansion. By combining results from environmental and economic research (pollen and palaeo-botanical analyses) with intensive field surveys and excavations of farmsteads with exceptional preservation, it has been possible to open a window to the changes that transformed Bronze Age society and its environment during a few centuries of exceptional expansion and wealth consumption. The results from this interdisciplinary venture made it possible to link together the histories of local farmsteads with the wider regional and global history of the Bronze Age in North-western Europe during this period. Here is much to feed on for students and researchers of the Bronze Age alike.

The Christian theology of N.F.S. Grundtvig (1783-1872) is based on the principle that humankind, created in God's image, has retained a divine spark og that image, which can welcome God's gift of grace and salvation. Human Comes First illustrates this principle through a selction of Grundtvig's articles, teachings, sermons, letters and speeches from half a century of his theological activity. As part of its agenda to digitalise and translate Grundtvig's vast output, the Grundtvig Study Centre at Aarhus University is pleased to publish this third volume in the series 'N.

For almost a century, music on the radio has been an important part of Danish music culture. Tunes for All? Music on Danish Radio presents the many ways music and radio have co-existed and interacted from the 1920s until today. Music radio is a complex network of sounds, technologies and people, and the book spans programmes and channels, presenters and listeners, music genres and programme genres, stakeholders and different interests primarily in relation to the all-dominant national broadcasting institution, Danmarks Radio. In 10 chapters, the authors address this network with an interest in programme content and production from various media and music perspectives in order to contribute to analytical and theoretical knowledge about music on the radio. The many cases cover chart shows, morning radio, live ensembles, automatic music programming and sports radio.

Exploring Text, Media, and Memory investigates the link between memory and media by asking a series of questions pertinent to our time: How do individual and collective memories blend? How do traumatic experiences from past events and catastrophic projections of the future reveal the human condition in the epoch of frenetic technological reproduction of works of art? How is the human body tied to narrations – and why? A group of international scholars tackle questions like these across art forms, media, and cultural history. In nineteen essays they argue that modern and contemporary literary texts and visual arts show how photography, film, tape recording, television, and internet are not just means of storing memory and information, but objects that we interact with every day – challenging static visions of places and the linear notions of past, present and future.