The Tortugas shipwreck excavated at a depth of 405 meters in the Straits of Florida contained a major collection of 3,800 intact and fragmentary olive jars, tablewares, cooking vessels and tobacco pipes. Identified as the Portuguese-built and Spanish-operated 117-ton Buen Jesús y Nuestra Señora del Rosario, the ship’s Seville dominated tablewares are a revealing index of unchanged cultural tastes and continued production at the end of Spain’s Golden Age. For cooking the crew relied on Afro-Caribbean colonoware, possibly the first recorded archaeological evidence of maritime slavery in the Americas fleets. Two tin-glazed plates painted with papal coat of arms – the Keys of Heaven and triple crown – may have been used by Spain-bound clergymen from the newly formed Sacred Congregation of the Propagation of the Faith. Samples of all ceramics were subjected to Inductively-Coupled Plasma Spectrometry (ICPS) analysis to determine vessel origins.Six chapters focus on the tablewares, tin-glazed papal plates, Afro-Caribbean cooking wares, the olive jars, Inductively-Coupled Plasma Spectrometry results, and a study of how the pottery reflects Spanish colonial economic models, also compared to Roman and medieval structures.

Between 2007 and 2012 the Department for Underwater Archaeology of the Croatian Conservation Institute from Zagreb and the Department of Humanistic Studies of the Ca' Foscari University of Venice collaborated in the recording, underwater excavation and analysis of the unusually well-preserved wreck of a 16th century Venetian merchantman in the Svetti Pavao shallow off the southern shore of the island of Mljet, Croatia. The shipwreck preserved many personal possessions of the crew as well as a number of bronze artillery pieces and the remains of a cargo of luxury and richly decorated ceramic material from Iznik and other oriental workshops.Although the excavation is not complete, this volume presents the results of the project so far. The methodological and technical aspects of the underwater investigation of the site, mainly by photogrammetry, are described; the historical and archaeological context of navigation in the late Medieval period in the eastern Mediterranean discussed; and the recovered artefacts described and catalogued in detail, together with the remains of the ship and its equipment that, because of depth and of problems of conservation, have been left in situ. The conservation and restoration of the finds are described in an appendix.

Before the foundation of academies of art in London in 1768 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ‘limning’, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Central to the theme of this book is the notion that, for those who were to become either painters or sculptors, a training in a trade met their practical needs. This ‘training’ was of an altogether different nature to an ‘education’ in an art school. In the past, prospective artists were offered, by means of apprenticeships, an empirical rather than a theoretical understanding of their ultimate vocation. James Ayres provides a lively account of the inter-relationship between art and trade in the late 17th to early 19th centuries, in both Britain and North America. He demonstrates with numerous, illustrated examples, the many cross-overs in the ‘art and mystery’ of artistic training, and, to modern eyes, the sometimes incongruous relationships between the various trades that contributed to the blossoming of many artistic careers, including some of the most illustrious names of the ‘long’ 18th century.

The Tribal Hidage, attributed to the 7th century, records the named groups and polities of early Anglo-Saxon England and the taxation tribute due from their lands and surpluses. Whilst providing some indication of relative wealth and its distribution, rather little can be deduced from the Hidage concerning the underlying economic and social realities of the communities documented. Sue Harrington and the late Martin Welch have adopted a new approach to these issues, based on archaeological information from 12,000 burials and 28,000 objects of the period AD 450–650. The nature, distribution and spatial relationships of settlement and burial evidence are examined over time against a background of the productive capabilities of the environment in which they are set, the availability of raw materials, evidence for metalworking and other industrial/craft activities, and communication and trade routes. This has enabled the identification of central areas of wealth that influenced places around them. Key within this period was the influence of the Franks who may have driven economic exploitation by building on the pre-existing Roman infrastructure of the south-east. Frankish material culture was as widespread as that of the Kentish people, whose wealth is evident in many well-furnished graves, but more nuanced approaches to wealth distribution are apparent further to the West, perhaps due to ongoing interaction with communities who maintained an essentially ‘Romano-British’ way of life.

Jenny March’s acclaimed Dictionary of Classical Mythology, first published in 1998 but long out of print, has been extensively revised and expanded including a completely new set of beautiful line-drawing illustrations for this Oxbow edition. It is a comprehensive A – Z guide to Greek and Roman mythology. All major myths, legends and fables are here, including gods and goddesses, heroes and villains, dangerous women, legendary creatures and monsters. Characters such as Achilles and Odysseus have extensive entries, as do epic journeys and heroic quests, like that of Jason and the Argonauts to win the Golden Fleece, all alongside a plethora of information on the creation of the cosmos, the many metamorphoses of gods and humans, and the Trojan War, plus more minor figures – nymphs, seers, kings, rivers, to name but a few.In this superbly authoritative work the myths are brilliantly retold, along with any major variants, and with extensive translations from ancient authors that give life to the narratives and a sense of the vibrant cultures that shaped the development of classical myth. The 172 illustrations give visual immediacy to the words, by showing how ancient artists perceived their gods and heroes. The impact of myths on ancient art is also explored, as is and their influence in the post-classical arts, emphasising the ongoing inspiration afforded by the ancient myths.Also included are two maps of the ancient world, a list of the ancient sources and their chronology, the more important genealogies, and an index of recurrent mythical motifs.Praise for the first edition:“… the Dictionary of Classical Mythology is exemplary, indeed the best I have consulted … clearly and engagingly written …it not only gives reliable answers but also encourages reading on.” Simon Goldhill, Times Literary Supplement“a prodigious, authoritative gazetteer, each entry both typographically and stylistically readable, and if you know more than is contained in these pages then you have no need of it.” Nicholas Lezard, Guardian Book of the Week“Greek myths pervade our own art and literature almost as much as they influenced that of classical times, and this will be an invaluable guide.” The Good Book Guide“… a modern encyclopaedia of myth and legend which is user-friendly in layout, presentation and style … vivid and readable.” Paula James, The Classical Review“These stories are frequently the spark that ignites a wider interest in the classical world, and March provides a wealth of inflammatory material.” Charles Paterson, JACT Review“This dictionary will still be valuable all through the next century.” Sir Hugh Lloyd-Jones“… vivid, detailed where it matters, yet concise, accurate, no padding, always to the point – it’s a joy to read.” Herwig Maehler

At the heart of this anthology lies the world of fashion: a concept that pervades the realm of clothes and dress; appearances and fashionable manners; interior design; ideas and attitudes. Here sixteen papers focus on the Nordic world (Denmark, Norway, Sweden Finland, Iceland, the Faroe Isles and Greenland) within the time frame AD 1500–1850. This was a period of rapid and far-reaching social, political and economic change, from feudal Europe through political revolution, industrialisation, development of international trade, religious upheaval and technological innovation; changes impacting on every aspect of life and reflected in equally rapid and widespread changes in fashion at all levels of society. These papers present a broad image of the theme of fashion as a concept and as an empirical manifestation in the Nordic countries in early modernity, exploring a variety of ways in which that world encountered fashionable impressions in clothing and related aspects of material culture from Europe, the Russian Empire, and far beyond. The chapters range from object-based studies to theory-driven analysis. Elite and sophisticated fashions, the importation of luxuries and fashion garments, christening and bridal wear, silk knitted waistcoats, woollen sweaters and the influence of the whaling trade on women’s clothing are some of the diverse topics considered, as well as religious influences on perceptions of luxury and aspects of the garment trade and merchant inventories.

Presented through 20 case studies covering Europe and the Near East, Neighbours and Successors of Rome investigates development in the production of glass and the mechanisms of the wider glass economy as part of a wider material culture in Europe and the Near East around the later first millennium AD. Though highlighting and solidifying chronology, patterns of distribution, and typology, the primary aims of the collection are to present a new methodology that emphasises regional workshops, scientific data, and the wider trade culture.This methodology embraces a shift in conceptual approach to the study of glass by explaining typological change through the existence of a thriving supra-national commercial network that responded to market demands and combines the results of a range of new scientific techniques into a framework that stresses co-dependence and similarities between the various sites considered. Such an approach, particularly within Byzantine and Early Islamic glass production, is a pioneering concept that contextualises individual sites within the wider region.By twinning a critique of archaeometric methods with the latest archaeological research, the contributors present a foundation for glass research, seen through the lens of consumption demands and geographical necessity, that analyses production centres and traditional typological knowledge. In so doing the they bridge an important divide by demonstrating the co-habitability of diverse approaches and disciplines, linking, for example, the production of Campanulate bowls from Gallaecia with the burgeoning international late antique style. Equally, the particular details of those pieces allow us to identify a regional style as well as local production. As such this compilation provides a highly valuable resource for archaeologists, anthropologists, and art historians.

The Irish Neolithic has been dominated by the study of megalithic tombs, but the defining element of Irish settlement evidence is the rectangular timber Early Neolithic house, the numbers of which have more than quadrupled in the last ten years. The substantial Early Neolithic timber house was a short-lived architectural phenomenon of as little as 90 years, perhaps like short-lived Early Neolithic long barrows and causewayed enclosures. This book explores the wealth of evidence for settlement and houses throughout the Irish Neolithic, in relation to Britain and continental Europe. More importantly it incorporates the wealth of new, and often unpublished, evidence from developer-led archaeological excavations and large grey-literature resources. The settlement evidence scattered across the landscape, and found as a result of developer-funded work, provides the social context for the more famous stone monuments that have traditionally shaped our views of the Neolithic in Ireland. It provides the first comprehensive review of the Neolithic settlement of Ireland, which enables a more holistic and meaningful understanding of the Irish Neolithic.

Covering the approximately 6,500 years from the beginning of the Late Mesolithic to the transition to the Bronze Age, Mats Larsson takes the reader on a journey through the development of Swedish prehistoric society and culture set against the backdrop of climatic and landscape change. Using examples selected from a wealth of archaeological sites, artefacts and palaeo-environmental studies he explores a series of chronological themes: such as how the relationship between land and water influenced people’s lives in many ways and the development of often long-distance cultural and exchange networks, as reflected in the occurrence of ‘foreign’ stone axes, flint, copper and pottery. He describes how innovations, such as the introduction of agriculture, spread rapidly during the Neolithic, incorporating characteristics of extensive northern European cultural groups, beginning with the Funnel Beaker Culture with its array of distinctive objects, settlements and burial monuments, while retaining some specific regional and local expressions in material culture. Later, certain characteristics of the Pitted Ware Culture, such as specific types of pottery decoration, were taken up in some areas while the emergence of some regional groups can be seen as a step in the ideological and social changes that led to what we today call the Battle Axe Culture. Towards the end of the Stone Age the battle axe was replaced by the dagger as a symbol of the male warrior as a more stable society emerged in many parts of the country, concentrated around large farms with longhouses. It was only at this late stage that agriculture and the raising of livestock gained a firm hold, and the landscape was opened up permanently.

Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.The editors are all affiliated with the Department of Classical Studies at Aarhus University, Denmark, and were responsible for the collaborative research project “Art and Social Identities in Late Antiquity” (2007-2010).

The analysis of silk is a fascinating topic for research in itself but here, focusing on the 9th and 10th centuries, Marianne Vedeler takes a closer look at the trade routes and the organization of production, trade and consumption of silk during the Viking Age. Beginning with a presentation of the silk finds in the Oseberg burial, the richest Viking burial find ever discovered, the other silk finds from high status graves in Scandinavia are discussed along with an introduction to the techniques used to produce raw silk and fabrics. Later chapters concentrate on trade and exchange, considering the role of silk items both as trade objects and precious gifts, and in the light of coin finds. The main trade routes of silk to Scandinavia along the Russian rivers, and comparable Russian finds are described and the production and regulation of silk in Persia, early Islamic production areas and the Byzantine Empire discussed. The final chapter considers silk as a social actor in various contexts in Viking societies compared to the Christian west.

The eruption of the Thera (Santorini) volcano in the Aegean Sea in the mid-second millennium BC was a clearly defined, specific moment in Aegean and east Mediterranean prehistory that impacted on all the major cultures of the region. The effects of the eruption have been linked with the destruction of the Minoan palace civilisation of Crete, the legend of Atlantis, and even events described in the Biblical account of the Exodus. Scientists have studied the remains of the volcano and traced eruption products and far-flung climatic impacts throughout the east Mediterranean and in ice cores and tree-ring data. At Akrotiri, a major prehistoric town buried by the eruption, archaeologists unearthed the partially intact remains multi-storey buildings, painted frescoes and myriad objects of everyday life. The date of the eruption has long been a subject of importance and controversy since accurate dating would offer a unique linchpin for the study and synchronisation of the history and cultures of the region in the mid-second millennium. It would provide a key test both for the established historical chronology of ancient Egypt and derived archaeological chronologies. Yet the exact date remained stubbornly unresolved and varied in the literature by over 100 years.A Test of Time, first published in 1999, sought to resolve the issue through a critical review of the archaeological and scientific data, including the presentation of radiocarbon dates, which together suggested a new ‘early’ chronology for the Aegean c. 1700–1400 BC. This edition comprises the original, unrevised text, together with a substantial new appended essay which critically reviews the continuing debate between 1999 and 2012 and presents a raft of new scientific data, including the Bayesian modelling of radiocarbon dates relating to a range of relevant archaeological sequences from Egypt and the eastern Mediterranean.

The rock art found in the World Heritage sites in the Alta area, Arctic Norway, comprise thousands of images including reindeer and elk as well as fish, birds, boats, humans and geometric patterns. They contain information about peoples who lived in this northern area from about 5000 BC up until the birth of Christ; such as possible social organizations, hunting and trapping, beliefs, rituals,stories, legends, myths, cultural changes and continuities.Communicating with the world of beings addresses an understanding of the rock art in terms of communication with other people and other than-human beings. The figures could have been seen and experienced as symbols in rituals or as expressions of identity, position, power and rights, as depictions of real events and perhaps for use in storytelling. Through rock art, people might also have been able to communicate with other-than-human beings who ruled parts of the environment – in order to petition favors for themselves or others. These other-than-human beings may have been perceived as good and evil powers and spirits of the different worlds of the universe; the dead or souls; which also included the animals depicted or were even embodied in the stone.This communication may have been based on a belief that both living beings and inert objects and natural phenomena had souls, a belief that may have existed ever since the earliest settlements. Such an animistic belief means that everything was seen as having a consciousness and identity of its own, independent and imbued with a will. Therefore, it was essential that the different participants communicated with one another as equal partners.In this beautifully illustrated book Knut Helskog provides a lyrical and personal interpretation of the chronology, patterning and possible meanings behind this extraordinary landscape of prehistoric rock art.

The fourteenth Current Research in Egyptology conference, held at the University of Cambridge in March 2013 brought together speakers and attendees from six continents and hosted more than 50 presentations covering multiple aspects of Egyptology and its related fields. The aim of the conference was to cross cultural and disciplinary boundaries. The papers presented in these proceedings reflect this aim by presenting current research that draws on insights derived from anthropology, archaeology, archaeobotany, ethnography, organic chemistry, geography, linguistics, and law, amongst others.

This first monograph in the EARTH: The Dynamics of Non-Industrial Agriculture: 8,000 years of Resilience and Innovation series, approaches the great variety of agricultural practices in human terms. It focuses on the relationship between plants and people, the complexity of agricultural processes and their organisation within particular communities and societies. Collaborative European research among archaeologists, archaeobotanists, ethnographers, historians and agronomists using a broad analytical scale of investigation seeks to establish new common ground for integrating different approaches. By means of interdisciplinary examples, this book showcases the relationship between people and plants across wide ranging and diverse spatial and temporal milieus, including crop diversity, the use of wild foodstuffs, social context, status and choices of food plants.

Lindsay Allason-Jones has been at the forefront of small finds and Roman frontier research for 40 years in a career focussed on, but not exclusive to, the north of Britain, encompassing an enormous range of object types and subject areas. Divided into thematic sections the contributions presented here to celebrate her many achievements all represent at least one aspect of Lindsay’s research interests. These encompass social and industrial aspects of northern frontier forts; new insights into inscribed and sculptural stones specific to military communities; religious, cultural and economic connotations of Roman armour finds; the economic and ideological penetration of romanitas in the frontiers as reflected by individual objects and classes of finds; evidence of trans-frontier interactions and invisible people; the role of John Clayton in the exploration and preservation of Hadrian’s Wall and its material culture; the detailed consideration of individual objects of significant interest; and a discussion of the widespread occurrence of mice in Roman art.