The ancient walled town of Butrint sits at the crossroads of the Mediterranean. In its heyday it could command sea-routes up the Adriatic Sea to the north, across the Mediterranean to the west, and south through the Ionian islands. It also controlled a land-route into the mountainous Balkan interior. For much of its long history it occupied a hill on a bend in the Vivari Channel, which connects the Straits to the large inland lagoon of Lake Butrint. Designated a UNESCO World Heritage site in 1992, Butrint covers an area of around 16 ha, but geophysical survey has shown that at times it was almost twice this size. The site itself is made up of two parts: the acropolis and the lower city. The acropolis is a long narrow hill, whose sides are accentuated by a circuit of walls that separate it from the natural and artificial terraces gathered around the flanks of the hill. The lower city occupies the lower-lying contours down to the edge of the Vivari Channel. This book brings to life this extraordinary Byzantine town, with chapters on the historical sources, various aspects of the archaeological excavation and survey, finds of pottery and environmental remains.

Maritime communications have played a vital role in shaping both human cultures and the biogeography of the North Atlantic Realm, a region containing discrete groups of islands separated by deep water. The aim of this volume is to explore the diversity of human environments and cultural adaptations present within the eastern part of the North Atlantic Realm, from Scotland and Norway in the East to Iceland in the West. The papers explore a number of key themes, including: the origins of flora and fauna of the North Atlantic Realm and the introduction of non-indigenous species in post-glacial periods; the various stages of human colonisation, from the explorations of Mesolithic hunter-gatherers in the Hebridean islands to the Norse settlement of the Faroes, Iceland and Greenland during the 8th to 10th centuries AD, and how each stage of colonisation has had its own ecological characteristics and consequences for indigenous flora and fauna; the influence of climatic variability and extreme episodic events on local environments and human settlement patterns; and the establishment and development of human exchange and trade networks and how they have affected the range of resources available for human exploitation, from agricultural domesticates to the development of the Flemish sea fishery. These papers were presented at the first joint meeting of the Association for Environmental Archaeology (AEA) and the North Atlantic Bio-cultural Organisation (NABO), which was held at Glasgow University in March 2001.

Few areas of the world have played as prominent a role in human evolution as the Levantine Corridor, a comparatively narrow strip of land sandwiched between the Mediterranean Sea on the west and the expanse of inhospitable desert to the east. The first hominids to leave Africa, over 1.5 million years ago, first entered the Levant before spreading into what is now Europe and Asia. About 100,000 years ago another African exodus, this time of anatomically modern humans, colonised the Levant before expanding into Eurasia. Toward the end of the Pleistocene, this Corridor also witnessed some of the earliest steps toward economic and social intensification, perhaps the most radical change in hominid lifestyle that ultimately paved the way for sedentary communities wholly dependent on domestic animals and cultivated plants.

A truly multi-disciplinary book allowing the reader to gain insights into an exceptionally diverse set of topics such as hunting, burial, sword-production and rock art, from the Mesolithic to the Middle Ages.

The four seasons of excavation at Tell Kosak Shamali yielded around 33,000 flaked stone artefacts from the Chalcolithic perid. These discoveries have allowed archaeologists their first oportunity to study lithic manufacturing activities and their development over this period in the Upper Euphrates valley, Syria. The tools are described and documented within their chronological context, and their functional and morphological properties discussed. There are also chapters devoted to bone objects and small finds, as well as some archaeobotanical and archaeozoological observations. This book is a companion title to Volume I, which documents the Chalcolithic architecture and earlier prehistoric remains.

The fourth annual Current Research in Egyptology Symposium (CRE 2003) was held on 18-19 January 2003, at the Institute of Archaeology, UCL, and brought together graduate students of Egyptology from a range of institutions.In total, 27 papers were presented, 13 of which are published here. These illustrate a range of subject areas and approaches; an underlying theme, though, is apparent; a greater degree of reflexivity and a wider engagement with interdisciplinary research.

This book celebrates the career of Brian Sparkes, whose work in Classical archaeology has covered many diverse areas such as art, pottery, and theatre. Such interdisciplinary work is at the core of this book, which seeks to explore the relationship between different kinds of text and material culture and the ways in which these can be interpreted. Chapters include studies on the relationship between vase painting and sculpture (Karim Arafat) , images on wedding bowls (Sue Blundell) , and the role of pottery workshops in the choice of iconography (Robin Osborne) . There is also, unusually for this kind of publication, a paper by Brian Sparkes himself, focusing on how artists and craftsmen in ancient Greece conceived the appearances of men and women and of the move from idealised naturalism to realistic naturalism.

The discovery of the well preserved remains of a Bronze Age boat in Dover in 1992 was one of the most important post-war finds in Britain. The boat was of a stitched oak plank structure, and has been dated to 1550 BC. To mark the tenth anniversary of the boat's discovery, a conference was held in Dover in 2002. This publication brings to a wider audience sixteen of the papers presented there, allowing all those interested in this fascinating relic to share in the findings of experts from all over Europe. Subjects include: evidence of the boat's marine environment; the reconstruction of the boat; boats as Bronze Age artefacts; British prehistoric shipbuilding; the use of model ships in archaeological research; north-west European boats before AD 400; the sewn-plank boats of the Humber; the prehistoric harbours of Kent; the environmental context of the Dover boat; sea-faring voyages and rock art ships; social and religious perceptions of the ship in Bronze Age northern Europe; the heritage management of boats; the social role of the ship and the sea in Bronze Age Norway. Contributors: Peter Clark, Christopher Green, Peter Marsden, John Coates, Francis Pryor, Owain Roberts, Seán McGrail, Edwin Gifford and Joyce Gifford, Béat Arnold, Robert Van de Noort, Keith Parfitt, Mike Bailie, Kristian Kristiansen, Flemming Kaul, Thijs Maarlveld, Frode Kvalo .

Most of these 28 papers were originally presented at the conference Lithic Studies in the Year 2000 , hosted by the Lithic Studies Society in Cardiff, 2000. The original purpose of the conference was to celebrate the coming of age of the Lithic Studies Society in its twenty-first year, and to consider the state of research and potential new developments in lithic analysis at the beginning of the twenty-first century AD. The papers have been divided into three thematic sections. In the first section, "Behaviour and cognition in the Lower and Middle Palaeolithic", the contributors look at ways to reconstruct past human behaviours and cognitive capabilites from periods when lithic evidence is the primary, and sometimes the only source of evidence. Most focus on undisturbed lithic sites and use the analysis of refitted lithic artefacts to approach questions of technology, taphonomy, and the human use of space. In the second section, "Rocks, residues and use-wear", the contributors are concerned with the study of the original characteristics of rocks from different areas of the earth's surface, the selection of specific raw materials for manufacture into tools, the uses to which these tools were put, and how they were used. In the final section, "After hunter-gatherers", the contributors consider the role of lithics in increasingly complex societies and exchange networks, where lithics form just one strand of evidence among many.

This volume publishes 293 texts inscribed in Greek on potsherds excavated at Ismant el-Kharab, Dakhleh Oasis, Egypt. These texts date from the 2nd - 4th centuries AD, and they contain documentary evidence for a wide range of subjects such as taxation (in the form of tax receipts), private letters, lists and accounts, contracts, memoranda, school texts, and astrologica. The volume includes texts, translations, and commentaries for each ostrakon, as well as comprehensive indices and concordances. It also includes a chapter on the archaeology of Ismant el-Kharab and the context of the ostraka by Colin A Hope.

This volume contains twenty-five papers presented at the Third International Conference of the Dakhleh Oasis Project held in Melbourne in 2000, plus several other invited papers, which together reflect the multidisciplinary nature of the project. Five deal with Pleistocene and Holocene archaeology, including the first charaterization of the Older Middle Stone Age culture of the Oasis; there are three on pharaonic archaeology and fifteen devoted to Roman period Kellis. They include: discussions of the most recent archaeological work; the first detailed publication of a unique glass jug decorated with scenes of combatant gladiators, accompanied by colour images; and specialist reports on human skeletal remains.

The essence of virtual reality lies with computer-based three-dimensional environments. Often termed 'worlds', these conceptual models can be navigated, interacted with and updated in real-time. This Guide to Good Practice is intended for individuals and organisations who are interested in potential ways to use virtual reality within the arts and humanities. It concentrates on the most widely used form of virtual reality today, desk-top virtual reality, which may be distributed and viewed on-line via the World Wide Web. In these systems virtual reality worlds run on users' desk-top computers, are displayed on a standard monitor, and navigated using a mouse or 3-D space ball and keyboard. This Guide introduces virtual reality by considering its history, philosophy and theory, and discusses good practice in planning virtual reality projects. It presents the data management and documentation procedures required to enable models to be maintained, and enjoyed by the audiences for which they are intended. It also explores strategies for archiving and considers how to avoid the loss of virtual reality models as technology changes. A virtual library of case studies illustrates some applications of virtual reality in Archaeology, Architecture, Dance, Design, Fine Art, Heritage, History, Museum Studies and Theatre. Examples of worlds which allow users to interact with each other are also presented.

For a century following the end of the Lamian War in 322 B.C., Athens' harbour at Pireus was almost constantly occupied by a Macedonian garrison. The Macedonian presence dealt a crucial blow to Athenian independence and Athenian democracy, initiating the first in a long and intermittent series of foreign occupations. The twenty-eight papers in this volume are based on an international conference hosted by the University of Athens in May 2001, and focus on various aspects of Athenian art, archaeology and history in the century of Macedonian domination. They consider Athens' new role as a political stepping stone for potential Successors to the throne of Macedon - Cassander, Demetrios Poliorketes and Antigonos Gonatas were each able to secure Macedonia by using Athens as a power base - and the ways in which Athenian culture was affected by the Macedonian presence. They contribute to the ongoing debate about the reasons for the Macedonian ascendancy, the degree of independence accorded Athens by their Macedonian overlords, the third-century archon list, and changes in Athenian art and architecture.

The applications of zooarchaeological research can go far beyond the realms of the lab or the site report. These 18 papers are all concerned with the contributions archaeozoologists make to specific problems encountered in the management and conservation of our natural and cultural heritage. The volume is divided into two parts: Part 1 looks at Zooarchaeology and Wildlife Conservation Issues. Contributors explore a range of subjects, including: how information on past environments can be used to explain the behaviour and distribution of species in the present; whether it is feasible to reintroduce game into areas where the species have become locally extinct; and how collecting and reporting procedures are related to the interpretation of zooarchaeological data. Part 2 covers Archaeozoology and Heritage Management. Contributors discuss the position of archaeozoologists in museums, universities, and private archaeological companies; the role of archaeozoologists in assessing and selecting sites for protection or excavation; and the problem of the deterioration of zooarchaeological material currently held in collections.

The double-dactyl, a poetic form never intended for the serious or high-minded', was invented in 1951. One of the form's rules is that the verse must contain a double-dactyl name, such as Higgledy-Piggledy . This collection, the result of an obsession of the authors, substitutes the doubl-dactyl rhyme with a Latin expression or tag, providing a witty poetic tour through Roman history. Beginning with Aeneas and ending with the last emperors, each brief poem is faced with an original drawing and accompanied by a short piece of text that sets the historical scene. Includes a glossary of Latin tags.

The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volume celebrates the retirement of David Buckton, for over twenty years the curator of the British Museum's Early Christian and Byzantine collections and the National Icon Collection.