James Marshall's illuminating study of dispossession on the frontier begins with the autobiography of a pioneer who met repeated failure. Writing in his old age, Omar Morse (1824-1901) looked back on the successive loss of three homesteads in mid-nineteenth century Wisconsin and Minnesota. The frontier as Morse encountered it was a place of runaway land speculation, of high railroad freight rates, of mortgage foreclosures, and of political and economic chaos. Stoic and resilient in adversity, Morse nevertheless expressed the anger of those for whom the Jeffersonian ideal of an independent yeomanry proved to be a cruel illusion.Marshall moves from Morse's narrative to the historical record of the thousands of similarly dispossessed pioneers and to the legacy of their failure. Politically, their anger was expressed in a grassroots movement that led to formation of the Populist party in the 1880s and 1890s. Culturally, dispossession became a theme in their literature, exemplified in Mark Twain's and Charles Dudley Warner's The Gilded Age and in novels by such Realists as Edward Eggleston, Joseph Kirkland, and Hamlin Garland. Land Fever thus presents the underside of disappointment that has long been the great ignored reality of the splendid success myth of the American frontier.

During the Vietnam War, Vietnamese Buddhist peace activists made extraordinary sacrifices -- including self-immolation -- to try to end the fighting. They hoped to establish a neutralist government that would broker peace with the Communists and expel the Americans. Robert J. Topmiller explores South Vietnamese attitudes toward the war, the insurgency, and U.S. intervention, and lays bare the dissension within the U.S. military. The Lotus Unleashed is one of the few studies to illuminate the impact of internal Vietnamese politics on U.S. decision-making and to examine the power of a nonviolent movement to confront a violent superpower.

With an introduction by Wade HallMorris Grubbs has sifted through vintage classics, little-known gems, and stunning debuts to assemble this collection of forty stories by popular and critically acclaimed writers. In subtle and profound ways they challenge and overturn accepted stereotypes about the land their authors call home, whether by birth or by choice. Kentucky writers have produced some of the finest short stories published in the last fifty years, much of which focuses on the tension between the comforts of community and the siren-like lure of the outside world. Arranged chronologically, from Robert Penn Warren's "Blackberry Winter" to Crystal E. Wilkinson's "Humming Back Yesterday," these stories are linked by their juxtaposition of departures and returns, the familiar and the unknown, home and beyond.

" John D. Imboden is an important but often overlooked figure in Civil War history. With only limited militia training, the Virginia lawyer and politician rose to the rank of brigadier general in the Confederate Army and commanded the Shenandoah Valley District, which had been created for Stonewall Jackson. Imboden organized and led the Staunton Artillery in the capture of the U.S. arsenal at Harper's Ferry. He participated in the First Battle of Bull Run/Manassas and organized a cavalry command that fought alongside Stonewall Jackson in his Shenandoah Valley Campaign. The Jones/Imboden Raid into West Virginia cut the Baltimore & Ohio Railroad and ravaged the Kanawha Valley petroleum fields. Imboden covered the Confederate withdrawal from Gettysburg and later led cavalry accompanying Jubal Early in his operations against Philip Sheridan in Sheridan's Shenandoah Valley Campaign. Imboden completed his war service in command of Confederate prisons in Georgia, Alabama, and Mississippi. Spencer C. Tucker fully examines the life of this Confederate cavalry commander, including analysis of Imboden's own post-war writing, and explores overlooked facets of his life, such as his involvement in the Confederate prison system, his later efforts to restore the economic life of his home state of Virginia by developing its natural resources, and his founding of the city of Damascus, which he hoped to make into a new iron and steel center. Spencer C. Tucker, John Biggs Professor of Military History at the Virginia Military Institute, is the author of Vietnam and the author or editor of several other books on military and naval history. He lives in Lexington, Virginia.

Access -- no single word better describes the primary concern of the exploration and development of space. Every participant in space activities -- civil, military, scientific, or commercial -- needs affordable, reliable, frequent, and flexible access to space. To Reach the High Frontier details the histories of the various space access vehicles developed in the United States since the birth of the space age in 1957. Each case study has been written by a specialist knowledgeable about the vehicle described and places each system in the larger context of the history of spaceflight. The technical challenge of reaching space with chemical rockets, the high costs associated with space launch, the long lead times necessary for scheduling flights, and the poor reliability of the rockets themselves show launch vehicles to be the space program's most difficult challenge.

This revised and updated edition identifies the cultural factors and specific administrative agendas that have shaped the way we view ballistic missile technology. Three new sections connect our recent, sudden shifts in foreign policy to ongoing historical patterns. Whether cautioning against the "almost neurotic pursuit of absolute security" or examining the powerful influence of religion on military buildup, Ernest J. Yanarella uncovers the deeply ingrained attitudes that will determine the future of American missile defense.

As a leader of the Southern Regional Council in the early 1960s, and later as executive director of the Field Foundation, Leslie Dunbar's advocacy and behind-the-scenes organizing made him one of the most significant (but least recognized) people in the civil rights movement. His essays and speeches often helped set the agenda. They also continue to offer a prophetic voice in our struggle to create a more humane and fully integrated America. The Shame of Southern Politics gathers for the first time fourteen of Dunbar's essays and speeches on the courage and values of the southern civil rights movement. Dunbar's selected writings, ranging from the classic 1961 essay "The Annealing of the South" to a post-September 11th meditation, give eloquent voice to the best of America's liberal tradition. A new essay entitled "1968" offers Dunbar's unique take on that transformational year.

The People's House tells the story of the two mansions that have housed most of Kentucky's governors. The Old Mansion, first occupied by Gov. James Garrard in 1798 and long known as the "Palace" -- and now the residence of the state's lieutenant governor -- is reputed to be the oldest official residence still in use in the United States. The parlor and formal dining room have welcomed dignitaries, artists, and poets. The New Mansion, a masterpiece of Beaux-Arts architecture, whose historical source was the Petit Trianon at Versailles, has housed every governor since James Bennett McCreary occupied it during his second term, beginning in 1914.Thomas D. Clark, Kentucky's historian laureate, writes of the buildings themselves and the people who lived and worked in them. His exhaustive chronicle provides an impressive backdrop for much of the state's political and social history and is filled with enlightening and humorous anecdotes about the many governors, their families, the scores of stellar visitors, and even the occasional horse, cow, and chicken who have occupied and visited the mansions and their grounds throughout the years. Over two hundred color and black and white photographs and illustrations, many of them quite rare, accompany the text.Thomas D. Clark, historian laureate of Kentucky, is the author of dozens of books on Kentucky history.Margaret A. Lane served as Executive Director of both the Old and the New Mansions.

This is the story of a man, a treaty, and a nation. The man was John Quincy Adams, regarded by most historians as America's greatest secretary of state. The treaty was the Transcontinental Treaty of 1819, of which Adams was the architect. It acquired Florida for the young United States, secured a western boundary extending to the Pacific, and bolstered the nation's position internationally. As William Weeks persuasively argues, the document also represented the first determined step in the creation of an American global empire.Weeks follows the course of the often labyrinthine negotiations by which Adams wrested the treaty from a recalcitrant Spain. The task required all of Adams's skill in diplomacy, for he faced a tangled skein of domestic and international controversies when he became secretary of state in 1817. The final document provided the United States commercial access to the Orient--a major objective of the Monroe administration that paved the way for the Monroe Doctrine of 1823.Adams, the son of a president and later himself president, saw himself as destined to play a crucial role in the growth and development of the United States. In this he succeeded. Yet his legendary statecraft proved bittersweet. Adams came to repudiate the slave society whose interests he had served by acquiring Florida, he was disgusted by the rapacity of the Jacksonians, and he experienced profound guilt over his own moral transgressions while secretary of state. In the end, Adams understood that great virtue cannot coexist with great power.Weeks's book, drawn in part from articles that won the Stuart Bernath Prize, makes a lasting contribution to our understanding of American foreign policy and adds significantly to our picture of one of the nation's most important statesmen.

Joan Crawford: The Essential Biography explores the life and career of one of Hollywood's great dames. She was a leading film personality for more than fifty years, from her beginnings as a dancer in silent films of the 1920s, to her portrayals of working-class shop girls in the Depression thirties, to her Oscar-winning performances in classic films such as Mildred Pierce. Crawford's legacy, however, has become somewhat tarnished in the wake of her daughter Christina's memoir, Mommie Dearest, which turned her into a national joke. Today, many picture Crawford only as a wire-hanger-wielding shrew rather than the personification of Hollywood glamour.This new biography of Crawford sets the record straight, going beyond the gossip to find the truth about the legendary actress. The authors knew Crawford well and conducted scores of interviews with her and many of her friends and co-stars, including Frank Capra, George Cukor, Nicholas Ray, and Sidney Greenstreet. Far from a whitewash -- Crawford was indeed a colorful and difficult character -- Joan Crawford corrects many lies and tells the story of one of Hollywood's most influential stars, complete with on-set anecdotes and other movie lore.Through extensive interviews, in-depth analysis, and evaluation of her films and performances -- both successes and failures -- Lawrence J. Quirk and William Schoell present Crawford's story as both an appreciation and a reevaluation of her extraordinary life and career. Filled with new interviews, Joan Crawford tells the behind-the-scenes story of the Hollywood icon.

Americans are often accused of not appreciating history, but this charge belies the real popular interest in the past. Historical reenactments draw thousands of spectators; popular histories fill the bestseller lists; PBS, A&E and The History Channel air a dizzying array of documentaries and historical dramas; and Hollywood war movies become blockbusters.Though historians worry that these popular representations sacrifice authenticity for broad appeal, Michael C. C. Adams argues that living history -- even if it is an incomplete depiction of the past -- plays a vital role in stimulating the historical imagination. In Echoes of War, he examines how one of the most popular fields of history is portrayed, embraced, and shaped by mainstream culture.Adams argues that symbols of war are of intrinsic military significance and help people to articulate ideas and values. We still return to the knight as a symbol of noble striving; the bowman appeals as a rebel against unjust privilege. Though Custer may not have been the Army's most accomplished fighter, he achieved the status of cultural icon. The public memory of the redcoated British regular soldier shaped American attitudes toward governments and gun laws. The 1863 attack on Fort Wagner by the black Fifty-fourth Massachusetts regiment was lost to public view until racial equality became important in the late twentieth century.Echoes of War is a unique look at how a thousand years of military history are remembered in popular culture, through images ranging from the medieval knight to the horror of U.S. involvement in the My Lai massacre.

Camp Nelson, Kentucky, was designed in 1863 as a military supply depot for the Union Army. Later it became one of the country's most important recruiting stations and training camps for black soldiers and Kentucky's chief center for issuing emancipation papers to former slaves. Richard D. Sears tells the story of the rise and fall of the camp through the shifting perspective of a changing cast of characters -- teachers, civilians, missionaries such as the Reverend John G. Fee, and fleeing slaves and enlisted blacks who describe their pitiless treatment at the hands of slave owners and Confederate sympathizers. Sears fully documents the story of Camp Nelson through carefully selected military orders, letters, newspaper articles, and other correspondence, most inaccessible until now. His introduction provides a historical overview, and textual notes identify individuals and detail the course of events.

" From his unique perspective of friendship with many of the actors and actresses about whom he writes, silent film historian Anthony Slide creates vivid portraits of the careers and often eccentric lives of 100 players from the American silent film industry. He profiles the era's shining stars such as Lillian Gish and Blanche Sweet; leading men including William Bakewell and Robert Harron; gifted leading ladies such as Laura La Plante and Alice Terry; ingénues like Mary Astor and Mary Brian; and even Hollywood's most famous extra, Bess Flowers. Although each original essay is accompanied by significant documentation and an extensive bibliography, Silent Players is not simply a reference book or encyclopedic recitation of facts culled from the pages of fan magazines and trade periodicals. It contains a series of insightful portraits of the characters who symbolize an original and pioneering era in motion history and explores their unique talents and extraordinary private lives. Slide offers a potentially revisionist view of many of the stars he profiles, repudiating the status of some and restoring to fame others who have slipped from view. He personally interviewed many of his subjects and knew several of them intimately, putting him in a distinctive position to tell their true stories.

James Baker Hall's blackly comic coming-of-age novel has been denied, by unfortunate circumstances surrounding its original 1964 publication, its rightful place alongside classics such as Catcher in the Rye and One Flew Over the Cuckoo's Nest in the canon of essential late-twentieth-century American fiction.Set in Lexington, Kentucky, the story unfolds through the eyes of thirteen-year-old Yates Paul. He becomes consumed with revelations about his inattentive father's loneliness, his grandmother's stormy relationship with his boisterous alcoholic uncle, and the frustration of being the best photography assistant in town when no one else knows it. In pursuing his career and falling in love with women twice his age, the precocious Yates falls back on Walter Mittyesque daydreams to cope with a frequently humorous, sometimes dark, world. Long respected among literary insiders, sought after but nearly impossible to obtain, this "lost" classic will finally reach the wider audience it deserves.

Broke Neck, Kentucky, lies deep in Appalachia. Its people are descendents of the men and women who settled the country during the Revolutionary War, and their ways have not changed much in the past two hundred years.Shady Grove chronicles the riotous adventures and misadventures of Broke Neck's Fowler clan, among them Frony, the feisty and articulate widow who narrates the tale, and Sudley, the thrice-married farmer and quintessential "ridge man. " Sudley, who wields considerable political influence among his kin and community, isn't happy when a new preacher from "outside" comes in from his city-based denomination with ideas about what's wrong in Broke Neck. What follows is a compelling example of the tension between urban viewpoints and rural traditions, a central conflict in Appalachia.The town's delicate balance is disturbed when other outsiders -- federal revenue officials and four suitors responding to a personal ad -- converge in an unlikely climax that is both comic and telling. In her last book of fiction about her adopted Kentucky homeland, Janice Holt Giles cleverly dispels the common stereotypes of rural peoples by creating honest, believable characters who cherish their soil, churches, songs, and lines of kin. Shady Grove is a novel that makes us laugh and touches our hearts.Janice Holt Giles (1905-1979), author of nineteen books, lived and wrote near Knifley, Kentucky, for thirty-four years. Her biography is told in Janice Holt Giles: A Writer's Life.

On April 30, 1975, Saigon and the government of South Vietnam fell to the communist regime of North Vietnam, ending -- for American military forces -- exactly twenty-five year of courageous but unavailing struggle. This is not the story of how America became embroiled in a conflict in a small country half-way around the globe, nor of why our armed forces remained there so long after the futility of our efforts became obvious to many. It is the story of what went wrong there militarily, and why. The author is a professional soldier who experienced the Vietnam war in the field and in the highest command echelons. General Palmer's insights into the key events and decisions that shaped American's military role in Vietnam are uncommonly perceptive. America's most serious error, he believes, was committing its armed forces to a war in which neither political nor military goals were ever fully articulated by our civilian leaders. Our armed forces, lacking clear objectives, failed to develop an appropriate strategy, instead relinquishing the offensive to Hanoi. Yet an achievable strategy could have been devised, Palmer believes. Moreover, our South Vietnamese allies could have been bolstered by appropriate aid but were instead overwhelmed by the massive American military presence. Compounding these errors were the flawed civilian and military chains of command. The result was defeat for America and disaster for South Vietnam. General Palmer presents here an insider's history of the war and an astute critique of America's military strengths and successes as well as its weaknesses and failures.