The concept of woman as having a distinctive nature and requiring a separate sphere of activity from that of man was pervasive in the thinking of nineteenth- century Americans. So dominant was this "horizon of expectations" for woman that the imaginations of our finest novelists were often subverted, even as they attempted to expand the possibilities for women through their fiction.Selecting five American writers -- James Fenimore Cooper, Nathaniel Hawthorne, William Dean Howells, Henry James, and Edith Wharton -- Schriber traces the impact of cultural expectations for woman on the art of the novel from the early nineteenth century through the advent of Modernism. The novels of Cooper and Hawthorne exemplify the male imagination at work before the concept of woman's nature and sphere became burning issues, as they did later in the century. Howells, while attempting to expand woman's sphere in his fiction in response to feminist challenges, in fact demonstrates the recalcitrance of a priori ideas. James, provoked rather than subverted by the ideology of gender, was able to bend the culture's myopia to his own artistic purposes. Wharton's novels, in contrast, document the female imagination seeking aesthetic solutions to the problems of women rather than to woman as problem. Wharton constructs versions of female experience that were either invisible or anathema to her male counterparts.Schriber's discussion centers on those points in each text at which the culture's horizon of expectations drives the decisions and choices of the artist, sometimes to the benefit and sometimes at the expense of craft. Making full use of gender as a category of literary analysis, she recovers the meanings intended by the texts for audiences of their own time, and distinguishes those meanings from their significance for modern readers.Original in its methodology and insights, Gender and the Writer's Imagination provides a model for future literary studies.

The sheer volume of prolific Spanish novelist and playwright Benito Pérez Galdós's literary production has rendered overall assessment of his body of work all but impossible. The later volumes in his ambitious and popular Episodios nacionales series, in particular, have suffered from scholarly indifference.In this acclaimed study, Brian J. Dendle closely considers the twenty-six novels in this series written between 1898 and 1912. These episodios, Dendle contests, are artistically superior to the earlier volumes and offer a unique opportunity to establish the ideological profile of the mature Galdós.

In this first major study of religion in the South prior to the Civil War, Mr. Posey surveys the work of seven chief denominations -- Methodist, Baptist, Presbyterian, Disciples of Christ, Cumberland Presbyterian, Roman Catholic, and Protestant Episcopal -- as they developed in the present states of Kentucky, Tennessee, Alabama, Mississippi, Texas, Arkansas, Louisiana, and Missouri.

Until late in the eighteenth century, the peasantry of the German states had been dismissed contemptuously by the aristocracy and middle classes as brutish and virtually subhuman. With the advent of organized movements for peasant emancipation and agrarian reform, however, many German writers and publicists began also to reassess the role of the peasant in society. Within less than a century, the public image of the German peasant had been completely changed. Where formerly he had been scorned as untermenschlich, by 1840 he was firmly established in the public mind as an embodiment of the highest national virtues -- a patriotic citizen with special qualities of singular importance to the fatherland. Mr. Gagliardo's study is a suggestive inquiry into the origins and development of a modern rural ideology and its relationship to German doctrines of nationality.

Economic and social life in the upper Chesapeake during the colonial period diverged from that in southern Maryland and Tidewater Virginia despite similar economic bases. Charles Steffen's book offers a fresh interpretation of the economic elite of Baltimore County and challenges the widely accepted view that the life of this privileged class was characterized by permanence, stability, and continuity.The subjects of this study are not the tiny knot of Tidewater aristocrats who have dominated scholarly inquiry, but the numerically predominant but largely unknown "county gentry" who constituted the bedrock of the upper class throughout Maryland and Virginia. Because most Tidewater aristocrats shunned the northern frontier of Chesapeake society, Baltimore proves an ideal location for exploring the uncertain world of the county gentry.Most of the men who climbed the ladder of economic and political success in Baltimore, hoping to establish dynasties, watched with dismay as their children slipped back down that ladder in the later colonial years. The absence of entrenched oligarchies gave to the upper levels of county society a striking degree of fluidity and impermanence. In chapters dealing with the plantation workforce, the landed estate, the merchant community, and the established church, Steffen demonstrates that this openness pervaded all dimensions of the life of the gentry.Steffen's analysis of the complicated social and political realignments produced by the Revolution provides a fitting conclusion to his study, for in the independence struggle the openness of the gentry was most clearly revealed. In its vivid portrayal of the men and women who comprised the bulk of the gentry, From Gentlemen to Townsmen sheds new light on the complex economic and social life of the Chesapeake.

Although folklore has been collected for centuries, its possible unconscious content and significance have been explored only since the advent of psychoanalytic theory. Freud and some of his early disciples recognized the potential of such folklorist genres as myth, folktale, and legend to illuminate the intricate workings of the human psyche. Alan Dundes is a renowned folklorist who has successfully devoted the better part of his career to applying psychoanalytic theory to the materials of folklore. From Game to War offers five of his most mature essays on this topic.Dundes begins with a comprehensive survey of the history of psychological studies of folklore in the United Slates. He then presents a striking analysis of the spectrum of behavior associated with male competitive events ranging from traditional games -- such as soccer and American football -- to warfare. He argues that all of these activities can be seen as forms of macho battle to determine which individual or team feminizes his or its opponents.This is followed by a study of the saga of William Tell, one of the most celebrated legends in the world. A novel treatment of the biblical flood myth in terms of male pregnancy is the penultimate essay, while the concluding article proposes an ingeniously imaginative interpretation of the underpinnings of anti-Semitism.

The eighteenth century, age of France's leadership in Western civilization, was also the most flourishing period of French inventive genius. Generally obscured by England's great industrial development are the contributions France made in the invention of the balloon, paper-making machines, the steamboat, the semaphore telegraph, gas illumination, the silk loom, the threshing machine, the fountain pen, and even the common graphite pencil. Shelby T. McCloy believes that these and many other inventions which have greatly influenced technological progress made prerevolutionary France the rival, if not the leader, of England.In his book McCloy analyzes the factors that led to France's inventive activity in the eighteenth century. He also advances reasons for France's failure to profit from her inventive prowess at a time when England's inventions were being put to immediate and practical use.

The presidential election of 1848, known as the Free Soil election, marked the emergence of antislavery sentiment as a determining political force on a national scale. In this book Joseph G. Rayback provides the first comprehensive history of the campaign and the election, documenting his analysis with contemporary letters and newspaper accounts. The progress of the campaign is examined in light of the Free Soil movement: agitation for Free Soil candidates and platforms at the national conventions proved ineffective, and the nominations of Zachary Taylor and Lewis Cass completed the major parties' alienation of the various antislavery groups. Thwarted in their attempts to capture the national parties, the Free-Soilers formed a massive coalition, which met in Buffalo, and formally created the Free Soil party, nominating their own candidate, ex-President Martin Van Buren. The Whigs and the Democrats, forced by the new party to take a position on the touchy slavery question, attempted to use Free Soil to elect their candidates -- in the North by claiming, it in the South by disclaiming it.Rayback concludes that the Free Soil election was one of the most significant in American history, a turning point in national politics that marked the end of the Jacksonian Era. Although Taylor was elected president, Van Buren took about ten percent of the popular vote away from the Whigs and the Democrats. It was the first presidential election in which a third party made substantial inroads on major party loyalties, one in which the electorate indicated a desire for a moderate solution to the problem of slavery extension -- a solution that was attempted by the Thirty-first Congress with its Compromise of 1850.

Some of the most famous plays in the English language were performed on the stage of the Rose theater, which stood on the Bankside in Elizabethan London. Henslowe's Rose is the first full-length study of this important theater.Rhodes gives as full an account as the evidence of contemporary pictures and documents permits of those Rose, the method of its construction, its general plan, its repertory of plays, and its staging. From the action of these plays he deduces the form of the stage itself and the nature of its facilities. The total of five openings in the walls at stage-level is of particular significance, since the most widely held conception of the Shakespearean stage has been based primarily on the De Witt sketch of the Swan theater, showing a two-opening façade.The contemporary pictorial evidence used by Rhodes is reproduced in this volume for the convenience of the reader. In addition many sketches and plans illustrate Rhodes's findings, which are summed up in a photograph of a model built to specifications derived from such sources as Henslowe's diary, contemporary pictures of the outside of the Rose, and the Vitruvian theater plan.

In the early years of this century, miners from nearly every country in Europe and Asia Minor migrated to West Virginia to seek employment in its great collieries. With them they brought many folktales and legends of then homelands. Ruth Ann Musick has collected some of the best and most representative of these stories -- never before published in book form -- in The Green Hills of Magic. In many instances, these tales were first related in family circles in the native languages of the tellers, later to be translated by their younger English-speaking descendants. Entertaining in themselves, the stories are also excellent examples of the diverse folk beliefs and cultural patterns of the national and ethnic immigrant groups. The tales are attractively illustrated with more than twenty black-and-white drawings.

and racial justice during a critical era in southern and Appalachian history. This volume is the first comprehensive examination of that extraordinary -- and often controversial -- institution.Founded in 1932 by Myles Horton and Don West near Monteagle, Tennessee, this adult education center was both a vital resource for southern radicals and a catalyst for several major movements for social change. During its thirty-year history it served as a community folk school, as a training center for southern labor and Farmers' Union members, and as a meeting place for black and white civil rights activists. As a result of the civil rights involvement, the state of Tennessee revoked the charter of the original institution in 1962.At the heart of Horton's philosophy and the Highlander program was a belief in the power of education to effect profound changes in society. By working with the knowledge the poor of Appalachia and the South had gained from their experiences, Horton and his staff expected to enable them to take control of their own lives and to solve their own problems.John M. Glen's authoritative study is more than the story of a singular school in Tennessee. It is a biography of Myles Horton, co-founder and long-time educational director of the school, whose social theories shaped its character. It is an analysis of the application of a particular idea of adult education to the problems of the South and of Appalachia. And it affords valuable insights into the history of the southern labor and the civil rights movements and of the individuals and institutions involved in them over the past five decades.

On August 28, 1955, fourteen-year-old Chicago native Emmett Till was brutally beaten to death for allegedly flirting with a white woman at a grocery store in Money, Mississippi. Roy Bryant and J. W. Milam were acquitted of murdering Till and dumping his body in the Tallahatchie River, and later that year, an all-white grand jury chose not to indict the men on kidnapping charges. A few months later, Bryant and Milam admitted to the crime in an interview with the national media. They were never convicted.Although Till's body was mutilated, his mother ordered that his casket remain open during the funeral service so that the country could observe the results of racially motivated violence in the Deep South. Media attention focused on the lynching fanned the flames of regional tension and impelled many individuals -- including Rosa Parks -- to become vocal activists for racial equality.In this innovative study, Darryl Mace explores media coverage of Till's murder and provides a close analysis of the regional and racial perspectives that emerged. He investigates the portrayal of the trial in popular and black newspapers in Mississippi and the South, documents posttrial reactions, and examines Till's memorialization in the press to highlight the media's role in shaping regional and national opinions. Provocative and compelling, In Remembrance of Emmett Till provides a valuable new perspective on one of the sparks that ignited the civil rights movement.

In this study, Merle L. Perkins links individual freedom with national power in offering a close reading of Jean-Jacques Rousseau's major texts. He sees in Rousseau's thought an extreme tension and interdependence between the idiosyncrasy of nonconforming character and an almost obsessive concern with the external pressures operating on the state.

Thomas Roe, born near London in 1580 or 1581 was a notable and influential figure in the England of Elizabeth and of the early Stuarts. In his wide-ranging career, he came into contact with an array of famous seventeenth-century persons ranging from Sir Walter Raleigh to Archbishop William Laud and from Queen Elizabeth of Bohemia to the Great Mogul Emperor of Hindustan. Roe was one of the most capable diplomats of his time and his career was associated with developments of great importance: colonial and commercial expansion, the beginnings of empire, foreign relations, religious movements, domestic dissent. This sparkling, first full biography of Sir Thomas Roe delineates the unusual range of the ambassador's experiences and the importance of his career against the complex background of that spirited age. Dedicated to the view that England should be actively involved in Europe, Roe worked tirelessly toward the attainment of that goal.

How to choose the investment that will give the best return is a problem faced by all businessmen. Yet for the small businessman in particular, the literature on capital budgeting intended to help him in his investment decisions seems not to apply to his actual situation. Here in this study, theory and practice are brought together within the context of small business. Author Martin B. Solomon Jr. compares two theoretically sound formulas -- present value and the discounted rate of return -- with simpler methods of calculating the returns on investments. The superiority of the refined methods, he points out, is practically nullified under the usual conditions of uncertainty. The primary need of the small businessman, Solomon concludes, is not for better methods of ranking alternatives but for the reservation of a portion of his time for seeking a variety of investment opportunities through the greater exercise of imagination and creativity.

Scholars have already demonstrated that Shakespeare 's language abounds in Biblical allusions and references, but Mr. Bryant now undertakes to show us how such details may bear on the full meaning of the plays. Seeking to interpret Shakespeare's plays as Christian poetry, Mr. Bryant has developed in this significant work a new critical approach which may have far-reaching consequences for future Shakespearean scholarship.In an introductory essay the author shows that the typological view of Scripture was a familiar one to the Christians of Shakespeare 's time; he suggests that for Shakespeare, as for many of his contemporaries, the Bible had only one subject -- Christ -- to which everything in both Testaments in some way referred. This interpretation of Scripture, Mr. Bryant believes, had an appreciable effect on Shakespeare's handling of many of the traditional stories on which he based his plays.The author then demonstrates, in twelve essays, how typological patterns may be traced in the plays and how Biblical allusions suggest and strengthen these analogies. In both Richard II and Hamlet, Mr. Bryant finds references to the story of Cain and Abel which give a new focus to his reading of these plays. Passages from the Gospels bear upon his interpretations of Troilus and Cressida and Measure for Measure, and the epistles of St. Paul upon his readings of The Merchant of Venice and the two parts of Henry IV. Mr. Bryant then attacks the popular idea that tragedy is incompatible with Christian doctrine; his essay defining Christian tragedy is illustrated in chapters on Macbeth, Antony and Cleopatra, and Othello. The concluding essays deal with Cymbeline and The Winter's Tale as tragicomedies given depth by their Christian materials.Mr. Bryant's fresh and challenging interpretations of these representative tragedies, histories, and comedies will not meet with universal assent, but they are certain to provoke the interest of both scholarly and lay readers. The increasing number of students who wish to trace the relationships between secular literature and Christian thought will find in this pioneer work a new insight into the nature of Christian poetry.