When Frank X Walker's compelling collection of personal poems was first released in 2004, it told the story of the infamous Lewis and Clark Expedition from the point of view of Clark's personal slave, York. The fictionalized poems in Buffalo Dance formed a narrative of York's inner and outer journey, before, during, and after the expedition – a journey from slavery to freedom, from the plantation to the great northwest, from servant to soul yearning to be free. In this updated edition, Walker utilizes a blend of extensive historical research, interviews, transcribed oral histories from the Nez Perce reservation, art, and empathy to breathe new life into an important but overlooked historical figure. Featuring a new introduction, preface, and sixteen additional poems, this powerful work speaks to such topics as race, literacy, slavery, and Native Americans, while reawakening and reclaiming the lost "voice" of York.

The people and places in Appalachia are as rich, multifaceted, and diverse as the region itself. When author Frank X Walker first coined the phrase "Affrilachia," he wanted to ensure that the voices, and accomplishments of African Americans in that region were recognized and exalted. A is for Affrilachia not only brings awareness of notable African Americans from this region, but this inspired children's alphabet book is also an exuberant celebration of the people, physical spaces, and historical events that may not be as well known in mainstream educational structures. Illustrated by acclaimed artist Ronald W. Davis, every image exudes with vibrancy, beauty, and whimsy as it depicts each of the alphabetized words alongside the appropriate letter. Featured are a range of musicians, artists, and activists, as well as mountain ranges, literary works, and coal mining implements. Famous names, such as playwright August Wilson, writer Nikki Giovanni, actor Chadwick Boseman, and singer Nina Simone are spotlighted, as well as lesser-known individuals, such as artist Romare Bearden and musician Amethyst Kiah. Particularly poignant are the letters representing the four girls – Addie Mae Collins, Denise McNair, Carole Robertson, and Cynthia Wesley – who were killed in the 16th Street Baptist Church bombing in Birmingham, Alabama in 1963. Equipped with a glossary to engage discussion regarding the importance of the individuals and places represented, this children's book is a unique and engaging ABC primer that offers a rich display of regional, racial, and cultural heritage through word and image.

Stephen Foster's "My Old Kentucky Home" has been designated as the official state song and performed at the Kentucky Derby for decades. In light of the ongoing social justice movement to end racial inequality, many have questioned whether the song should be played at public events, given its inaccurate depiction of slavery in the state. In Slavery and Freedom in the Bluegrass State, editor Gerald L. Smith presents a collection of powerful essays that uncover the long-forgotten stories of pain, protest, and perseverance of African Americans in Kentucky. Using the song and the museum site of My Old Kentucky Home as a central motif, the chapters move beyond historic myths to bring into sharper focus the many nuances of Black life. Chronologically arranged, they present fresh insights on such topics as the domestic slave trade, Black Shakers, rebellion and racial violence prior to the Civil War, the fortitude of Black women as they pressed for political and educational equality, the intersection of race and sports, and the controversy over a historic monument. Taken as a whole, this groundbreaking collection introduces readers to the strategies African Americans cultivated to negotiate race and place within the context of a border state. Ultimately, the book gives voice to the thoughts, desires, and sacrifices of generations of African Americans whose stories have been buried in the past.

British-born actress, singer, director, and producer Ida Lupino (1918-1995) cut one of the most alluring profiles of any Hollywood persona during the forties and fifties. The star of classic films such as They Drive by Night (1940), High Sierra (1941), and Road House (1948), she was a stalwart of the screen throughout her early career and frequently received top billing ahead of stars such as Humphrey Bogart. While her talent was undeniable, her insistence on taking only roles she felt would challenge her professionally often put her at odds with the demands of studio executives. It was in those periods of frustration and suspension as an actor that Lupino fostered a talent for the filmmaking process. In a decision relatively unprecedented for women in her era, she founded her own independent production company where she became widely regarded as one of the most prolific filmmakers working at the height of the Hollywood studio system. She has been described by fellow directors such as Martin Scorsese as "resilient, with a remarkable empathy for the fragile and heartbroken." William Donati's Ida Lupino: A Biography chronicles the dramatic life of one of Hollywood's most substantive and innovative artists who lived her life unapologetically both behind and in front of the camera.

For hundreds of years, the American public education system has neglected to fully examine, discuss, and acknowledge the vast and rich history of people of African descent who have played a pivotal role in the transformation of the United States. The establishment of Black studies departments and programs represented a major victory for higher education and a vindication of Black scholars such as W. E. B. Du Bois and Nathan Huggins. This emerging field of study sought to address omissions from numerous disciplines and correct the myriad distortions, stereotypes, and myths about persons of African descent. In An Introduction to Black Studies, Eric R. Jackson demonstrates the continuing need for Black studies, also known as African American studies, in university curricula. Jackson connects the growth and impact of Black studies to the broader context of social justice movements, emphasizing the historical and contemporary demand for the discipline. This book features seventeen chapters that focus on the primary eight disciplines of Black studies: history, sociology, psychology, religion, feminism, education, political science, and the arts. Each chapter includes a biographical vignette of an important figure in African American history, such as Frederick Douglass, Louis Armstrong, and Madam C. J. Walker, as well as student learning objectives that provide a starting point for educators. This valuable work speaks to the strength and rigor of scholarship on Blacks and African Americans, its importance to the formal educational process, and its relevance to the United States and the world.

The movie director Paul Williams is a real-life Forrest Gump. Williams' experiences form a unique and often wild constellation of encounters with star power, political power, and spiritual power - a life cycle that led to fame and fortune and to integrity and anonymity. In a mad childhood created by an autocratic English teacher father and an infantilizing mother, he develops a precocious visual acuity to avoid wallops and a writing ability that mollified his father. This skill set wins him a scholarship to Harvard, where he needs to learn how the Wisemen think. He seeks out tutors who reveal themselves: Kissinger, Skinner, Galbraith, Erikson, Alpert, Leary, the Hubleys and Jean Renoir. Howard Gardner is his roommate and Michael Crichton is an editor friend on the college daily, The Crimson. After months, his lover reveals she is the heiress of a great American fortune. A member of the inner circle of the "Movie Brats" who led the charge of American New Wave cinema in the 1970s, Williams' idiosyncrasies make him a darling of the era. His stories about his pals - Scorcese, Voight, Christie, DePalma, Coppola, Dreyfuss, Spielberg, De Niro, Lucas - shed new light on a world bursting with creativity and possibility. He helps Terrence Malick make his first film, tries to adjust to the tyranny of the fabulously wealthy, and turns down the offer to direct the smash hits Animal House and Stepford Wives, and to partner on a new Parisian restaurant - The Hard Rock Cafe; and turns down Lorne Michaels' offer to help him create Saturday Night Live. With amazing honesty, Williams recounts the unexpected details of making his own seminal cult classics, Out of It (1969), The Revolutionary (1970) and Dealing (1972). And his adventures with Black Panther Eldridge Cleaver in Algiers, Fidel Castro in Havana, Huey P. Newton in Oakland, and Pope John Paul II in Vatican City. Harvard, Hollywood, Hitmen and Holy Men is an extraordinary odyssey - large, experimental, fearlessly audacious and eventually self-knowing. Through his anecdotes, shocking and delightful in their humor and authenticity, Williams takes readers on his unique journey to answer life's big questions - with aides Mescalito (the Peyote guide), Ichazo (the Gurdjieffian Sufi master), and Dilgo Khyentse (the current Dali Lama's principal teacher), and finally, Vivian (a transcendent redhead).

The brutality of war and abuse is juxtaposed with the banal in this story of two women who spend their days transcribing the testimonies of Abu Ghraib prisoners. The prisoners' gruesome accounts of physical and sexual abuse, torture, sodomy, and murder interrupt the ordinary lives and concerns of the typists, and reveal deeper – and more troubling – truths. Sylvia is a single mother, haunted by the words of the prisoners' testimonies. Her job strains her already-fragmented relationship with her capricious teenage son. Marina's submissive ignorance allows her to become involved in a disturbing relationship with a man who engages her in humiliating and abusive sexual acts and indirectly involves her six-year-old daughter, causing the child to suffer troubling effects from bearing witness to the trauma. Interjected within the lyrical prose is commentary about the history, development, and qualities of ink, as well as of other objects and elements (such as urine and water) that are part of the accounts of tortured prisoners as well as the lives of Sylvia and Marina. Taken together, this illuminating and meditative work reveals how correlations between the abuse of women, domestic violence, rape, and the abuse and torture of prisoners of war are not as disparate or detached as they might first appear.

When one thinks of the quintessential Frenchman, one likely pictures Jean Gabin (1904-1976). The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Émile Zola's La Bête Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir. Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit – a persona that would define his future roles. In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Harriss recounts the actor's multi-faceted persona, including his famously fiery temper, his tumultuous love affairs – including a six-year relation with the German star Marlene Dietrich – and his military valor. With this enthralling work, film enthusiasts can gain an appreciation of France's quintessential movie star and his lasting impact on world cinema during its Golden Age.

General of the Armies John J. Pershing (1860-1948) had a long and distinguished military career, but he is most famous for leading the American Expeditionary Forces in World War I. He published a memoir, My Experiences in the World War, and has been the subject of numerous biographies, but the literature regarding this towering figure and his enormous role in the First World War deserves to be expanded to include a collection of his wartime correspondence. Meticulously edited by John T. Greenwood, volume 2 of John J. Pershing and the American Expeditionary Forces in World War I, 1917-1919 covers the period of October 1 through December 31, 1917. During this time, Pershing focused his efforts on working with the French Ministry of War, the General Staff, and the field Army on training and equipping the AEF's few available combat divisions for frontline service. Russia's defection from the coalition and the surprising Italian defeat at Caporetto in October rocked the Allied ranks, and this volume addresses the creation of the Supreme War Council and the House's American War Mission - bodies that reexamined the Entente's military and diplomatic strategy and ultimately cemented the alliance. The correspondence also reveals how the House Mission revived the divisive issue of amalgamating arriving American troops into existing British and French combat divisions - something that Pershing utterly opposed and saw as a threat to the AEF. The dispute never resolved and irritated British prime minister Lloyd George and French premier Georges Clemenceau so much that both would try to engineer Pershing's removal in the following year. Extracts from the large volume of rarely referenced cablegrams represent an important contribution to Pershing's wartime story.

Is it possible for two combatants who possess equally strong air forces to conduct limited warfare by restraining air operations? In Restraining Air Power, Robert C. Owen asks this question and allows contributing authors to provide theoretical and empirical assessments of restrained air warfare through five historical case studies since 1945. Through an objective analysis of the past, this collection evaluates the principles of escalation and escalation management in conventional warfare scenarios to better understand when, why, and how peer opponents in past conflicts have expanded or restrained air operations. The surge in cyber warfare, the development of artificially intelligent weaponry, and the founding of the US Space Force in 2019 means that analysts and military planners must be prepared to think about escalation management and peer conflict in increasingly complicated and challenging ways. This comprehensive study provides readers with refined theoretical visions of the possibilities and challenges of managing escalation as a powerful mode of warfare between opponents who believe they must choose between sacrificing their own national interests or risking escalated destruction of their economies, military forces, and governing authority. The analysis within the pages of this volume is an attempt to update our understanding of air warfare within a world of unprecedented military complexity and, as such, will hold immense value for specialists in advanced military studies as well as those studying international relations and history.

From her idyllic childhood in the American midwest, to her Oscar-nominated performance in Sunset Boulevard (1950) and the social circles of New York and Los Angeles, actress Nancy Olson Livingston has lived abundantly. In her memoir, A Front Row Seat, Livingston treats readers to an intimate, charming chronicle of her life as an actress, wife, and mother, and her memories of many of the most notable figures and moments of her time. Livingston shares reminiscences of her marriages to lyricist and librettist Alan Jay Lerner, creator of award-winning musicals Paint Your Wagon, Gigi, and My Fair Lady (which was dedicated to her), and Alan Wendell Livingston, former president of Capitol Records, who created Bozo the Clown and signed legendary musical artists including Nat King Cole, Frank Sinatra, Judy Garland, The Beach Boys, The Beatles, The Band and Don McLean. One of the last living actors of the Golden Age of Hollywood, Livingston shares memorable encounters with countless celebrities – William Holden, Billy Wilder, Bing Crosby, Marilyn Monroe, and John Wayne to name a few – and less pleasant experiences with Howard Hughes and John F. Kennedy that act as reminders of women's long struggle for equality and dignity.Entertaining and engrossing, A Front Row Seat deftly interweaves Livingston's life with her observations of the artists, celebrities, and luminaries with whom she came in contact – a paean to the 20th century and a treasure for readers enamored with a bygone era.

On January 16, 1944, the submarine rescue vessel USS Macaw (ASR-11) ran aground at Midway Atoll while attempting to get a towing line to the stranded submarine USS Flier (SS-250). The Flier was pulled free six days later, but another three weeks of salvage efforts, plagued by rough seas and equipment problems, failed to dislodge the Macaw. Then on Saturday, February 12, amid an episode of freakishly enormous waves, the sea accomplished that task, nudging the ship from her perch backward into deeper water. As night fell and the ship slowly sank, the 22 men on board – Lt. Cmdr. Paul W. Burton, USN, the captain, his executive officer and twenty enlisted men—sought refuge in the pilot house. By about 0230 Sunday, that compartment having flooded almost entirely, Burton gave the order to open the portside door and make for the foremast. Three men got to it and climbed it. Most of the rest were swept overboard. Five of the men, including Burton himself, died, as did three sailors from the base at Midway in a pair of unauthorized and effectively suicidal rescue attempts that morning. Drawing on contemporaneous written statements by survivors of that night and interviews conducted over a span of thirty years, this book traces the lives of the Macaw and her enigmatic captain, from birth on San Francisco Bay to death at Midway. It tells a war story short on combat but not on drama, a wartime tragedy in which the conflict is more interpersonal, and perhaps intrapersonal, than international. Ultimately, for Paul Burton and the Macaw the real enemy was the sea, and in a deadly denouement told here in riveting detail, the sea won. Highlighting the underreported role auxiliary vessels played in the war, A Strange Whim of the Sea: The Wreck of the USS Macaw should engage the military historian and lay reader alike with the previously untold story it tells of struggle, sacrifice, death and survival in the Pacific in World War II.

The stories and accounts of Kentucky basketball's players, iconic coaches and epic games have been told and retold, but lesser known are the stories of the arenas and venues that have been home to the Wildcats – buildings that have witnessed the sights, sounds, and shared spirit of the Big Blue Nation for over a century. In House of Champions author Kevin Cook combines archival research and numerous interviews with players and coaches to reveal the rich history and colorful details of the structures that have hosted UK basketball. A number of fascinating backstories are uncovered, including the excitement of Alumni Gym's opening night in 1925; the problematic acquisition of a Black community for Memorial Coliseum; and the moving account of the displays of nearly ten thousand names of Kentucky's WWII and Korean War heroes on the Coliseum's pedestrian ramps. The account concludes with a compelling overview of the development of historic Rupp Arena: its inner workings, the prominent figures involved – and how the initial conversation to build it began over a slice of Jerry's pie in 1968. This insightful and entertaining history reveals how the impact of these sporting facilities extended far beyond the courts' sidelines to directly shape and influence the social, economic, and political landscapes of Lexington and Central Kentucky. House of Champions also faithfully recreates the full game day experience of fans in the stands for several key games in UK's storied past. It ultimately offers an even greater appreciation of the history of the Wildcats and what the famed indoor stadiums have brought to the program – a must for any true Big Blue Basketball fan.

American actress Aline MacMahon's youth was spent honing her talents while performing at local events in New York City. After popular stage success on Broadway, she headlined a touring company in Los Angeles, where she was discovered by legendary Hollywood director Mervyn LeRoy and put under contract to Warner Brothers. During the 1930s and 1940s, MacMahon starred in countless films and was among the most influential actors of the era, her talent revered as highly as peers Katherine Hepburn, Paul Muni, and Bette Davis. Her pioneering use of a new acting style brought to America from Russia by Konstantin Stanlisavsky - now widely known as the Method - began a revolution on the screen and made her an industry darling. Although popular with audiences and widely lauded for her versatile, naturalistic style, MacMahon's despair at the lack of challenging roles and fallout from her political activism would soon dim her star in the most tragic of ways. Blacklisted during the Communist Red Scare of the 1950's she became the subject of covert FBI surveillance and was denied work for many years. John Stangeland's biography of this unique actress, Aline MacMahon, offers an insightful look into the life and oeuvre of this largely overlooked talent and how the atmosphere of Hollywood's golden age created an inescapable blueprint for a career nearly destroyed by politics and fear.

An early American adage proclaimed: "The frontier was heaven for men and dogs – hell for women and mules." Since the 1700s, when his name first appeared in print, Daniel Boone has been synonymous with America's westward expansion and life on the frontier. Traces is a retelling of Boone's saga through the eyes of his wife, Rebecca, and her two oldest daughters, Susannah and Jemima. Daniel became a mythic figure during his lifetime, but his fame fueled backwoods gossip that bedeviled the Boone women throughout their lives, most notably the widespread suspicion that one of Rebecca's children was fathered by Daniel's younger brother. Traces explores the origins of these rumors, exposes the harsh realities of frontier life, and gives voice to the women whose vibrant lives have been reduced to little more than scattered footnotes within the historical record. Daniel's restless wandering made the women eyewitnesses to the clash of cultures between the settlers and the indigenous tribes who fought to retain control of their native lands made life on the frontier an ongoing struggle for survival. Patricia L. Hudson gives voice to these women, each of whom were pioneers in their own right. The Boone women's joys and sorrows, as well as those of countless other forgotten women who braved the frontier, are invisibly woven into the fabric of America's early years and the story of this country's westward expansion.

For almost half a century, celebrated ventriloquist and entertainer Shari Lewis delighted generations of children and adults with the help of her trusted sock puppet sidekick Lamb Chop. For decades, the beloved pair were synonymous with children's television, educating and entrancing their young audience with their symbiotic personalities and their proclivity for song, dance, and the joy of silliness. But as iconic as their television personas were, relatively little inside knowledge has been revealed about Lewis herself and the life-changing moments that led her to the entertainment industry and perhaps, most importantly, to Lamb Chop. Renowned for her skills as a performer, Lewis was an equally skilled businesswoman. Operating in an era when women were largely left out of the conversation, she was one of the few women to run her own television production company. Whether it was singing, dancing, conducting, writing, drawing, or ventriloquism—a skill in which she was virtually unmatched – Lewis spent the entirety of her 65 years in pursuit of performative perfection. Constantly innovating and adapting to the needs of her audience and the market, Lewis extended the longevity of her career decade after decade. Her contributions, and that of Lamb Chop, and the rest of her puppet pals forever changed the history of children's television. Now, two decades after Lewis and Lamb Chop last graced television with their presence, Lewis' daughter Mallory and author Nat Segaloff have set the record straight about the iconic pair in Shari Lewis and Lamb Chop: The Team that Changed Children's Television. In this seminal biography, the pair pull the veritable wool from the eyes of audiences who adored the legendary entertainer to examine the joys, sorrows, triumphs, and sheer hard work that gave Lewis and Lamb Chop their enduring star power.