Levin-Waldman argues that if American public policy were to be evaluated against a different set of principles—ones more closely aligned with core liberal values, especially the common good—liberalism would be in greater harmony with contemporary public opinion and thought. Liberalism rests on a moral vision of what constitutes the good life and a set of principles that can measure whether public policy accords with society's underlying philosophical principles. Levin-Waldman faults modern liberalism for obscuring these principles through a misplaced reliance on neutrality. Liberalism, he contends, appears to have diverged from mainstream perceptions of traditional American values because policy is debated and formulated within the confines of this neutrality standard.Levin-Waldman develops a new methodology intended to take us away from the usual cost-benefit analysis and move us closer to assessing public policies in terms of what best serves the common good.

As the blackface minstrel show evolved from its beginnings in the American Revolution to its peak during the late 1800s, its frenetic dances, low-brow humor, and lively music provided more than mere entertainment. Indeed, these imitations and parodies shaped society's perceptions of African Americans-and of women-as well as made their mark on national identity, policymaking decisions, and other entertainment forms such as vaudeville, burlesque, the revue, and, eventually, film, radio, and television. Gathered here are rare primary materials-including firsthand accounts of minstrel shows, minstrelsy guides, jokes, sketches, and sheet music-and the best of contemporary scholarship on minstrelsy.

To what extent do moviemakers, television and radio producers, advertising executives, and marketers merely reflect trends, beliefs, and desires that already exist in our culture, and to what extent do they consciously shape our culture to their own ends? In-depth interviews with ten executives from the "culture industry" and five scholarly analyses examine that question, and address the issues of power and authority, meaning and identity, that arise when cultural producers define and react to audiences.In their own words, leaders from companies like Twentieth-Century Fox, National Public Radio, and Warner Bros. Television describe their perception of the sometimes paradoxical relationship between culture and what influences it. For example, while the former president of Coca-Cola North America claims the company has never tried to create a trend, he notes that "we market in more countries than belong to the United Nations [a product that] has insinuated itself into the lives of the people to a point where it has become-you know, it's there." These reflections by key players provide an unprecedented view, as editor Richard Ohmann writes, "into the ways cultural producers imagine or know markets and how such knowledge figures in their decisions about what events, experiences, and products to make."

Keith Payne begins by asking, "Did we really learn how to deter predictably and reliably during the Cold War?" He answers cautiously in the negative, pointing out that we know only that our policies toward the Soviet Union did not fail. What we can be more certain of, in Payne's view, is that such policies will almost assuredly fail in the Second Nuclear Age -- a period in which direct nuclear threat between superpowers has been replaced by threats posed by regional "rogue" powers newly armed with chemical, biological, or nuclear weapons. The fundamental problem with deterrence theory is that is posits a rational -- hence predictable -- opponent. History frequently demonstrates the opposite. Payne argues that as the one remaining superpower, the United States needs to be more flexible in its approach to regional powers.

The end of communist regimes in Eastern Europe and the USSR produced strikingly little enthusiasm in the United States. The political energy absorbed for forty years by American-Soviet relations left America no triumphant, but reflective, turning inward with a general sense of national decline. American politics and policy have met the rapid changes in the new global order with alarming slowness and inflexibility. In this book, fourteen leading political scientists ask two basic questions. What effect did the cold war have on American institutions and politics? And how will American politics evolve now? The first section of the volume focuses on institutions-the presidency, Congress, federalism. The second explores politics-ideologies, public opinion, and the American party system. The third section tackles important policy areas: the budget, social issues, education, foreign policy, trade, and immigration. Contributors: Joel D. Aberbach; Tobias D\u00fcrr; Andreas Falke; Adrienne H\u00e9ritier; Peter L\u00f6sche; Theodore J. Lowi; Heinz-Dieter Meyer; Demetrios G. Papademetriou; Paul E. Peterson; Bert A. Rockman; James Thurber; David B. Walker; and the editors.

" Award-winning journalist Patsy Sims journeyed through the back roads of the South, along the sawdust trail, to take part in the lives of seven American revivalists, their families, crew members, and followers. She attended services conducted by Pentecostal evangelists, with audiences ranging from almost fifty to five thousand. Before, after, and in between she conducted hundred of interviews. What she discovered is a fascinating world dominated by colorful, compelling, unorthodox men who sprang out of a tradition that dates back almost two hundred years. With descriptive, evocative prose, Sims allows readers to vicariously experience old-time religion: a revivalist attempting to raise his son from the dead, a week with an east Tennessee congregation of snakehandlers, the opening-night jitters of a beginning evangelist, and the loneliness of the road for the veterans. Sims's rendering of what goes on in the tents and tabernacles of America allows the people and events to speak for themselves.

This book explains why some countries succeed in installing democracy after authoritarian rule, and why some of these new democracies make progress toward consolidation. Casper and Taylor show that a democratic government can be installed when elite bargaining during the transition process is relatively smooth. They view elite bargaining in twenty-four transitions cases, some where continued authoritarianism was the result, others where a democratic government was the result, and a third outcome where progress towards consolidation was the end product.

Winner of the Harold Lasswell Award of the American Political Science AssociationThe FSFIC failed spectacularly during the 1980s, costing taxpayers an estimated $200 billion. In this award-winning analysis, Rom examines the political causes of this \u201cthrift tragedy.\u201d He directly confronts-and rejects-the dominant scholarly \u201cpublic choice\u201d view that public officials were motivated mainly be self-interest. Instead, Rom argues that politicians and bureaucrats generally acted in the \u201cpublic spirit\u201d by attempting to obtain the common interest as they saw it. Using new evidence and innovative methods, Rom demonstrates that FSLIC's failure unfolded because of commitments that officials had made in the past and their uncertainties about how to fulfill these obligations in the future.

Albert Sbragia considers American urban government as an investor whether for building infrastructure or supporting economic development. Over time, such investment has become disconnected from the normal political and administrative processes of local policymaking through the use of special public spending authorities like water and sewer commissions and port, turnpike, and public power authorities.Sbragia explores how this entrepreneurial activity developed and how federal and state policies facilitated or limited it. She also analyzes the implications of cities creating innovative, special-purpose quasi-governments to circumvent and dilute state control over city finances, diluting their own authority in the process.

Focusing on youth cultures that revolve around dance clubs and raves in Great Britain and the U.S., Sarah Thornton highlights the values of authenticity and hipness and explores the complex hierarchies that emerge within the domain of popular culture. She portrays club cultures as "taste cultures" brought together by micro-media like flyers and listings, transformed into self-conscious "subcultures" by such niche media as the music and style press, and sometimes recast as "movements" with the aid of such mass media as tabloid newspaper front pages. She also traces changes in the recording medium from a marginal entertainment in the 50s to the clubs and raves of the 90s.Drawing on the work of Pierre Bourdieu, Thornton coins the term "subcultural capital" to make sense of distinctions made by "cool" youth, noting particularly their disparagement of the "mainstream" against which they measure their alternative cultural worth. Well supported with case studies, readable, and innovative, Club Cultures will become a key text in cultural and media studies and in the sociology of culture.

The British created a system wherein the social identity of civil servants clearly influenced their position on official matters. This privileged class set the tone for major policy decisions affecting all members of society. Savage addresses this social construction of power by analyzing the social origins and career patterns of higher-level civil servants as a backdrop for investigating the way four different social service ministries formulated policies between the two World Wars: the Board of Education, the Ministry of Agriculture, the Ministry of Labour, and the Ministry of Health.

This volume traces the major decisions, events, programs, and personalities that transformed the city of Pittsburgh during its urban renewal project, which began in 1977. Roy Lubove demonstrates how the city showed united determination to attract high technology companies in an attempt to reverse the economic fallout from the decline of the local steel industry. Lubove also separates the successes from the failures, the good intentions from the actual results.

Since the late 1950s the world's banks have expanded their global operations, with US institutions leading the way. As the recent global economic crisis shows, actions of private bankers can threaten capital markets, weaken national regulatory systems, and strain international cooperation-seriously endangering the world economy and the interests of nation states.

The creation of wealth depends on the capacity of economic actors to adapt to market changes. Such adaptation, in turn, poses fundamental questions about the distribution of resources. Daley investigates the interaction among business, labor, and the state in France in the second half of the twentieth century and reveals how political dynamics refract market pressures. He explains how and why profitability came at the expense of union mobilization, unemployment, and management autonomy, vast amounts of state aid, and less national control over industrial decision making.

Roy Lubove's Twentieth-Century Pittsburgh is a pioneering analysis of elite driven, post-World War II urban renewal in a city once disdained as \u0022hell with the lid off.\u0022 The book continues to be invaluable to anyone interested in the fate of America's beleaguered metropolitan and industrial centers.

When it first appeared in 1976, this groundbreaking exploration of the influences of capitalism on the profession of English touched a nerve among educators and inspired Library Journal to declare, "This book should be read by all thoughtful Americans." Now, 20 years later, in a substantial new introduction that recontextualizes the book, Richard Ohmann addresses the critical furor over its initial publication, evaluates his own arguments in the aftermath of the Cold War, and locates the profession of English in the thick of the hotly contested culture wars. A remarkably prescient book whose claims have withstood two decades of fierce debate, English in America is widely considered to be as relevant today as ever. Wise, witty, and urbane, it has much to teach all students of English.