Modern archaeological research carried out since the late 19th century has sufficiently demonstrated that the beginning of the food production economy and the establishment of a farming society had a significant impact on the shaping of subsequent human history. Accordingly, these processes of Neolithization have attracted a great deal of interest from archaeologists and anthropologists worldwide. The South Caucasus, i. e. the region discussed in this book, has remained one of the least studied regions in a modern sense. However, the research situation has improved remarkably since the 2000s, for a number of reasons, above all the increasing efforts of local and international archaeologists in collaboration.Since 2008, the Azerbaijan–Japan Archaeological Mission has played a major role in elucidating the origins and developments of the earliest farming communities in the South Caucasus, conducting a series of field campaigns in West Azerbaijan. The remarkable achievements made thus far include the establishment of a secure chronological framework for understanding the Neolithization processes in the early 6th millennium BC through the excavations of two important Neolithic sites: Göytepe and Hacı Elamxanlı Tepe in the Tovuz region, representing the early and late phases of the Neolithic of the South Caucasus, respectively, dating from the early 6th millennium BC.This volume presents a set of archaeological evidence obtained from the Azerbaijan–Japan excavations in 2016–2022 at Damjili Cave, West Azerbaijan. The cave contained cultural layers from the Mesolithic period in particular, along with Neolithic, Chalcolithic, Bronze Age and medieval material indicating a very long sequence of use. Earlier explorers recorded Middle Palaeolithic lithic artifacts, though no tools of this period were recovered during the recent program of work. Ten small trenches were excavated, revealing a considerable depth of deposits. Mesolithic lithic materials provided evidence for obsidian blade production. Neolithic levels, that included some amorphous limestone block structures, hearths and pits, produced flaked and ground stone tools, pottery and bone objects. Part of the cave at least was utilized in the medieval period with evidence for some built structures and several burials. A program of environmental sampling and both radiocarbon and luminescence dating were undertaken. Through combining the records of the late (Göytepe), early Neolithic (Hacı Elamxanlı Tepe), and Mesolithic (Damjili Cave) periods, our understanding of the Neolithization processes of the South Caucasus will be greatly improved. Data from a combination of three chronologically different sites provide the first opportunity to observe Neolithization processes with secure stratigraphic evidence in a small region of West Azerbaijan.

This is a facsimile reissue of part I of H.M. Stewart’s three part complete catalogue of the inscribed stelae, reliefs and paintings acquired by Flinders Petrie from his many Egyptian excavations and intended as a teaching collection. Over 200 monuments of the New Kingdom are described, translated and illustrated with comments on techniques and materials, and details of provenance, date and bibliographical references. The first section deals with royal monuments, mainly from the Theban mortuary temples and the Memphite temple of Ptah. This is followed by a section on relief sculptures for Amarna. Funerary stelae are divided into Osirian and Solar types and are followed by the votive stelae of private individuals. Many of the finest reliefs come from private tombs. The descriptions are accompanied by 53 plates of detailed scale line drawings. More than two-thirds of the monuments had never been published before this catalogue appeared and it was hailed, and remains, a major resource for scholars into this spectacular period.

This is a facsimile reissue of part III of H.M Stewart’s three part complete catalogue of the inscribed stelae, reliefs and paintings acquired by Flinders Petrie from his many Egyptian excavations and intended as a teaching collection. Over 140 monuments, primarily of the Late Period are described, translated and illustrated with comments on techniques and materials, and details of provenance, date and bibliographical references. Royal and official monuments are more sparsely represented than for the earlier periods but include several items of particular interest, including a stela with a long hymn to Osiris and another recording a work of restoration at Abydos under Osorkon I. the continuing development of private stelae includes a common type showing owner at worship with many examples displaying scenes and inscriptions painted rather than carved on wood or limestone. Small votive stelae are dedicated to, for example, Thoth, Min, Ptah and Isis and include magical stelae intended to cure snake bites, scorpion stings etc. The catalogue also includes miscellaneous statute fragments, some being more recently identified pieces from earlier periods, including those identified as representing prince Khaemwesat, son of Ramesses III and Rekhmire, vizier of Tutmoseis III. The descriptions are accompanied by 48 plates of detailed scale line drawings.

Pottery was at the heart of the ‘Neolithic package’ appearing in Britain with the first farmers around 4000 BC. It arrived as a mature technology and was essential to the new, largely sedentary, lifestyle and economy. It transformed storage and cooking practices, and the earliest ceramics seem to have been essential equipment in the new practice of dairying. The pottery changed over time and, as a result, ceramics have been fundamental to the construction of relative chronologies since the early days of modern archaeology. Even with the development of absolute dating techniques, the role of pottery as a dating tool has not diminished but instead has become refined and more accurate.But pottery is not just a tool to dating the past – it also represents a facet of prehistoric art and expression. Starting simply, ceramics became arguably the main medium for display with designs often of great complexity. Simple techniques, motifs and panels are combined to create highly decorated vessels often of great individuality. The use of inlays, pastes and slips added contrasting colors to these vibrant designs.By the end of the Neolithic, ceramics became one of the major grave goods of British Prehistory, acting as accompaniments to those that warranted formal burial whether by inhumation or cremation. This practice continued throughout the Early Bronze Age to the extents that, lacking contemporary domestic sites, most of the corpora of Early Bronze Age ceramics are largely sepulchral in context. As we increasingly realize that burial rituals may have been varied and complex, so the roles of these ceramics are becoming increasingly questioned.This book traces the 3000 years of ceramic use and development in Britain, charting the changing forms and decorative techniques and the differing and changing roles that pottery played within its contemporary society.

This facsimile reissue of the 1975 second edition of Iversen’s Canon and Proportion brings back into print a seminal work originally published in 1955. Iversen describes a canon – that is, a set of rules of proportions – advanced and used by the artists of Egypt. In order to interpret the stylistic message of the Egyptian system of proportion he undertakes a study of the principles of its construction, an analysis of its modules and presents an unambiguous numerical definition of the ratios governing its units and parts, demonstrating its use with illustrated examples. He contends that much of the art, especially tomb art, was never intended to be seen by mortal eyes and, as such, was designed to follow a set of rules governed by the requirements of religious and cultic traditions rather than purely aesthetic considerations. Painting and sculpture were largely not primarily things of beauty but magical entities fraught with fateful significance. The development and use of a grid for practical application of the system can still be seen in tomb paintings and is demonstrated in the proportional correctness of statues. The system was based on an accurate standardization of the natural relations of the various parts of human anatomy, such as the relation of palm to forearm and forearm to height, expressed in simple numerical terms geometrically reflected in grids based on the fist. Iversen’s treatise was not without controversy but this fascinating study remains a hugely important contribution to the interpretation of Egyptian art.

Forsaken Relics examines the intricate mechanisms of ritualistic appropriation of ruined and/or abandoned assets and artifacts. It explores how this process occurs in situations where there is legislation to regulate the appropriation of ownerless property, as well as in cases where such rules are either absent or contested, leading to disputes and conflicts.Every society has developed its unique ways of managing the re-appropriation of ‘ownerless things’, such as places and houses abandoned after conflicts, crises, or natural disasters, forsaken cemeteries, tombs, and forgotten goods. These practices often involve the use of ritualistic methods to mask the intent to appropriate abandoned artifacts. The book aims to stimulate comparative analysis of this topic in both ancient and modern societies, profiling the identity of the ‘actors’ of appropriation, examining the definition of abandonment, and exploring the ritual aspects such as inventorying material, dedication to ancestors, and prayers to gods that legitimize the re-appropriation of places and goods classified as abandoned.

Water may separate islands and the mainland, but the sea also offers a vital link. This volume is one of three major outputs of the research and public engagement project ‘Being an Islander’: Art and Identity of the Large Mediterranean Islands, implemented between 2019 and 2024 at the University of Cambridge. This project aimed to elucidate what defines island identity in the Mediterranean. It explored how insularity affects and shapes cultural identity by integrating transdisciplinary research methodologies, for example, by producing an awarded documentary on insularity and island identity, drawing on the principles of visual anthropology, social anthropology and environment studies. This volume is the culmination of the project’s research strands, undertaken by our key research teams in Cambridge, Cyprus, Greece and Italy. It disseminates our research across our main project themes: insularity, connectivity, mobility, migration, island art and material culture production, hybridity and diachronicity, and provides cross-disciplinary arguments and suggestions on the future of island archaeology and associated disciplines. Contributions included suggest that the relationship between people, place and material culture is what reveals important aspects of island identity and reframe the concept of the islands as a dynamic interplay shaped by social and historical episodes, connectivity and mobility, rather than geography or political boundaries. The volume advocates that the complex histories of the Mediterranean islands can also be a story of connections.

The valley of the western Rother lies within the South Downs National Park but has a special character based on its Cretaceous geology of sandstones and clays. These give rise to soils that are ideal for agriculture but are extremely erodible. Over the centuries the area has been exploited by humans and partially cleared of forest. In this book, the archaeological history of the Rother Valley is summarized, with particular emphasis on the evidence for Mesolithic, Bronze Age and Roman occupation. Analysis of sediments in ponds adds to the evidence for changes that have happened over the last few hundred years. A notable feature of the cultural landscape is the network of sunken lanes.The Rother Valley contains unique chalk-aquifer fed streams with rare and protected species, such as sea trout and otter. Heathland, floodplain, wet meadows and woodlands are interspersed with agriculture, linked together by hedgerows and ditches. The health of the river is threatened by polluting inputs from farming and sewage. Past weather and hydrological records show the potential impact of climate change on the functioning of the river. The impact of recent changes on water availability for irrigation and human consumption are explored in relation to ecosystem requirements. Soil erosion is a significant problem, with the resulting high river sediment concentrations requiring expensive cleaning for the water to be fit for human consumption and the runoff often causes flooding of roads and properties. Mitigation measures aim to reduce the loss of soil on fields and interrupt connectivity between fields and the river system. We identify sediment sources contributing eroded soil to the river, the function of field-edge sediment traps, in-stream weirs and major reservoirs on sediment storage and connectivity.Finally, the book considers the future of the unique landscape that is the Rother Valley, including plans for restoration of the flood plain. Contributors include planners, researchers and managers of the large estates that are an integral part of the Rother landscape.

This facsimile reissue of Anthea Page’s catalog of the stone and wooden statuary in the Petrie Museum makes available again a major corpus of material. The bulk of statuary in the museum was purchased since the finest sculpture from Petrie’s own excavations rightly went to Cairo and other museums. While the sculpture in his own collection covers the whole length of Egyptian dynastic history illustrating many different schools and qualities of workmanship, it does not provide a comprehensive view of the art of the Egyptian sculptor. Nevertheless, the 174 items described and discussed cover a wide range of subjects and forms. Statues of gods and animals and types loosely classifiable as ‘figurines’ or ‘models’ are deliberately excluded and the corpus focuses on representations of royalty, priests, officials and unknown individuals (men and women), of varying status and possible ethnicity in a variety of poses. Statues of multiple individuals are represented as well as a statuette of a man and a monkey. The catalogue is preceded by an introduction by H. S. Smith outlining the history of Egyptian portrait sculpture, the religious ideas behind it and nature of patronage, and is accompanied by detailed drawings and translations of associated inscriptions. All pieces are illustrated by photographs.

Ancient Nubia played key political, social, and economic roles in the ancient world, yet knowledge of Nubian societies remains regrettably narrow, with Nubia often disregarded as derivative of Egypt. This volume provides a timely corrective to this outlook, centering Nubian history and archaeology and presenting research from postcolonial and anti-racist perspectives. In addition to demonstrating Nubiology’s potential impact on Egyptological, classical, and biblical scholarship, this volume offers a new window into African achievements and dominance in the ancient world.

This year, with the centennial of Howard Carter’s discovery of the tomb of Tutankhamun, Martin Hense is presenting his meticulous research on the robberies that took place in the tomb of this Egyptian pharaoh, 3300 years ago. This book is the outcome of that research, presented like a true ‘cold case crime investigation’. Even though the tomb robberies took place more than 3300 years ago, the evidence for the way the robbers entered the tomb and the items they removed, could still be discerned when Howard Carter opened the tomb in 1922. Knowingly, but also unknowingly, Carter documented the last traces of evidence of these crimes. Now, one hundred years later in 2022, the evidence for the different robberies is presented through new analysis of the documentation of Howard Carter and his excavation team.

The date of the Cerne Giant has long been a matter for debate, as exemplified by a public and televised debate of March 1996, published as The Cerne Giant: An Antiquity on Trial (1999, Oxbow Books). Excavations were conducted in 2020 by the National Trust in the centenary year of its ownership of the Giant. The excavations were limited and targeted in extent and scope, the aim was to date the actual construction of the iconic figure by absolute dating methods (OSL). As the 1999 publication explained, the jury was still out – with advocates for a prehistoric origin, one connected to the period of the Civil War or a more modern one. In the event, the dates were a complete surprise, falling within the Anglo-Saxon period.The research has provided an accurate, scientifically verified date for the Cerne Giant. These unexpected results, together with the land-use history and ominous ‘disappearance’ of the Giant for six centuries, provide the platform for reconsideration and new discussion and debate.Part 1 deals with new research: the historical background and aims, the excavation results, stratigraphic finds, geoarchaeological interpretation, land-use history (environmental/land snails), and discussion. Part 2 is the wider discussion and implications derived from the results and places the Giant in his local and Saxon context. Part 3 begins with summaries of the other two excavated hill figures (the Long Man of Wilmington and the Uffington White Horse) followed by a series of essays from leading archaeologists, historians and experts in early medieval iconography.

“The entry of daggers into the Forum” is an expression that identifies two precise historical moments: when two tribunes of the plebs—brothers Tiberius Sempronius Gracchus and Caius Sempronius Gracchus—were murdered in Rome in 133 and 122 BC amidst bloody riots. These deaths and subsequent events marked the rupture of the constitutional order in the Roman Republic and the beginning of a political crisis. Thus began a political process that would lead, over the span of three generations, to the end of the res publica, a transition of endless violence, ransacking, and destruction, including three bitter and bloody civil wars. Internal politics in Rome in this period was fueled by social conflict, the confrontation between two political alignments—the Optimates and the Populares—each headed by an eminent figure and was characterized by sectarianism and (factional) intolerance. It was characterized by speeches delivered in the Senate, in the streets, and in the courts with solemnity and intensity but equally by the daggers that flashed in the hands of conspirators and assassins; by street riots, with thousands of victims; by real or alleged coups d’état, with ferocious mass repressions; by summary executions; by victims abandoned to the fury of the mob; of widespread civil wars whose battles intertwined with those against enemies abroad; manhunts, horrendous crimes; the system of legalized killings that aimed at the annihilation of political opponents known as proscriptions; corruption; and brutal and mass killings.This book discusses this tumultuous period in Rome between 133 and 78 BC, covering the plots of the Senate of Rome against the Gracchi and their violent ends, the mysterious death of Publius Cornelius Scipio Aemilianus, destroyer of Carthage and of Numantia, the ferocious lynching of Lucius Apuleius Saturninus, the seditious tribune of the plebs, the civil war between Marius and Sulla, including the siege and capitulation of Rome and Marius’ reign of terror, ending with the definitive victory and proscriptions of Sulla.

Northwold Manor is a multi-period listed building (grade II*), about which almost nothing was known. Uninhabited since 1955, it had fallen into a state of extreme dereliction, and was beyond economic repair when the author purchased the property in 2014. He and his wife, Diane Gibbs, embarked on a major restoration that ran for nine years. The restoration was carried out as a quasi-archaeological operation, revealing that the building complex had Tudor origins, followed by the construction of a Stuart house, with Georgian improvements, and a new entertaining suite added in 1814. The Manor, with its fine drawing room, ballroom and orangery, was the grandest house in Northwold, and research into the families that occupied it revealed unexpected connections to the French Bourbon Court. From the 17th to the 20th century, the Carters were the principal owners, and a local branch of the family included Howard Carter, discoverer of Tutankhamen’s tomb.This account begins with a topographical study of Northwold and its three medieval manors, followed by an exploration of the decline of the Carter family in the late 19th century. That triggered the break-up of the Northwold Estate in 1919. Passing through several ownerships, the Manor was earmarked for demolition in 1961; reprieved, it became a furniture store in the 1970s, and every room was solidly packed. As the roofs failed and water poured in, ceilings and floors collapsed, carrying with them the stacks of rotting furniture. By the late 1990s, walls and gables were collapsing too, and the local authority attempted to intervene. A long struggle to save the Manor ensued, finally ending with compulsory purchase in 2013.Although manor houses occur in most English parishes, they have received surprisingly little archaeological study. Every year, hundreds are restored or altered, but rarely accompanied by detailed recording or scholarly research; and popular television programs reveal the shameful level of destruction that takes place in the name of ‘restoration’. This is a book like no other: the holistic approach to the rehabilitation of Northwold’s derelict manor house – involving history, archaeology, architecture and genealogy – demonstrates how much can be learned about a building that had never before been studied. The project has received several awards.

The discovery of the tomb of Tutankhamun in 1922 stands out as one of the most important finds of modern archaeology, revealing an enormous wealth of objects encapsulating techniques, vestiges of uses and re-uses of materials, as well as unrivalled clues regarding the complex set of beliefs associated with the pharaonic funerary material culture. Once cleared from the tomb, these objects have captivated the world with their irresistible charm and beauty ending up playing a role in contemporary popular culture. However, it seems that such magnetism rather hindered than facilitated the scholarly study of the find. One hundred years after the discovery of this magnificent tomb, most of its objects remain insufficiently studied to this day. This volume aims to show how it remains challenging to study Tutankhamun’s objects, gathering a collection of studies authored by leading scholars on conservation, materials, funerary beliefs as well as the reception of motifs and the impact of the discovery. Through these studies it becomes clear how ancient objects can help us reconstruct the complex fabric of the ancient Egyptian society and how they keep interacting with modern audiences.

Excavations carried out prior to the construction of a new fire station in Guildford, Surrey, revealed a well preserved, in situ Late Upper Palaeolithic flint scatter. The site lay on cold climate fluvial sandy gravels deposited in braided stream systems prior to the onset of the Late Glacial (Windermere) interstadial. Typological analysis of the flint and OSL dates suggest that the scatter itself dates from the first half of the Late Glacial (Windermere) interstadial (c 1415KBP). The lithic assemblage is homogeneous and, apart from initial extraction and nodule testing, all stages of flint manufacture are represented. Two main concentrations of knapping are represented, the main focus of which were the production of blade blanks some of which were removed from the site. Functional analysis of the tools suggests relatively short occupation during which hunting, smallscale craft activities linked with the retooling of hunting weapons and the manufacture of hide items, and limited processing of animal and plant materials took place. The assemblage is comparable to that from Wey Manor Farm, Surrey, 17km further downstream, and raises the question of the relationship between the two sites. Both share technological and typological features in common with the Creswellian, though Wey Manor Farm has a greater diversity in lithic point types. Comparison with Continental assemblages suggests that the Surrey sites share affinities with the Older Azilian or equivalents in northwest France and Germany and implies strong postMagdalenian influences in the Late Upper Palaeolithic of Britain.