Alepotrypa Cave at Diros Bay, Lakonia, Greece, is a massive karstic formation of consecutive chambers ending at a lake. The cave was excavated by G. Papathanassopoulos from 1970 to 2006. In conjunction with the surrounding area, it was used as a complementary habitation area, burial site, and place for ceremonial activity during the Neolithic c 6000 to 3200 BC. As a sealed, single-component, archaeological site, the Neolithic settlement complex of Alepotrypa Cave is one of the richest sites in Greece and Europe in terms of number of artifacts, preservation of biological materials, volume of undisturbed deposits, and horizontal exposure of archaeological surfaces of past human activity and this publication is an important contribution to ongoing archaeological research of the Neolithic Age in Greece in particular, but also in Anatolia, the Balkans and Europe in general. This edited volume offers a full scholarly interdisciplinary study and interpretation of the results of approximately 40 years of excavation and analysis. It includes numerous chemical analyses and a much needed long series of radiocarbon dates, the corresponding microstratigraphic, stratigraphic and ceramic sequence, the human burials, stone and bone tools, faunal and floral remains, isotopic analyses, specific locations of human activities and ceremonies inside the cave, as well as a site description and the history of the excavation conducted by G. Papathanasopoulos.

Greek scholars have produced a vast body of evidence bearing on nuptial practices that has yet to be mined by a professional economist. By standing on their shoulders, the author proposes and tests radically new interpretations of three important status groups in Greek history: the pallakē, the hetaira, and the nothos. It is argued that legitimate marriage – that is ‘marriage by loan of the bride to the groom’ – was not the only form of legal marriage in classical Athens and the ancient Greek world generally. Pallakia, that is, ‘marriage by sale of the bride to the groom’, also was legally recognized. The pallakē-wifeship transaction is a sale into slavery with a restrictive covenant mandating the employment of the sold woman as a wife. In this highly original and challenging new book economist Morris Silver proposes and tests the hypothesis that the likelihood of bride sale rises with increases in the distance between the ancestral residence of the groom and the father’s household. The ‘bastard’ (nothoi) children of pallakai lacked the legal right to inherit from their fathers but were routinely eligible for Athenian citizenship. It is argued that the basic social meaning of hetaira (‘companion’) is not ‘prostitute’/’courtesan’ but ‘single woman’ – that is, a woman legally recognized as being under her own authority (kuria). The defensive adaptation of single women is reflected in Greek myth and social practice by their grouping into ‘packs’, most famously the Daniads and Amazons.

Unfolding a Mountain has an innovative and thought-provoking approach to the neglected topic of the role of caves in the modern and recent historical past in Greece. A team of archaeologists, ethnologists, and a geologist present the results of a survey on Pelion Mountain in East Thessaly, Greece. Through an integrated ethnographic and archaeological approach, the project transcends its scientific frame and offers a human picture of the experiences of cave dwellers through historical evidence, interviews, physical anthropology, material culture, and graffiti. The book offers empirical documentation and theoretical reflections on the plurality of cave narratives in the Pelion landscape and on the factors influencing modern/recent historic cave use. Unfolding a Mountain is aimed at a broad audience that includes both academics and students of archaeology, ethnology, history and landscape studies, as well as members of the public with an interest in the rural facets of Modern Greek history. Although the geographic focus of this book is a portion of the eastern Greek mainland, many of the themes are relevant to the wider Mediterranean region, where caves are abundant.

Many are no larger than a fingertip. They are engraved with symbols, magic spells and images of gods, animals and emperors. These stones were used for various purposes. The earliest ones served as seals for making impressions in soft materials. Later engraved gems were worn or carried as personal ornaments – usually rings, but sometimes talismans or amulets. The exquisite engraved designs were thought to imbue the gems with special powers. For example, the gods and rituals depicted on cylinder seals from Mesopotamia were thought to protect property and to lend force to agreements marked with the seals. This edited volume discusses some of the finest and most exceptional precious and semi-precious stones from the collection of the Dutch National Museum of Antiquities – more than 5.800 engraved gems from the ancient Near East, Egypt, the classical world, renaissance and 17th-20th centuries – and other special collections throughout Europe. Meet the people behind engraved gems: gem engravers, the people that used the gems, the people that re-used them and above all the gem collectors. This is the first major publication on engraved gems in the collection of the National Museum of Antiquities in Leiden since 1978.

The crypt of Archbishop Georgios of Dongola that the team from the Polish Centre of Mediterraean Archaeology of the University of Warsaw, headed then by Stefan Jakobielski, discovered in 1993 was astounding to say the least. The walls were literally covered with writing. Lines close together, neat small letters – the first impression was of something of the greatest importance that the dead man wished to take with him to the other world. Even more astounding was the provisional identification of some of the texts, forcing a complete reevaluation of Makurian culture and Christianity in Africa in the early twelfth century. (…) Adam Łajtar and Jacques van der Vliet (…) undertook the task of recording, understanding, and ultimately publishing this astounding selection of texts in Greek and Coptic, this ‘library’ that Archbishop Georgios endeavored to take with him into the afterworld. These texts are known from several different versions, recorded in different languages, and their attestation in Dongola was quite unexpected.

At the beginning of the first century BC Athens was an independent city bound to Rome through a friendship alliance. By the end of the first century AD the city had been incorporated into the Roman province of Achaea. Along with Athenian independence perished the notion of Greek self-rule. The rest of Achaea was ruled by the governor of Macedonia already since 146 BC, but the numerous defections of Greek cities during the first century BC show that Roman rule was not yet viewed as inevitable. In spite of the definitive loss of self-rule this was not a period of decline. Attica and the Peloponnese were special regions because of their legacy as cultural and religious centres of the Mediterranean. Supported by this legacy communities and individuals engaged actively with the increasing presence of Roman rule and its representatives. The archaeological and epigraphic records attest to the continued economic vitality of the region: buildings, statues, and lavish tombs were still being constructed. There is hence need to counterbalance the traditional discourses of weakness on Roman Greece, and to highlight how acts of remembering were employed as resources in this complex political situation. The legacy of Greece defined Greek and Roman responses to the changing relationship. Both parties looked to the past in shaping their interactions, but how this was done varied widely. Sulla fashioned himself after the tyrant-slayers Harmodius and Aristogeiton, while Athenian ephebes evoked the sea-battles of the Persian Wars to fashion their valour. This interdisciplinary volume traces strategies of remembering in city building, funerary culture, festival and association, honorific practices, Greek literature, and political ideology. The variety of these strategies attests to the vitality of the region. In times of transition the past cannot be ignored: actors use what came before, in diverse and complex ways, in order to build the present.

Starting in the year 1828, Lucien Bonaparte, Prince of Canino, unearthed more than 2000 Greek vases on his estate near the ancient Etruscan town of Vulci. The vases were restored and found their way to archaeological collections all around the world. This volume publishes 10 papers by scholars of international repute dealing with these ceramics. The papers were presented in 2015 at a colloquium in the National Museum of Antiquities in Leiden, which acquired 96 vases from the Bonaparte collection in 1839. Specialists in the fields of museum history, Greek vase-painting, restoration and 19th century collecting practices from the Netherlands, France, Germany, Denmark, Austria, Italy and Russia have contributed to this volume, which offers the newest insights into the person of Lucien Bonaparte, his excavation practices, the history of restorations and the selling and buying of Greek ceramics in the 19th century. The results have helped to extend our knowledge of the collectors, traders and scholars, who were concerned with Greek vases during the 19th century. Their activities took place in a pivotal period, in which the black- and red figure ceramics, which had come to light in Italy during the previous centuries, were finally assigned to Greek craftsmanship instead of to Etruscan manufacture. The book also contains a concise photographic catalogue illustrating the highlights of the Leiden Canino collection.

Excavations in 2011 to 2015 within the Western Cemetery of Roman Cirencester resulted in the discovery of 118 inhumation and 8 cremation burials, the largest investigation of a Roman cemetery in Cirencester since the Bath Gate excavations of the 1970s. A greater quantity of grave goods was recovered from this cemetery compared to the Bath Gate cemetery, testifying to the higher status of those buried here. Nine burials survived within a postulated walled cemetery. The pottery from the fills of these graves had a clear emphasis on amphorae, flagons and tazze, indicative of funerary ceremonies involving the consumption of wine, or the pouring of it as libations, and the burning of substances. Just outside the walled cemetery, the burial of a 2 to 3-year-old child contained a magnificent enamelled bronze figurine of a cockerel, dateable to the 2nd century AD. Such figurines are rare finds, with only four or five similar examples known from Britain. Burial activity continued into the 4th century AD. One unusual later grave had a reused sculpted and inscribed tombstone placed face down immediately over the coffin of an adult male. Only 15 inscribed tombstones have been previously recorded from Cirencester so this is a noteworthy discovery, made all the more important by its archaeological context. The tombstone is dedicated to a 27-year-old woman named Bodicacia and has a fine sculpted pediment containing a representation of the god Oceanus. Significantly the god’s face and claws were deliberately mutilated prior to its placement within the grave, which could be a very rare example of Christian iconoclasm from Roman Britain.

This multi-authored book brings together new work, from a wide range of disciplinary vantages, on pre-Christian religion in the Celtic-speaking provinces of the Roman Empire. The chapters are the work of international experts in the fields of classics, ancient history, archaeology, and Celtic studies. It is fully illustrated with b&w and colour maps, site plans, photographs and drawings of ancient inscriptions and images of Romano-Celtic gods. The collection is based on the thirteenth workshop of the F.E.R.C.AN. project (fontes epigraphici religionum Celticarum antiquarum), which was held in 2014 in Lampeter, Wales.

This volume of essays is intended to commemorate the eminent Latin scholar David West, best known for his work on Lucretius, Horace, Virgil and Shakespeare. The contributors – Francis Cairns, Ian Du Quesnay, Bruce Gibson, Alex Hardie, Stephen Harrison, John Moles and Tony Woodman – have aimed to produce close readings of classical texts, paying due attention to historical context and literary tradition in the manner adopted by David West himself. The authors covered are Empedocles, Antisthenes, Callimachus, Lutatius Catulus, Catullus, Horace (Epodes and Odes), Propertius, Virgil (Aeneid), Dio Chrysostom and Hildebert of Lavardin.

The armed forces of Rome, particularly those of the later Republic and Principate, are rightly regarded as some of the finest military formations ever to engage in warfare. Less well known however is their use by the State as tools for such non-military activities in political, economic and social contexts. In this capacity they were central instruments for the Emperor to ensure the smooth running of the Empire. In this book the use of the military for such non-conflict related duties is considered in detail for the first time. The first, and best known, is running the great construction projects of the Empire in their capacity as engineers. Next, the role of the Roman military in the running of industry across the Roman Empire is examined, particularly the mining and quarrying industries but also others. They also took part in agriculture, administered and policed the Empire, provided a firefighting resource and organised games in the arena. The soldiers of Rome really were the foundations on which the Roman Empire was constructed: they literally built an empire. Simon Elliott lifts the lid on this less well-known side to the Roman army, in an accessible narrative designed for a wide readership.

The Roman period witnessed massive changes in the human-material environment, from monumentalised cityscapes to standardised low-value artefacts like pottery. This book explores new perspectives to understand this Roman ‘object boom’ and its impact on Roman history. In particular, the book’s international contributors question the traditional dominance of ‘representation’ in Roman archaeology, whereby objects have come to stand for social phenomena such as status, facets of group identity, or notions like Romanisation and economic growth. Drawing upon the recent material turn in anthropology and related disciplines, the essays in this volume examine what it means to materialise Roman history, focusing on the question of what objects do in history, rather than what they represent. In challenging the dominance of representation, and exploring themes such as the impact of standardisation and the role of material agency, Materialising Roman History is essential reading for anyone studying material culture from the Roman world (and beyond).

In Celebration of Greek Coinage is a readable but scholarly tribute to ancient Greek coins, its origin being a thoughtful study of the author's own collection, acquired over the past seventeen years. Two initial chapters relate the author's devotion to numismatics and his thoughts on Greek coins as art; these are followed by fifty essays inspired by coins in the author's own collection, comprised of articles which mainly first appeared in the Spink Numismatic Circular and its magazine the Insider, revised and updated for this volume. The essays seek to identify the formative geographical, historical, ethnic, political, religious, cultural, artistic, social, economic and commercial influences behind the coins.

The interpretation of archaeological remains as farmsteads has met with much debate in scholarship regarding their role, identification, and even their existence. Despite the difficult nature of scholarship surrounding farmsteads, this site type is repeatedly used to describe small sites in the countryside which have varying evidence of domestic, storage, and agricultural activity. The aim of this book is to engage with the archaeological and textual data for farmsteads dating to the Classical–Hellenistic period of mainland Greece, with the purpose of understanding how these sites fulfilled agricultural roles as centres for occupation, storage, and processing for those working the land. The conclusions reached here stress the connected nature of the agricultural landscape, and demonstrate how farmsteads played a fundamental role in ancient Greek agriculture.

Understanding Relations Between Scripts: The Aegean Writing Systems arises from a conference held in Cambridge in 2015. The question of how writing systems are related to each other, and how we can study those relationships, has not been studied in detail and this volume aims to fill a gap in scholarship by presenting a number of case studies focused on the writing systems of the Bronze Age Aegean. These include Cretan Hieroglyphic, Linear A and Linear B, used predominantly in Crete and mainland Greece, as well as the Cypro-Minoan script of Cyprus. Most of these systems (the only major exception being Linear B) remain undeciphered to some degree but we nevertheless have considerable evidence for their development and use. Each contributor focuses on a different theoretical problem and/or set of scripts. Important questions include: How and why did writing emerge in Crete in the Middle Bronze Age? What is the relationship between writing and art? Why did different writing systems co-exist with each other? What changes were made when a new system was developed from an old one? Can our understanding of how different systems are related to each other help us to reconstruct the values of script signs? The contributors tackle such questions by employing a variety of methods, from epigraphic and palaeographic analysis to typological comparison and contextual study. The result is a coherent volume that will not only enrich our understanding of the ancient Aegean writing systems in particular, but will also provide an important example for future studies of writing across the world.

Rossington Bridge lies next to the Roman road between Doncaster and Lincoln. Excavations between 1956-1961 discovered eight pottery kilns, a site of considerable significance. The kilns and material from the waster heaps excavated lie on a site with at least fifteen other unexcavated kilns and ancillary structures lying either side of the Roman road. The bulk of the finds clearly belong to the main period of activity on the site during the mid-2nd century when the mortarium potter Sarrius and his associates were involved in the production of mortaria, 'parisian' fine wares, black-burnished and grey wares intended for the military markets on the Northern frontier.