Translated for the first time, with annotations and useful additions, this long under-appreciated work of S. D. Luzzatto is now available to modern scholars. A history of both Hebrew and Hebrew scholarship, it is replete with valuable information and insight.

"The evil that men do" has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. In Stages of Evil, Robert Lima explores the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. By examining examples of alchemy, astronomy, demonology, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo in prominent plays, Stages of Evil explores American and European perceptions of occultism from medieval times to the modern age.

For over two hundred years, Kentucky has inspired many of the nation's finest writers, both natives of the Bluegrass State and outsiders who were entranced by its rich natural wonders and culture. Now, for the first time, celebrated Kentucky literary historian Wade Hall has assembled a comprehensive collection of writings embodying the hopes, concerns, and aspirations that have made the state unique and yet so typically American. Hunters, soldiers, adventurers, tourists, farmers, lawyers, preachers, educators, journalists, historians, playwrights, poets, and novelists offer readers an unparalleled literary tour of Kentucky. Early descriptive and political writings by such figures as George Rogers Clark, John James Audubon, and Henry Clay give way to the flourishing body of poetry and fiction by such authors as John Fox Jr., Irvin S. Cobb, James Lane Allen, Elizabeth Madox Roberts, and Robert Penn Warren. The concerns of contemporary nationally known Kentucky writers Bobbie Ann Mason, Silas House, Sena Jeter Naslund, Sue Grafton, Frank X Walker, Barbara Kingsolver, and Maurice Manning center on the struggle to reconcile the place they call home with an increasingly global community. The Kentucky Anthology is the ultimate celebration of the state's literary heritage, which Wendell Berry once described as "local life aware of itself."

One of the most detailed and accessible grammars of the Syriac language written in Arabic, covering both morphology and syntax.

The book is designed for Arabic-speaking students of English and English-speaking students of Arabic. It is based on a cognitive approach to teaching pronunciation. As a general demonstration of the approach, the book highlights techniques for teaching some of the most challenging sounds and sound phenomena in both Arabic and English.

John Healey’s, Leshono Suryoyo, is an introductory grammar for those wishing to learn to read Classical Syriac, one of the major literary dialects of Aramaic and the language of one of the main groups of Middle Eastern churches, including the Syrian Orthodox Church, the Church of the East, and the Chaldaean Church. From the first centuries of the Christian era, Syriac was used by the main theological and historical writers of this tradition (Ephrem the Syrian, Philoxenus of Mabbogh, Thomas of Marga, and Barhebraeus). It also continues to be used in worship.

This is a revision of E.M. Yamauchi's dissertation. It includes a collection of the earliest Mandaic texts, which are magic scrolls and inscribed bowls, dating from about 600 CE, together with transcriptions and translations, a grammar, and a lexicon.

This textbook introduces the reader to the spoken language of Egypt. It is designed to lead the reader on a journey through Egypt, with each chapter introducing new situations, and provides an introduction to many aspects of modern Egyptian culture and life. Beginning with your arrival in the country, each chapter offers the reader examples of everyday phrasal usage and thorough explanations of Arabic grammar. More than a phrasebook and a dictionary, this book is a useful tool for learning the Egyptian Colloquial, combining handy explanations with a systematic approach to the grammatical structure of the language.

Hailed as one of France's most influential living poets, Michel Deguy has remained largely inaccessible to English-language readers. Recumbents is the first English translation of the most critically-acclaimed volume of this poet's work. The word recumbents refers to funereal sculptures (gisants), reclining lovers, and the literal imprint of those and other figures on the page. The collection includes a poem for the dead, "Procession," written by Deguy in the wake of his father's suicide, and poems dedicated to all phases of Eros. These are interwoven with passages on rhetoric or what Deguy calls poetic reason. This bilingual edition also includes a meditation on Deguy's work by deconstructionism's foundational thinker, Jacques Derrida.

Salvator Rosa (1615--1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa's tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa's life and work in the world of French letters.

This work aims at explaining how the recension of the Ugaritic text--based on the Northwest Semitic Philological Data Bank--originated and how it is produced.

The world of literature responds to the "spirit of carnival" in ways that are both social and cultural, mythological and archetypal. Literature provides a mirror in which carnival is reflected and refracted through the multifarious perspectives of verbal art. In his original, wide-ranging book, David K. Danow catches the various reflections in that mirror, from the bright, life-affirming magical side of carnival, as revealed in the literature of Latin American writers, to its dark, grotesque, death-embracing aspect as illustrated in numerous novels depicting the dire experience of the Second World War.The remarkable meshing of these two diametrically opposed yet inextricably intertwined facets of literature (and of life) makes for an intriguing sphere of investigation, for the carnival spirit is animated by a human need to dissolve borders and eliminate boundaries -- including, symbolically, those between life and death -- in an ongoing effort to merge opposing forces into new configurations of truth and meaning.Expanding upon the seminal ideas of Mikhail Bakhtin, carnival, argues Danow, is designed to allow one extreme to flow into another, to provide for one polarity (official culture) to confront its opposite (unofficial culture), much as individuals engage in dialogue. In this case the result is "dialogized carnival" or "carnivalized dialogue." In their artmaking, Danow claims, human beings are animated by a periodic predisposition toward the bright side of carnival, matched by an equally strong, far darker predilection. Carnival forms of thinking are firmly embedded within the human psyche as archetypal patterns.In this engaging exploratory book, we are shown the distinctive imprint of these primordial structures within a multitude of seemingly disparate literary works.

In this chilling dystopian novel, four men and women attempt an escape to legendary Avalon after the "Movement" threatens the liberty and comforts they have taken for granted. Visa for Avalon takes place in an unnamed country and an unnamed time. In it, Bryher uses her knowledge of history and psychology to examine political crisis in a familiar setting. First published in 1965, it resonates profoundly today. The style is understated and tense as Bryher suggests that closing our eyes to growing restrictions and loss of liberties does not protect us. She offers a provocative commentary about the paradise of King Arthur's Avalon as well. This is a wake-up book that encourages readers of all ages and backgrounds to defend democracy.

Toward the Open Field brings together many of the great prose pieces-essays, letters, declarations, defenses, manifestos, and apologia-by the most influential European and American poets from the Romantics to the Symbolists, Surrealists, and Moderns. Hitherto uncollected and all in English, the work in this anthology follows the changing notions of what a poem is, what a poet is, and why we read a poem, tracing the development of stylistic and ideological strategies that have spawned our current, conflicting understandings of verse. The book begins with Wordsworth's 1802 "Preface" to the Lyrical Ballads and proceeds through 150 years of English language tradition, including the European poetries which greatly influenced it. These prose works allow the reader to share one of the great extended conversations by poets about poetry during a dynamic period of literary experimentation.Includes work by Charles Baudelaire, André Breton, Aimé Césaire, Samuel Taylor Coleridge, Emily Dickinson, T.S. Eliot, Ralph Waldo Emerson, Gerard Manley Hopkins, Langston Hughes, John Keats, Federico Garcia Lorca, Mina Loy, Stéphane Mallarmé, Marianne Moore, Charles Olson, Ezra Pound, Arthur Rimbaud, Percy Bysshe Shelley, Gertrude Stein, Wallace Stevens, Paul Valéry, Walt Whitman, William Carlos Williams, William Wordsworth and Louis Zukofsky.

An intellectual tour de force from one of today’s leading critics of Latin American literature and culture, The Corpus Delicti (The Body of Crime) is a manual of crime, a compendium of crime tales, and an extended meditation on the central role of crime in literature, in life, and in the life of the nation. Drawing her examples from canonical texts, popular novels, newspaper serials, and more, Josefina Ludmer captures the wide range of Argentine crime stories and detective fiction from the late nineteenth and early twentieth centuries. She offers more than a mere genre study, examining the relationship of crime and punishment to the formation of law, the body, and the modern state, exposing the ways in which literature—both high art and mass culture—can help construct, not just represent, social reality. Covering a dazzling array of primary sources, social history, and cultural theory, this provocative work is also a structural masterpiece, challenging readers as it charts new roles for text and notes. In this redefined dialogue, the notes variously offer alternate views, additional insights, and, often, parallel commentaries. Glen Close’s stylish translation captures the energy of Ludmer’s prose—simultaneously subtle and daring—for English-language readers.

On the surface, postcolonial studies and composition studies appear to have little in common. However, they share a strikingly similar goal: to provide power to the words and actions of those who have been marginalized or oppressed. Postcolonial studies accomplishes this goal by opening a space for the voices of \u201cothers\u201d in traditional views of history and literature. Composition studies strives to empower students by providing equal access to higher education and validation for their writing. For two fields that have so much in common, very little dialogue exists between them. Crossing Borderlands attempts to establish such an exchange in the hopes of creating a productive \u201cborderland\u201d where they can work together to realize common goals.