Nationally acclaimed poet, photographer, filmmaker, and novelist James Baker Hall has long been regarded as one of Kentucky's most profound artists. Hall's growing body of work is an essential part of Kentucky's literary tradition, and yet his poetry in particular transcends the borders of the Commonwealth.The Total Light Process collects poems spanning Hall's celebrated career as well as new poems that have never before been published. The subjects of Hall's poems range from humorous and revealing portraits of his fellow writers and friends Wendell Berry, Ed McClanahan, and Gurney Norman, to the traumatic experience of his mother's suicide when he was eight years old, to the Israeli-Palestinian conflict and the tragic murder of Matthew Shepherd.

Everyday mindreading, a house full of Buddhas, and the papaya scent of the soul. An interview with Custer at a place of his choosing, “probably a steakhouse.” The ability of dogs to smell the uncool. Hitler's barber imagines what might have been if only he'd leaned his weight into the razor. An oblivious Coronado narrowly avoids an ambush on the American plains. Freud lecherously lifts the skirt of a Mexican housekeeper who has far too much work to be bothered by “a pillar of modern thought. Or just some dirty old man.”In lesser hands such disparate elements might fly wildly out of control. But in David Shumate's understated, brilliant prose poems, they come together in miraculously vivid riffs.The narrator of the title poem rhapsodizes, “I wouldn't mind seeing another good flood before I die. It's been dry for decades. Next time I think I'll just let go and drift downstream and see where I end up.” Shumate's deft and refreshing collection takes us to amazing places with its plainspoken meditations.

In this chilling dystopian novel, four men and women attempt an escape to legendary Avalon after the "Movement" threatens the liberty and comforts they have taken for granted. Visa for Avalon takes place in an unnamed country and an unnamed time. In it, Bryher uses her knowledge of history and psychology to examine political crisis in a familiar setting. First published in 1965, it resonates profoundly today. The style is understated and tense as Bryher suggests that closing our eyes to growing restrictions and loss of liberties does not protect us. She offers a provocative commentary about the paradise of King Arthur's Avalon as well. This is a wake-up book that encourages readers of all ages and backgrounds to defend democracy.

Controvertibles features more of the refined brilliance and delicate lyricism of this poet, cast in a more meditative mode. Throughout, she examines cultural objects by lifting them out of their usual settings and repositioning them in front of new, disparate backdrops. Doug Flutie's famous Hail Mary pass and Rutger Hauer's role in Blade Runner are contextualized within the Tibetan Book of the Dead. Bob Beamon's world-record-setting long jump in the 1968 Olympics is slowed down and examined in the style of The Matrix's revolutionary bullet time.Samantha Smith, Richard Nixon, the Shroud of Turin, Igor Stravinsky, the largo from Handel's Xerxes, the resurrection of Lazarus, and the groundbreaking 1984 Apple Computer Super Bowl commercial are among the many disparate people and objects Barry uses to explore the multifaceted nature of existence.

One of the most gripping fantasies ever written, The Moon Pool embodies all the romanticism and poetic nostalgia characteristic of A. Merritt's writings. Set on the island of Ponape, full of ruins from ancient civilizations, the novel chronicles the adventures of a party of explorers who discover a previously unknown underground world full of strange peoples and super-scientific wonders. From the depths of this world, the party unwittingly unleashes the Dweller, a monstrous terror that threatens the islands of the South Pacific. Although Merritt did not invent the lost world novel, following in the footsteps of Sir Arthur Conan Doyle, Burroughs and others, he greatly elaborated upon that tradition. This new edition includes a biography of the author, and an introduction detailing Merritt's many sources and influences, including the occult, mythological, and scientific discourses of his day.

Many texts on logic are written with a mathematical emphasis, and focus primarily on the development of a formal apparatus and associated techniques. In other, more philosophical texts, the topic is often presented as an indulgent collection of musings on issues for which technical solutions have long since been devised.What has been missing until now is an attempt to unite the motives underlying both approaches. Paul Hoyningen-Huene\u2019s Formal Logic seeks to find a balance between the necessity of formal considerations and the importance of full reflection and explanation about the seemingly arbitrary steps that occasionally confound even the most serious student of logic. Alex Levine\u2019s artful translation conveys both the content and style of the German edition. Filled with examples, exercises, and a straightforward look at some of the most common problems in teaching the subject, this work is eminently suitable for the classroom.

As a subject of inquiry, laws of nature exist in the overlap between metaphysics and the philosophy of science. Over the past three decades, this area of study has become increasingly central to the philosophy of science. It also has relevance to a variety of topics in metaphysics, philosophy of mind, philosophy of language, and epistemology. Readings on Laws of Nature is the first anthology to offer a contemporary history of the problem of laws. The book is organized around three key issues: the matter of distinguishing laws from mere correlations, questions concerning inductive reasoning and laws, and the consideration of whether there are any true laws in science. Designed for class use, the anthology covers a remarkably broad range of views and concerns, and consists exclusively of articles that have proved highly influential in the field. Readings on Laws of Nature will also serve as a valuable research and reference tool for philosophers who do not specialize in the subject, but who have occasion to examine concepts relating to the laws of nature in their own work.

A historical novel of prejudice and plague, The Scourges of Heaven sweeps gracefully, joyfully, painfully across centuries and generations. Through Cynthia Anne Ferguson, orphaned aboard a vessel carrying immigrants, hopes, dreams, and cholera from the Old World to the New, David Dick paints a world where the causes of disease are little understood, where faith is not always a comfort, where human questioning often goes unanswered, and where unexpected death is frequently attributed to the wrath of an angry God. Cynthia's story unfolds in the midst of the first of four great cholera epidemics to sweep America in the mid-nineteenth century, and her journey through life, from New Orleans up the Mississippi and Ohio rivers and across the Bluegrass to Lexington, parallels the track followed by the deadly scourge. More powerfully told than any factual, statistical, or scientific account could ever manage, yet based upon historical events, this tale of disease, ignorance, and narrow-mindedness is supported by a central theme of hope that ultimately brings redemption.

The term 'globalization' has been used to describe the intensification of cross-border flows - whether in the realm of ideas, culture, finance/trade, or human mobility. Like many other vital ideas, such as nationalism and modernization, globalization is fraught with controversy. But no matter where one stands, it is a site of an ongoing intellectual endeavor of definition, interpretation and redefinition - a contested terrain that continues to have profound, if unequal, impact on people's lives around the world. Given the inherent tension between the global and local, this phenomenon is perhaps more accurately explained by the conceptual hybrid 'globalization'. The diverse contributions in this volume are an attempt to come to grips with some of the implications of this process by problematizing and engaging it. It grew out of an interdisciplinary conference on globalization held at the University of Iceland in late autumn 2002 as part of an international research project co-ordinated by GERM (Groupe d'Etudes et de Recherches sur les Mondialisations), involving a large group of academics, universities, and institutions. The volume emphasizes specific aspects of the globalization debate: politics, culture, gender, and language/translation. One focus - articulated among others by Zygmunt Bauman - is on the reconfigurations of political power relationships between the West and the Rest, the 'war on terror' and conflict resolution, whether in the name of peacekeeping, nation-building or identity changes. Another theme involves the problematization of the culture concept, its place in the public domain, and the redefinition of identities as a result of globalization. A third aspect deals with attempts to illuminate how globalization processes may deepen gender, class and race inequalities in the absence of binding rules and collective social responsibility. Finally, the focus is on the changing attitudes toward language/translation in a heavily mediatized and accelerated world.

Toward the Open Field brings together many of the great prose pieces-essays, letters, declarations, defenses, manifestos, and apologia-by the most influential European and American poets from the Romantics to the Symbolists, Surrealists, and Moderns. Hitherto uncollected and all in English, the work in this anthology follows the changing notions of what a poem is, what a poet is, and why we read a poem, tracing the development of stylistic and ideological strategies that have spawned our current, conflicting understandings of verse. The book begins with Wordsworth's 1802 "Preface" to the Lyrical Ballads and proceeds through 150 years of English language tradition, including the European poetries which greatly influenced it. These prose works allow the reader to share one of the great extended conversations by poets about poetry during a dynamic period of literary experimentation.Includes work by Charles Baudelaire, André Breton, Aimé Césaire, Samuel Taylor Coleridge, Emily Dickinson, T.S. Eliot, Ralph Waldo Emerson, Gerard Manley Hopkins, Langston Hughes, John Keats, Federico Garcia Lorca, Mina Loy, Stéphane Mallarmé, Marianne Moore, Charles Olson, Ezra Pound, Arthur Rimbaud, Percy Bysshe Shelley, Gertrude Stein, Wallace Stevens, Paul Valéry, Walt Whitman, William Carlos Williams, William Wordsworth and Louis Zukofsky.

An intellectual tour de force from one of today’s leading critics of Latin American literature and culture, The Corpus Delicti (The Body of Crime) is a manual of crime, a compendium of crime tales, and an extended meditation on the central role of crime in literature, in life, and in the life of the nation. Drawing her examples from canonical texts, popular novels, newspaper serials, and more, Josefina Ludmer captures the wide range of Argentine crime stories and detective fiction from the late nineteenth and early twentieth centuries. She offers more than a mere genre study, examining the relationship of crime and punishment to the formation of law, the body, and the modern state, exposing the ways in which literature—both high art and mass culture—can help construct, not just represent, social reality. Covering a dazzling array of primary sources, social history, and cultural theory, this provocative work is also a structural masterpiece, challenging readers as it charts new roles for text and notes. In this redefined dialogue, the notes variously offer alternate views, additional insights, and, often, parallel commentaries. Glen Close’s stylish translation captures the energy of Ludmer’s prose—simultaneously subtle and daring—for English-language readers.

Widely regarded as one of the true classics of science fiction, Star Maker is a poetic and deeply philosophical work. The story details the mental journey of an unnamed narrator who is transported not only to other worlds but also other galaxies and parallel universes, until he eventually becomes part of the "cosmic mind." First published in 1937, Olaf Stapledon's descriptions of alien life are a political commentary on human life in the turbulent inter-war years. The book challenges preconceived notions of intelligence and awareness, and ultimately argues for a broadened perspective that would free us from culturally ingrained thought and our inevitable anthropomorphism. This is the first scholarly edition of a book that influenced such writers as C.S. Lewis and Arthur C. Clarke and which Jorge Luis Borges called "a prodigious novel."

On the surface, postcolonial studies and composition studies appear to have little in common. However, they share a strikingly similar goal: to provide power to the words and actions of those who have been marginalized or oppressed. Postcolonial studies accomplishes this goal by opening a space for the voices of \u201cothers\u201d in traditional views of history and literature. Composition studies strives to empower students by providing equal access to higher education and validation for their writing. For two fields that have so much in common, very little dialogue exists between them. Crossing Borderlands attempts to establish such an exchange in the hopes of creating a productive \u201cborderland\u201d where they can work together to realize common goals.

For nearly five decades, readers have been enthralled and enchanted by Peter Everwine’s calmly dazzling poems. He’s never been a writer clearly aligned with any single school or style, yet adherents of all schools and styles admire his graceful turns of phrase and intense vision. From the Meadow features selections from four previous collections, along with a group of new works. The poems, which include Everwine’s deft translations from Hebrew and interpretations from Nahuatl, vibrate with the intensity of small truths distilled to their very essences.

Death haunts the pages of Natural Causes, but so does compassion and love. There is little darkness here, and less despair, despite the abundance of cemeteries, loss, and ghosts—both real and imagined.Mark Cox’s youthful bravado has given way in these poems to an assured sense of understatement. The weight of fatherhood, the loss of a grandmother, the fear of loneliness—these are the details around which Cox plumbs the depths of mortality and memory.Fully comfortable with the domestic tableau from which he writes, this is a poet never complacent. The penchants for metaphor and the resonant turn of phrase that informed Cox’s earlier work remain as vibrant as ever, indeed are heightened, as he masterfully affirms and celebrates the range of familial complexity and human connectedness.

The literature often considered the most American is rooted not only in European and Western culture but also in African and American Creole cultures. Keith Cartwright places the literary texts of such noted authors as George Washington Cable, W.E. B. DuBois, Alex Haley, Zora Neale Hurston, Ralph Ellison, William Faulkner, Joel Chandler Harris, Herman Melville, Toni Morrison, and many others in the context of the history, spiritual traditions, folklore, music, linguistics, and politics out of which they were written.Cartwright grounds his study of American writings in texts from the Senegambian/Old Mali region of Africa. Reading epics, fables, and gothic tales from the crossroads of this region and the American South, he reveals that America's foundational African presence, along with a complex set of reactions to it, is an integral but unacknowledged source of the national culture, identity, and literature.