The book is designed for Arabic-speaking students of English and English-speaking students of Arabic. It is based on a cognitive approach to teaching pronunciation. As a general demonstration of the approach, the book highlights techniques for teaching some of the most challenging sounds and sound phenomena in both Arabic and English.

Thomas Dixon is perhaps best known as the author of the best-selling early twentieth-century Klan trilogy that included the novel The Clansman (1905), which provided the core narrative for D.W. Griffith's groundbreaking and still controversial film The Birth of a Nation (1915). In his twenty-eighth and last novel, The Flaming Sword (1939), Dixon takes to task his long-standing black critics, especially

Continued is a selection of poems by Piotr Sommer, spanning his career to date. A kind of poetic utterance, these "talk poems" are devoid of any singsong quality yet faithfully preserve all the melodies and rhythms of colloquial speech. Events and objects of ordinary, everyday life are related and described by the speaker in a deliberately deadpan manner. Yet a closer look at the language he uses, with all its ironic inflections and subtle "intermeanings," reveals that the poem's "message" should be identified more with the way it is spoken than with what it says. The poems in this volume were translated into English with the help of other notable poets, writers, and translators, including John Ashbery, D.J. Enright, and Douglas Dunn.

John Healey’s, Leshono Suryoyo, is an introductory grammar for those wishing to learn to read Classical Syriac, one of the major literary dialects of Aramaic and the language of one of the main groups of Middle Eastern churches, including the Syrian Orthodox Church, the Church of the East, and the Chaldaean Church. From the first centuries of the Christian era, Syriac was used by the main theological and historical writers of this tradition (Ephrem the Syrian, Philoxenus of Mabbogh, Thomas of Marga, and Barhebraeus). It also continues to be used in worship.

This is a revision of E.M. Yamauchi's dissertation. It includes a collection of the earliest Mandaic texts, which are magic scrolls and inscribed bowls, dating from about 600 CE, together with transcriptions and translations, a grammar, and a lexicon.

This textbook introduces the reader to the spoken language of Egypt. It is designed to lead the reader on a journey through Egypt, with each chapter introducing new situations, and provides an introduction to many aspects of modern Egyptian culture and life. Beginning with your arrival in the country, each chapter offers the reader examples of everyday phrasal usage and thorough explanations of Arabic grammar. More than a phrasebook and a dictionary, this book is a useful tool for learning the Egyptian Colloquial, combining handy explanations with a systematic approach to the grammatical structure of the language.

This novel approach to epistemological discourse explains the complex but crucial role that systematization plays-not just for the organization of what we know, but also for its validation. Cognitive Harmony argues for a new conception of the process philosophers generally call induction. Relying on the root definition of harmony, a coherent unification of component parts (systemic integrity) in such a way that the final object can successfully accomplish what it was meant to do (evaluative positivity), Rescher discusses the role of harmony in cognitive contexts, the history of cognitive harmony, and the various features it has in producing human knowledge. The book ends on the issue of philosophy and the sort of harmony required of philosophical systems.

An examination of philosophical realism from the standpoint of pragmatic epistemology, Realism and Pragmatic Epistemology addresses the core idea of Rescher's work in epistemology: that functional and pragmatic concerns exert a controlling influence on the conduct of rational inquiry and on the ways in which we can and should regard its products.Pragmatism is widely regarded as a philosophical approach that stands at odds with realism, but Rescher takes a very different approach. He views pragmatism as a realistic position that can be developed from a pragmatic point of view, and utilizes a number of case studies to augment his position. Throughout, he shows how the pragmatic and purposive setting of our putative knowledge of the real world proves to be crucial for the constituting and also for the constitution of our knowledge.

The mountain is a lonely place. Welcome to Sourwood, a small Kentucky town inhabited by men and women unique and yet eerily familiar. Among its joyful and tragic citizens we meet the crafty, spirited Caleb and his curious younger brother; Pearl, a suspected witch, and her sheltered daughter, Thanie; superstitious Eli; and the doomed orphan Girty. In Sourwood, the mountain is both a keeper of secrets and an imposing, isolating presence, shaping the lives of all who live in its shadow.Strong in both the voice and sensibilities of Appalachia, the stories in Miss America Kissed Caleb are at turns heartbreaking and hilarious. In the title story, young Caleb turns over his hard-earned dime to the war effort when he receives a coaxing kiss from Miss America, who sweeps into Sourwood by train, "pretty as a night moth." Caleb and his brother share in the thrills and uncertainties of growing up, making an accidental visit to a brothel in "Fourth of July" and taming a "high society" pooch in "The Jimson Dog." These stories invoke a place and a time that have long passed -- a way of living nearly extinct -- yet the beauty of the language and the truth revealed in the characters' everyday lives continue to resonate with modern readers.

Hailed as one of France's most influential living poets, Michel Deguy has remained largely inaccessible to English-language readers. Recumbents is the first English translation of the most critically-acclaimed volume of this poet's work. The word recumbents refers to funereal sculptures (gisants), reclining lovers, and the literal imprint of those and other figures on the page. The collection includes a poem for the dead, "Procession," written by Deguy in the wake of his father's suicide, and poems dedicated to all phases of Eros. These are interwoven with passages on rhetoric or what Deguy calls poetic reason. This bilingual edition also includes a meditation on Deguy's work by deconstructionism's foundational thinker, Jacques Derrida.

Ninety miles separate Cuba and Key West, Florida. Crossing that distance, thousands of Cubans have lost their lives. For Cuban American poet Virgil Su\u00e1rez, that expanse of ocean represents the state of exile, which he has imaginatively bridged in over two decades of compelling poetry. \u0022Whatever isn't voiced in time drowns,\u0022 Su\u00e1rez writes in \u0022River Fable,\u0022 and the urgency to articulate the complex yearnings of the displaced marks all the poems collected here. 90 Miles contains the best work from Su\u00e1rez's six previous collections: You Come Singing, Garabato, In the Republic of Longing, Palm Crows, Banyan, and Guide to the Blue Tongue, as well as important new poems. At once meditative, confessional, and political, Su\u00e1rez's work displays the refracted nature of a life of exile spent in Cuba, Spain, and the United States. Connected through memory and desire, Caribbean palms wave over American junk mail. Cuban mangos rot on Miami hospital trays. William Shakespeare visits Havana. And the ones who left Cuba plant trees of reconciliation with the ones who stayed. Courageously prolific, Virgil Su\u00e1rez is one of the most important Latino writers of his generation.

Alicia Suskin Ostriker's voice has long been acknowledged as a major force in American poetry. In No Heaven, her eleventh collection, she takes a hint from John Lennon's \u0022Imagine\u0022 to wrestle with the world as it is: \u0022no hell below us, / above us only sky.\u0022 It is a world of cities, including New York, London, Jerusalem, and Berlin, where the poet can celebrate pickup basketball, peace marches, and the energy of graffiti. It is also a world of families, generations coming and going, of love, love affairs, and friendship. Then it is a world full of art and music, of Rembrandt and Bonnard, Mozart and Brahms. Finally, it is a world haunted by violence and war. No Heaven rises to a climax with elegies for Yitzhak Rabin, assassinated by an Israeli zealot, and for the poet's mother, whose death is experienced in the context of a post-9/11 impulse to destroy that seems to seduce whole nations. Yet Ostriker's ultimate stance is to \u0022Try to praise the mutilated world,\u0022 as the poet Adam Zagajewski has counseled. At times lyric, at times satiric, Ostriker steadfastly pursuesin No Heaven her poetics of ardor, a passion for the here and now that has chastened and consoled her many devoted readers.

Irene, a rebellious product of an American 1950s upbringing, has fled from a repressive and sexist society into a life of apparent equality and adventure as part of the elite Trans-Temporal Authority's cadre of travelers. Under the tutelage of Ernst, a friend/lover and teacher/father, Irene has achieved status and dignity. Irene and Ernst are assigned to a Muslim world where they meet Zubedeyeh, a young girl whose creativity is being transformed into madness by the male chauvinistic society in which she lives. Vowing to rescue her, Irene unleashes a destructive cycle of violence. Originally published in 1978, The Two of Them is a powerful portrait of a future sexist society. This modern classic conveys its politics with rigor and complexity, in a story filled with suspense and unforgettable characters.

A multi-dimensional explosion hurls the starship's few passengers across the galaxies and onto an uncharted barren tundra. With no technical skills and scant supplies, the survivors face a bleak end in an alien world. One brave woman holds the daring answer, but it is the most desperate one possible. Elegant and electric, We Who Are About To... brings us face to face with our basic assumptions about our will to live. While most of the stranded tourists decide to defy the odds and insist on colonizing the planet and creating life, the narrator decides to practice the art of dying. When she is threatened with compulsory reproduction, she defends herself with lethal force. Originally published in 1977, this is one of the most subtle, complex, and exciting science fiction novels ever written about the attempt to survive a hostile alien environment. It is characteristic of Russ's genius that such a readable novel is also one of her most intellectually intricate.

Named U.S. Poet Laureate for 2004-2006, Ted Kooser is one of America's masters of the short metaphorical poem. Dana Gioia has remarked that Kooser has written more perfect poems than any poet of his generation.In Flying at Night: Poems 1965-1985, Kooser has selected poems from two of his earlier works, Sure Signs and One World at a Time (1985). Taken together or read one at a time, these poems clearly show why William Cole, writing in the Saturday Review, called Ted Kooser "a wonderful poet," and why Peter Stitt, writing in the Georgia Review, proclaimed him "a skilled and cunning writer. . . . An authentic 'poet of the American people.'"

James Still first achieved national recognition in the 1930s as a poet. Although he is better known today as a writer of fiction, it is his poetry that many of his essential images, such as the "mighty river of earth," first found expression. Yet much of his poetry remains out of print or difficult to find. From the Mountain, From the Valley collects all of Still's poems, including several never before published, and corrects editorial mistakes that crept into previous collections. The poems are presented in chronological order, allowing the reader to trace the evolution of Still's voice. Throughout, his language is fresh and vigorous and his insight profound. His respect for people and place never sounds sentimental or dated.Ted Olson's introduction recounts Still's early literary career and explores the poetic origins of his acclaimed lyrical prose. Still himself has contributed the illuminating autobiographical essay "A Man Singing to Himself," which will appeal to every lover of his work.James Still, the first poet laureate of Kentucky, recipient of two Guggenheim Fellowships and many other awards and honors, is the author of numerous works, including his masterful novel River of Earth.Ted Olson, associate professor of Appalachian studies and English at East Tennessee State University, is the author of Blue Ridge Folklife and the editor of CrossRoads: A Southern Culture Annual.