Elizabeth Willis's new collection is a stunning collision of the pastoral tradition with the politics of the post-industrial age. These poems are allusive and tough. While they celebrate the pleasures of the natural world-mutability, desire, and the flowering of things-they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

Isaac Armalet’s catalogue gives the first detailed description of the Syriac, Garshuni and Arabic manuscripts at the Syriac Catholic Patriarchal Library at the Monastery of Charfet in Lebanon. The manuscript collection was established there in the eighteenth century and contains biblical, liturgical, and theological texts of importance to understanding the Christian heritage of the East.

The Avant-Garde and Geopolitics in Latin America examines the canonical Latin American avant-garde texts of the 1920s and 1930s in novels, travel writing, journalism, and poetry, and presents them in a new light as formulators of modern Western culture and precursors of global culture. Particular focus is placed on the work of Roberto Arlt and M-rio de Andrade as exemplars of the movement. Fernando J. Rosenberg provides a theoretical historiography of Latin American literature and the role that modernity and avant-gardism played in it. He finds significant parallels between the cultural battles of the interwar years in Latin America and current debates over the role of the peripheral nation-state within the culture of globalization. Rosenberg establishes that the Latin American avant-garde evolved on its own terms, in polemic dialogue with the European movements, critiquing modernity itself and developing a global geopolitical awareness. In the process these writers created a bridge between postcolonial and postmodern culture, forming a distinct movement that continues its influence today.

Toward a Civil Discourse examines how, in the current political climate, Americans find it difficult to discuss civic issues frankly and openly with one another. Because America is dominated by two powerful discourses--liberalism and Christian fundamentalism, each of which paints a very different picture of America and its citizens' responsibilities toward their country-there is little common ground, and hence Americans avoid disagreement for fear of giving offence. Sharon Crowley considers the ancient art of rhetoric as a solution to the problems of repetition and condemnation that pervade American public discourse. Crowley recalls the historic rhetorical concept of stasis--where advocates in a debate agree upon the point on which they disagree, thereby recognizing their opponent as a person with a viable position or belief. Most contemporary arguments do not reach stasis, and without it, Crowley states, a nonviolent resolution cannot occur.Toward a Civil Discourse investigates the cultural factors that lead to the formation of beliefs, and how beliefs can develop into densely articulated systems and political activism. Crowley asserts that rhetorical invention (which includes appeals to values and the passions) is superior in some cases to liberal argument (which often limits its appeals to empirical fact and reasoning) in mediating disagreements where participants are primarily motivated by a moral or passionate commitment to beliefs.Sharon Crowley examines numerous current issues and opposing views, and discusses the consequences to society when, more often than not, argumentative exchange does not occur. She underscores the urgency of developing a civil discourse, and through a review of historic rhetoric and its modern application, provides a foundation for such a discourse-whose ultimate goal, in the tradition of the ancients, is democratic discussion of civic issues.

Arayathinal’s grammar is among the most comprehensive Syriac grammars ever produced. Designed as a teaching text, this volume is also a solid reference grammar for use by advanced scholars and beginners alike.

Arayathinal’s grammar is among the most comprehensive Syriac grammars ever produced. Designed as a teaching text, this volume is also a solid reference grammar for use by advanced scholars and beginners alike.

Arayathinal’s grammar is among the most comprehensive Syriac grammars ever produced. Designed as a teaching text, this volume is also a solid reference grammar for use by advanced scholars and beginners alike.

Langston Hughes was one of the most important American writers of his generation, and one of the most versatile, producing poetry, fiction, drama, and autobiography. In this innovative study, R. Baxter Miller explores Hughes's life and art to enlarge our appreciation of his contribution to American letters. Arguing that readers often miss the complexity of Hughes's work because of its seeming accessibility, Miller begins with a discussion of the writer's auto-biography, an important yet hitherto neglected key to his imagination. Moving on to consider the subtle resonances of his life in the varied genres over which his imagination "wandered," Miller finds a constant symbiotic bond between the historical and the lyrical. The range of Hughes's artistic vision is revealed in his depiction of Black women, his political stance, his lyric and tragi-comic modes.This is one of the first studies to apply recent methods of literary analysis, including formalist, structuralist, and semiotic criticism, to the work of a Black American writer. Miller not only affirms in Hughes's work the peculiar qualities of Black American culture but provides a unifying conception of his art and identifies the primary metaphors lying at its heart.Here is a fresh and coherent reading of the work of one of the twentieth century's greatest voices, a reinterpretation that renews our appreciation not only of Black American text and heritage but of the literary imagination itself.

In his sixth novel, The Cave (1959), Robert Penn Warren tells the story of a young man trapped in a cave in fictional Johntown, Tennessee. His predicament becomes the center of national attention as television cameras, promoters, and newscasters converge on the small town to exploit the rescue attempts and the thousands of spectators gathered at the mouth of the cave.

Direct, informal, and richly evocative of his Jewish heritage and New York City home, Harvey Shapiro's poetry has occupied a unique place in American letters for over 50 years. This new collection brings together his latest work and much of his 11 previous collections, revealing the full arc of his carefully calibrated poetics. Shapiro engages themes including the immigrant experience, urban landmarks and lifestyles, family life, and war. The reader will see the more formal British-tinged cadences of his earlier work give way to the colloquial, personal nature of his later poems, and how Shapiro's candor and simplicity mark his work throughout the last five decades. Bringing the city and its balance of despair and exuberance into stark relief, this poetry is intimately attuned both to life's quiet disappointments and to its unanticipated miracles.

Managing Literacy, Mothering America accomplishes two monumental tasks. It identifies and defines a previously unstudied genre, the domestic literacy narrative, and provides a pioneering cultural history of this genre from the early days of the United States through the turn of the twentieth century.Domestic literacy narratives often feature scenes that depict women-mostly middle-class mothers-teaching those in their care to read, write, and discuss literature, with the goal of promoting civic participation. These narratives characterize literature as a source of shared knowledge and social improvement. Authors of these works, which were circulated in a broad range of publication venues, imagined their readers as contributing to the ongoing formation of an idealized American community.At the center of the genre's history are authors such as Lydia Sigourney, Catharine Maria Sedgwick, and Frances Harper, who viewed their writing as a form of teaching for the public good. But in her wide-ranging and interdisciplinary investigation, Robbins demonstrates that a long line of women writers created domestic literacy narratives, which proved to be highly responsive to shifts in educational agendas and political issues throughout the nineteenth century and beyond.Robbins offers close readings of texts ranging from the 1790s to the 1920s. These include influential British precursors to the genre and early twentieth-century narratives by women missionaries that have been previously undervalued by cultural historians. She examines texts by prominent authors that have received little critical attention to date-such as Lydia Maria Child's Good Wives--and provides fresh context when discussing the well-known works of the period. For example, she reads Uncle Tom's Cabin in relation to Harriet Beecher Stowe's education and experience as a teacher.Managing Literacy, Mothering America is a groundbreaking exploration of nineteenth-century U.S. culture, viewed through the lens of a literary practice that promoted women's public influence on social issues and agendas.

This volume is the first in a series of collected essays that addresses issues of Syriac linguistics as they relate to a contemporary approach to lexicography. The international team of authors invited to participate represents a wide range of disciplines and opens new horizons in lexical thinking. Special emphasis is placed on the role that technology has, does, and will play in the evolving field of lexicography.

My Brother Is Getting Arrested Again celebrates the contradictions and quandaries of contemporary American life. These subversive, frequently self-mocking narrative poems are by turns funny and serious, book-smart and street-smart, lyrical and colloquial. Set in Philadelphia, Paris and New Jersey, the poems are at ease with sex happiness and sex trouble, girl-talk and grownup married life, genre parody and antiwar politics, family warfare and family love. Unsentimental but full of emotion, Daisy Fried's new collection, a finalist for the 2005 James Laughlin Prize, is unforgettable.

Astoria examines the transitory physical world of the body and reflects on the seamless quality of the present moment. Surrounded by the rush and noise of trains, highways, and grocery store checkout lines, the narrator of these poems creates an intimate space in which to ponder the ephemeral nature of everyday things and the deeper meanings that might underlie them all. “It is amazing / we're not more amazed,” one poem muses, “The world / is here / and then it is gone. ” The poems in Astoria unravel the hidden within the obvious, and speak to our innate questions of longing, purpose, and existence.

The Contracted World includes representative poems from four of Peter Meinke's previous collections. In poems that show us what it is like to grow up in America, love, nature, cities, sports, war, and peace are filtered through the imagination and verbal skills of one of our brightest poets.The new poems experiment with form, and address a life that is shrinking in specific ways: the poet is aging, the world is getting smaller, our post-9/11 freedoms are eroding, and our choices seem fewer and less attractive. Despite feelings of anger and loneliness, the narrator speaks to us in a personal, accessible, and often humorous voice.

Interrogation Palace is a career-spanning selection of work from an important American poet, drawing upon each of David Wojahn’s six previous collections and a substantial gathering of new work. Moving fluently from personal history to public history, and from high culture to popular culture, Wojahn’s searching and restless poetry has been considerably acclaimed, both for the candor of its testimony and the authority of its formal invention. He is above all an elegiac poet, tender and ferocious by turns, whether mourning the loss of family and loved ones or the hopes and aspirations of the baby-boomer era. Interrogation Palace confirms David Wojahn’s status as one of the most inventive, passionate, and ambitious figures of his generation.