In her latest collection, Rae Armantrout considers the shaping effects of language in the context of new and frightening global realities. Attempting to imagine the unimaginable and see the unseen, Armantrout evokes a "next life" beyond the current, and too often degraded, one. From the new physics to mortality, Armantrout engages with the half-seen and the half-believed. These poems step into the dance of consciousness and its perennial ghost partner-"to make the world up/of provisional pairs." At a time when our world is being progressively despoiled, Armantrout has emerged as one of our most important and articulate authors. These poems push against the limit of knowledge, that event-horizon, and into the echoes and phantasms beyond, calling us to look toward the "next life" and find it where we can.

Understanding the current moment in poetry can be a difficult task, as the reader must sort among the avant-garde and mainstream, the traditional and the experimental. A welcome introduction to contemporary poetics, this collection represents one of the first attempts to chart the progress of a new generation of poets. Each chapter focuses on one poet, and includes a selection of poems, a brief statement of purpose by the poet, and a critical essay by a notable scholar. Working in forms ranging from the post-confessional lyric to documentary poetics, from the prose poem and the sonnet to sound poetry, these thirteen poets rank among the most notable and distinct of recent years. American Poets in the 21st Century will serve as a useful and enlightening guide for any reader interested in how new American poetry can look, feel, and sound. The enclosed CD includes each of the thirteen poets reading their work.Poets include: Joshua Clover, Stacy Doris, Peter Gizzi, Kenneth Goldsmith, Myung Mi Kim, Mark Levine, Tracie Morris, Mark Nowak, D.A. Powell, Juliana Spahr, Karen Volkman, Susan Wheeler, and Kevin Young.

This massive two volume supplemental dictionary was originally intended to complete E. W. Lane’s lexicographical work, but has come to stand as an essential wordbook in its own right. Going beyond a customary dictionary, it is a wealth of information about the Arabic world.

This massive two volume supplemental dictionary was originally intended to complete E. W. Lane’s lexicographical work, but has come to stand as an essential wordbook in its own right. Going beyond a customary dictionary, it is a wealth of information about the Arabic world.

Nightmares of the Lettered City presents an original study of the popular theme of banditry in works of literature, essays, poetry, and drama, and banditry's pivotal role during the conceptualization and formation of the Latin American nation-state. Juan Pablo Dabove examines writings over a broad time period, from the early nineteenth century to the 1920s, and while Nightmares of the Lettered City focuses on four crucial countries (Argentina, Mexico, Brazil, and Venezuela), it is the first book to address the depiction of banditry in Latin America as a whole. The work offers close reading of Facundo, Do\u00f1a B\u00e1rbara, Os Sert\u00f5es, and Mart\u00edn Fierro, among other works, illuminating the ever-changing and often contradictory political agendas of the literary elite in their portrayals of the forms of peasant insurgency labeled \u201cbanditry. \u201dBanditry has haunted the Latin American literary imagination. As a cultural trope, banditry has always been an uneasy compromise between desire and anxiety (a \u201cnightmare\u201d), and Dabove isolates three main representational strategies. He analyzes the bandit as radical other, a figure through which the elites depicted the threats posed to them by various sectors outside the lettered city. Further, he considers the bandit as a trope used in elite internecine struggles. In this case, rural insurgency was a means to legitimize or refute an opposing sector or faction within the lettered city. Finally, Dabove shows how, in certain cases, the bandit was used as an image of the nonstate violence that the nation state has to suppress as a historical force and simultaneously exalt as a memory in order to achieve cultural coherence and actual sovereignty. As Dabove convincingly demonstrates, the elite's construction of the bandit is essential to our understanding of the development of the Latin American nation in the nineteenth and early twentieth centuries.

This book is written for both Latino (Hispanic) learners and teachers of English as a second language. The book is innovative in helping Latino learners and teachers overcome chronic and difficult barriers, such as the cases relevant to certain vowels, consonants and the overall rhythm of English. The methodology and techniques used to teach the two-vowel systems of English and Spanish is rarely encountered in modern linguistic literature.

Victor Segalen has come to be widely recognized in recent years as one of the luminaries of French modernism. Trained as a surgeon and Chinese interpreter, he wrote prolifically in a variety of genres. With this highly original collection of prose poems in French and Chinese, Segalen invented a new genre-the "stèle-poem"-in imitation of the tall stone tablets with formal inscriptions that he saw in China. His wry persona declaims these inscriptions like an emperor struggling to command his personal empire, drawing from a vast range of Chinese texts to explore themes of friendship, love, desire, gender roles, violence, exoticism, otherness, and selfhood. The result is a linguistically and culturally hybrid modernist poetics that is often ironic and at times haunting. Segalen's bilingual masterwork is presented here fully translated, in the most extensively annotated critical edition ever produced. It includes unpublished manuscript material, newly identified sources, commentaries on the Chinese, and a facsimile of the original edition as printed in Beijing in 1914. Volume 2 of this work is available online at www.wesleyan.edu/wespress/segalen2 and www.steles.org.

(Re)Writing Craft focuses on the gap that exists in many English departments between creative writers and compositionists on one hand, and literary scholars on the other, in an effort to radically transform the way English studies are organized and practiced today. In proposing a new form of writing he calls \u0022craft criticism,\u0022 Mayers, himself a compositionist and creative writer, explores the connections between creative writing and composition studies programs, which currently exist as separate fields within the larger and more amorphous field of English studies. If creative writing and composition studies are brought together in productive dialogue, they can, in his view, succeed in inverting the common hierarchy in English departments that privileges interpretation of literature over the teaching of writing.

In No Easy Answers, Allan Franklin offers an accurate picture of science to both a general reader and to scholars in the humanities and social sciences who may not have any background in physics. Through the examination of nontechnical case studies, he illustrates the various roles that experiment plays in science. He uses examples of unquestioned success, such as the discoveries of the electron and of three types of neutrino, as well as studies that were dead ends, wrong turns, or just plain mistakes, such as the \u201cfifth force,\u201d a proposed modification of Newton's law of gravity. Franklin argues that science is a reasonable enterprise that provides us with knowledge of the natural world based on valid experimental evidence and reasoned and critical discussion, and he makes clear that it behooves all of us to understand how it works.

"A rich tale of healing, redemption, and social responsibility." -- Publishers Weekly "A compelling, skillfully told story…. Lyon's finest achievement. " -- Lexington Herald-Leader "Lyon gives readers a story rich in precise, gorgeous language that glows like a sword on the forge and cuts as deep…. Tragedies old and new weave a tiny Kentucky town into the center of the universe." -- Booklist (starred review) "Lyon consistently reveals in her work an ability to render the peculiarities of the people and the places she knows best, while at the same time exploring concerns that lend her stories and poems universal appeal. The same is true of With a Hammer for My Heart, a powerful first novel that catapults Lyon into the ranks of other well-respected contemporary novelists." -- Southern Register

This report presents the results of over 40 years of excavation, historic building survey and documentary research that has been carried out by Oxford Archaeology and others at the site of the Cistercian house of Rewley, a chantry founded in 1280. It became an abbey and stadium providing accommodation for monks studying at the university, and can therefore claim to be one of Oxford's earliest colleges. The railway station that subsequently occupied the site in 1851 followed the design of the Crystal Palace, built for the Great Exhibition, and was the last surviving representative of that internationally important building.

A Sun within a Sun is a sustained poetic reflection on the enterprise of poetry, on what poetry is and might be, not only for poet and theorist but also for reader, critic, teacher, and student. It sees poetry as life at its most genuine.Using Baudelaire and Mallarm\u00e9 as principal examples, but drawing on a wide range of poets and thinkers, from Greek mythology to Poe, Rimbaud, Rilke, and Blake; from Nietzsche, Gilles Deleuze, and Italo Calvino to William James and Henry Miller, Claire Chi-ah Lyu challenges contemporary poetic theory, using precise and acute deconstruction of poetic imagery to reconstruct language so that it celebrates both meaning and beauty. A Sun within a Sun explores the notions of lightness and weight, discipline and indulgence, freedom and loss of will that are inherent in the poetic enterprise. It poses that lightness, discipline, freedom, and risk are essential for an approach to the enigma of beauty through an elegant shaping of form that holds true not only in poetry but also in pure science and even fashion. Poetry is a language within a language, a heightened and intense awareness of what words mean and what they can do, at its best creating an intensity of a sun within a sun. The poet and reader of poetry must take the risk Icarus took of approaching the sun, for without the risk there is no fulfillment.A Sun within a Sun seeks a shaping of form and content that discovers poetry as power, as a practice of life that honors and makes possible both thought and feeling.

At some time in the late 9th century, a Norwegian seafarer by the name of Ohthere [Oht-her-e] told the West Saxon king Alfred of his voyages along the coasts of Norway and Denmark. Ohthere's report made such an impression at the court of King Alfred that it was recorded and subsequently inserted into the Old English version of the late Roman world history by Orosius, accompanied by Wulfstan's account of a voyage across the Baltic Sea. Ohthere's account is the earliest known description of the North by a Scandinavian and gives a fascinating and highly trustworthy glimpse of the early Viking Age. Since the 16th century, Ohthere's voyages have been debated by an ever growing number of scholars, such as linguists, historians and archaeologists. In this book, a panel of experts presents the original source in its geographical, cultural, nautical and economic context.

Although it is a discipline with a venerable heritage, comparative Semitic linguistics has long suffered from the difficulty of finding an introduction that does not already require a specialists’ knowledge of the field. The primary languages Gray selected were Hebrew, the language most Semitic readers begin with, and Arabic, the most widely known Semitic language. The result is this user-friendly introduction.

The Book of the Laws of Countries (BLC) by Bardaisan of Edessa belongs to the most important writings of early Syriac literature. The text reflects the intellectual climate of northern Mesopotamia and in particular that of the city of Edessa, at the end of the second century and the first decades of the third century CE.

Jules Verne, celebrated French author of Twenty Thousand Leagues Under the Sea and Around the World in 80 Days, wrote over 60 novels collected in the popular series "Voyages Extraordinaires." A handful of these have never been translated into English, including Invasion of the Sea, written in 1904 when large-scale canal digging was very much a part of the political, economic, and military strategy of the world's imperial powers.Instead of linking two seas, as existing canals (the Suez and the Panama) did, Verne proposed a canal that would create a sea in the heart of the Sahara Desert. The story raises a host of concerns -- environmental, cultural, and political. The proposed sea threatens the nomadic way of life of those Islamic tribes living on the site, and they declare war. The ensuing struggle is finally resolved only by a cataclysmic natural event. This Wesleyan edition features notes, appendices and an introduction by Verne scholar Arthur B. Evans, as well as reproductions of the illustrations from the original French edition.