For a Limited TIme Only, Ronald Wallace's eighth collection of poems, is perhaps his darkest and most meditative to date, focusing his experiences with illness, old age, and mortality; his father-in-law's death after a long bout with Alzheimer's; his step-father's death after a painful struggle with esophageal cancer, his own bout with prostate cancer. These personal experiences form the core of the first three sections of the book, but are mediated by theological and philosophical speculations that find further voice in the character of a \u201cMr. Grim,\u201d whose angry, self-pitying, gruff, comic, self-depreciating, nostalgic, defeated, and hopeful riffs on the human condition provide a bridge to the affirmative, often comic, close. In the final two sections, in poems in praise of his dentist, his barber, his wife, his grandparents, the morpheme, Mr. Malaprop, Pluto, tattoos, hamburger heaven, sex talk, and poetry itself, Wallace once again proves the resilience of hope and humor in what is, for him, finally a world of wonders.

In painting, a “domestic interior” depicts the inside of a house and its inhabitants going about their daily lives. The poems in Domestic Interior describe the private and sometimes secret spaces in our places of residence and the interior lives of those who live there. Marriage and parenthood, grief, spiritual renewal, community and country are subjects addressed with a satirical eye and emotional insight.

In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was \u201cfull of heroes,\u201d a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.

As an orphan under the care of her selfish aunt who pressures her to convert to Catholicism and enter a loveless marriage, Henrietta learns to live by her wits. Henrietta's story draws attention to the difficulty for women of earning a living in mid-eighteenthcentury England and offers readers strikingly insightful and modern reflections on human nature. Charlotte Lennox was a friend of both Samuel Richardson and Samuel Johnson and was generally admired by many of their contemporaries. A major influence on Jane Austen, Lennox is an innovator in the tradition of English women's fiction. Out of print since the late eighteenth century, Henrietta is now available in an edited and fully annotated modern edition.

The book investigates the qatal//yiqtol (yiqtol//qatal) verbal sequence, previously known as ‘tense shifting’, as found in couplets of the Hebrew Psalter, attempting an innovatory explanation by means of M.A.K. Halliday’s Systemic Theory. This study argues that qatal and yiqtol verbal forms, when part of the qatal//yiqtol verbal sequence in Psalms' poetic couplets, can be used primarily for aesthetic reasons, with no individual reference to time or aspect. Arguably, the Systemic Functional Grammar analysis of lexicogrammar can provide a comprehensive interpretation of form and function and an integrated approach to phonetics, morphology and syntax.

This is the first full-length study of emerging Anglo-American science fiction's relation to the history, discourses, and ideologies of colonialism and imperialism. Nearly all scholars and critics of early science fiction acknowledge that colonialism is an important and relevant part of its historical context, and recent scholarship has emphasized imperialism's impact on late Victorian Gothic and adventure fiction and on Anglo-American popular and literary culture in general. John Rieder argues that colonial history and ideology are crucial components of science fiction's displaced references to history and its engagement in ideological production. He proposes that the profound ambivalence that pervades colonial accounts of the exotic "other" establishes the basic texture of much science fiction, in particular its vacillation between fantasies of discovery and visions of disaster. Combining original scholarship and theoretical sophistication with a clearly written presentation suitable for students as well as professional scholars, this study offers new and innovative readings of both acknowledged classics and rediscovered gems.Includes discussion of works by Edwin A. Abbott, Edward Bellamy, Edgar Rice Burroughs, John W. Campbell, George Tomkyns Chesney, Arthur Conan Doyle, H. Rider Haggard, Edmond Hamilton, W. H. Hudson, Richard Jefferies, Henry Kuttner, Alun Llewellyn, Jack London, A. Merritt, Catherine L. Moore, William Morris, Garrett P. Serviss, Mary Shelley, Olaf Stapledon, and H. G. Wells.

Many developing countries have little choice but to “buy into English” as a path to ideological and material betterment. Based on extensive fieldwork in Slovakia, Prendergast assembles a rich ethnographic study that records the thoughts, aspirations, and concerns of Slovak nationals, language instructors, journalists, and textbook authors who contend with the increasing importance of English to their rapidly evolving world. She reveals how the use of English in everyday life has becomes suffused with the terms of the knowledge and information economy, where language is manipulated for power and profit. Buying into English presents an astute analysis of the factors that have made English so prominent and yet so elusive, and a deconstruction of the myth of guaranteed viability for new states and economies through English.

This volume contains a collection of papers presented at the workshop on various aspects of the grammar of Neo-Aramaic, with special attention to the North Eastern Neo-Aramaic dialect group. The papers include descriptions of several hitherto undescribed dialects together with sample texts and also studies of various aspects of phonology, morphology and syntax of the dialects.

"There is something about the very form and occasion of a letter-the possibility it offers, the chance to be as open and tentative and uncertain as one likes and also the chance to formulate certain ideas, very precisely-if one is lucky in one's thoughts," wrote James Wright, one of the great lyric poets of the last century, in a letter. A Wild Perfection is a riveting collection that captures the exhilarating and moving correspondence between Wright and his many friends. In the letters to fellow poets Donald Hall, Theodore Roethke, Galway Kinnell, James Dickey, Mary Oliver, and Robert Bly, Wright explored many subjects, poetic and personal, from his creative process to his struggles with depression and illness. Bright threads of wit, gallantry, and passion for describing his travels and his beloved natural world run through all these letters, which together form an epistolary chronicle of a significant part of the mid-century American poetry renaissance, as well as the clearest biographical picture now available of this major American poet.

Transcending arguments over the definition of fantasy literature, Rhetorics of Fantasy introduces a provocative new system of classification for the genre. Utilizing nearly two hundred examples of modern fantasy, author Farah Mendlesohn uses this system to explore how fiction writers construct their fantastic worlds. Mendlesohn posits four categories of fantasy-portal-quest, immersive, intrusion, and liminal-that arise out of the relationship of the protagonist to the fantasy world. Using these sets, Mendlesohn argues that the author's stylistic decisions are then shaped by the inescapably political demands of the category in which they choose to write. Each chapter covers at least twenty books in detail, ranging from nineteenth-century fantasy and horror to extensive coverage of some of the best books in the contemporary field. Offering a wide-ranging discussion and penetrating comparative analysis, Rhetorics of Fantasy will excite fans and provide a wealth of material for scholarly and classroom discussion.Includes discussion of works by over 100 authors, including Lloyd Alexander, Peter Beagle, Marion Zimmer Bradley, John Crowley, Stephen R. Donaldson, Stephen King, C. S. Lewis, Gregory Maguire, Robin McKinley, China Miéville, Suniti Namjoshi, Philip Pullman, J. K. Rowling, Sheri S. Tepper, J. R. R. Tolkien, Tad Williams

The poet employs colloquial diction, references pop and classical culture, and travels at 1000 miles per hour in his fourth collection. For those who think contemporary poetry is about abject confessions, vacation in Provence and opaque ‘academicisms,’ McDaniel is an intro to a new world.

After spending a year researching and describing the devastation of mountaintop removal in his bestselling book, Lost Mountain, Erik Reece wanted to contribute something beautiful to the world. Field Work: Modern Poems from Eastern Forests is an anthology of poems about the landscape and ecology of the eastern United States. Field Work brings together a host of nationally recognized modern American poets, plus four classical Chinese poets, who wandered and wrote about an area of southeastern China that is remarkably similar in landscape and ecology to the eastern woodlands of the United States.

Gesenius’ Hebrew Grammar is an essential reference tool for any student of classical Hebrew. Apart from the thorough explanation given to each aspect of grammar and syntax, this volume contains an exhaustive scriptural index which leads the user directly to passages that stand as examples of difficult constructions. A full paradigm of the Hebrew verb is also included.

Archaeological work at 1 Poultry includes analysis of 280 burials associated with the medieval church of St Benet Sherehog and a post-Great Fire burial ground on the same location. Post-medieval coffins and coffin furniture indicate that the burial population is primarily late, with a fifth dated to before the Great Fire, although none were associated with the primary phase of the church. The parish of St Benet Sherehog pre- and post-Fire is considered in terms of the documented population, occupations and wealth, and health and mortality. This is followed by evidence for the medieval church of St Benet and the religious life of the parish. 'Death and commemoration' looks at historical and archaeological evidence for funerals and burial practices. A detailed osteological account of the 17th- to 19th-century burial sample includes comparison with contemporary London cemetery populations.

Peter Gizzi's powerful new collection fuses documentary truth with imaginative force. The Outernationale locates us "just off the grid," in an emotional and spiritual frontier, where reverie, outrage, history, and vision merge. Thinking and feeling become one in the urgent music of Gizzi's poems. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom. This is both a poetry of conscience and the embodiment of a genuinely poetic consciousness. Objects, images, and their histories are caught here in their half-life, their profoundly human after-life. Gizzi has written a brilliant follow-up to Some Values of Landscape and Weather, a book hailed by Robert Creeley as "a breakthrough book in every way: for reader, for writer, and for the art."

In her third collection, Beatty travels inside the body to the blood that codes us, moving beyond the language of post-confessionialism into fourth-wave feminism, challenging notions of the “romantic” “and the “brutal” and how they exist within us and between us.