"Reading Jeffrey McDaniel's gorgeously dark and utterly compelling Chapel of Inadvertent Joy reminds me that he is probably the most important poet in America. The book in your hands was written by a master of metaphor and a poet of huge imagination and fierce ingenuity, a fine antidote to realism. Get this voice in your head. "—Major Jackson

Joy Harjo is a "poet-healer-philosopher-saxophonist," and one of the most powerful Native American voices of her generation. She has spent the past two decades exploring her place in poetry, music, dance/performance, and art. Soul Talk, Song Language gathers together in one complete collection many of these explorations and conversations. Through an eclectic assortment of media, including personal essays, interviews, and newspaper columns, Harjo reflects upon the nuances and development of her art, the importance of her origins, and the arduous reconstructions of the tribal past, as well as the dramatic confrontation between Native American and Anglo civilizations. Harjo takes us on a journey into her identity as a woman and an artist, poised between poetry and music, encompassing tribal heritage and reassessments and comparisons with the American cultural patrimony. She presents herself in an exquisitely literary context that is rooted in ritual and ceremony and veers over the edge where language becomes music.

A legacy of slavery, abolition, colonialism, and class struggle has profoundly impacted the people and culture of the Caribbean. In Tropic Tendencies, Kevin Adonis Browne examines the development of an Anglophone Caribbean rhetorical tradition in response to the struggle to make meaning, maintain identity, negotiate across differences, and thrive in light of historical constraints and the need to participate in contemporary global culture.Browne bases his study on the concept of the \u201cCaribbean carnivalesque\u201d as the formative ethos driving cultural and rhetorical production in the region and beyond it. He finds that carnivalesque discourse operates as a \u201ccontinuum of discursive substantiation\u201d that increases the probability of achieving desired outcomes for both the rhetor and the audience. Browne also views the symbolic and material interplay of the masque and its widespread use to amplify efforts of resistance, assertion, and liberation. Browne analyzes rhetorical modes and strategies in a variety of forms, including music, dance, folklore, performance, sermons, fiction, poetry, photography, and digital media. He introduces chantwells, calypsonians, old talkers, jamettes, stickfighters, badjohns, and others as exemplary purveyors of Caribbean rhetoric and deconstructs their rhetorical displays. From novels by Earl Lovelace, he also extracts thematic references to kalinda, limbo, and dragon dances that demonstrate the author’s claim of an active vernacular sensibility. He then investigates the re-creation and reinvention of the carnivalesque in cyber culture, demonstrating the ways participants both flaunt and defy normative ideas of \u201cCaribbeanness\u201d in online and macro environments.

The Old Priest is a book of transformations. From the cigar-smoke-and-mirrors world of casino life, to the collection's title character morphing into a goat-man before the narrator's eyes, to a family drama upended by a miniature dinosaur in the backyard, Anthony Wallace writes about life-changing events. The characters seek to escape their earthly boundaries through artifice and fantasy, and those boundaries can be as elegant and fragile as a martini glass or as hardscrabble as an Indian reservation. In these eight vividly detailed short stories we encounter cheating husbands, neurotic housewives, out-of-control teenagers, desperate gamblers, deluded alcoholics, and a host of others who would like a chance at something more. Some face the consequences of their actions, while others simply begin to see what they've been missing all along. Through wry, ironic prose—and what feels like firsthand experience—Wallace describes a comic and often misguided search for self-knowledge in the most unlikely locations—like the Emerald City, a low-rent gambling den where a cocktail waitress dressed as an X-rated Dorothy offers gamblers more than a Scotch on the rocks; or the Bastille Hotel-Casino, where a dealer dressed as an eighteenth century footman deals five-dollar blackjack to a reminiscing Holocaust survivor. Occasionally a real demon appears, but the collection is mostly about personal demons and the possibility of exorcising them. The stories in The Old Priest have to do with time and memory, and they convincingly open out beyond ordinary daily time to reveal something else—the present moment, perhaps, but a larger, more mysterious conception of it.

What is tomorrow’s Wall Street Journal worth to you today? Where is the line between reality and fiction? Are the financial markets really predictable? Does an ancient artefact hold the key to how some of the world’s wealthiest families made their fortunes?When a mysterious granite and cypress Egyptian box is found hidden away in a secret room in the palatial Biltmore Estate, twin scientists Alex and Nicholas Shepard work to unlock the secret of its intricate dials, gauges, crystals, and carvings. What they discover has the potential to make them rich beyond their wildest dreams. But it could also collapse financial markets, bankrupt corporations around the globe, and destroy many of the world’s most powerful families. As the twins quickly find out, people will not only kill to make money, but will kill to keep it.What begins as a simple scientific experiment dabbling in the stock market quickly descends into a nightmarish intrigue of murder, deception, and mystery. When one Shepard brother is killed, the surviving twin and his wife find themselves in a desperate gambit to learn the truth about the box’s legacy. Using ancient documents found with the box, they unearth clues and trace its history through the ages, from the catacombs of Paris to the Knights of the Templar in Scotland. Their investigation takes them from London to Paris, Venice, and finally, to the Vatican itself, where they uncover the greatest deception ever perpetuated by man.Robert D. Taylor’s enthralling novel Paradigm is a unique and masterful blend of intelligent scientific suspense and bold historical mystery stretching from earliest antiquity to the present day and beyond. His intriguing plot and cast of memorable characters makes for a suspenseful page-turner that will keep readers guessing about where the lines of reality and fiction merge.Paradigm demands we believe the unbelievable. And yet the scientific and historical data supporting the "unbelievable" rests right before our eyes. The challenge of finding out just what is truly real and what is not is now up to you.

Fire- its physical, symbolic, political, and spiritual forms-is the fourth and final subject in Brenda Hillman's masterful series on the elements. Her previous volumes-Cascadia, Pieces of Air in the Epic, Practical Water-have addressed earth, air, and water. Here, Hillman evokes fire as metaphor and as event to chart subtle changes of seasons during financial breakdown, environmental crisis, and street movements for social justice; she gathers factual data, earthly rhythms, chants to the dead, journal entries, and lyric fragments in the service of a radical animism. In the polyphony of Seasonal Works with Letters on Fire, the poet fuses the visionary, the political, and the personal to summon music and fire at once, calling the reader to be alive to the senses and to re-imagine a common life. This is major work by one of our most important writers. Check for the online reader's companion at brendahillman.site.wesleyan.edu.

A handy grammar of the Aramaic of the Targum, the Talmud, the Midrashim and the Aramaic passages of the New Testament, with notes on where the older dialect of Ezra and Daniel differs.

Lyn Hejinian and Barrett Watten are internationally recognized poet/critics. Together they edited the highly influential Poetics Journal, whose ten issues, published between 1982 and 1998, contributed to the surge of interest in the practice of poetics. A Guide to Poetics Journal presents the major conversations and debates from the journal, and invites readers to expand on the critical and creative engagements they represent. In making their selections for the guide, the editors have sought to showcase a range of innovative poetics and to indicate the diversity of fields and activities with which they might be engaged. The introduction and headnotes by the editors provide historical and thematic context for the articles. The Guide is intended to be of sustained creative and classroom use, while the companion Archive of all ten issues of Poetics Journal allows users to remix, remaster, and extend its practices and debates. (See http://www.upne.com/0819571236.html for more information on the digital archive.)

"What a rich array of music lies within Listening Long and Late. With refreshing authenticity, Everwine weds playfulness to practice, lyricism to narrative, pathos to the ordinary. Indeed, he has listened 'long and late' to the music of such venerable masters as Tu Fu, the hidden genius on the street, and the anonymous Aztec poets of the fourteenth and fifteenth centuries. Everwine writes with the same 'deified heart' that divines the mystery of his quotidian subjects in a language that is at once plain and poetic. His own work seamlessly segues into his translations from the Hebrew and Nahuatl, as if all the poems belonged to the same poet, which they in fact do, as the glorious multitudes of Peter Everwine, one of the masters of our age."—Chard deNiord

Born in the small, eastern Kentucky coal-mining town of Harlan, George Ella Lyon began her career with Mountain, a chapbook of poems. She has since published many more books in multiple genres and for readers of all ages, but poetry remains at the heart of her work. Many-Storied House is her fifth collection. While teaching aspiring writers, Lyon asked her students to write a poem based on memories rooted in a house where they had lived. Working on the assignment herself, Lyon began a personal journey, writing many poems for each room. In this intimate book, she strives to answer lingering questions about herself and her family: "Here I stand, at the beginning," she writes in the opening lines of the volume, "with more questions than / answers."Collectively, the poems tell the sixty-eight-year-long story of the house, beginning with its construction by Lyon's grandfather and culminating with the poet's memories of bidding farewell to it after her mother's death. Moving, provocative, and heartfelt, Lyon's poetic excavations evoke more than just stock and stone; they explore the nature of memory and relationships, as well as the innermost architecture of love, family, and community. A poignant memoir in poems, Many-Storied House is a personal and revealing addition to George Ella Lyon's body of work.

This volume is a good quality reprint of the 1920 edition of Augustin Périer's classic text. It will be of interest to scholars working in the fields of philosophy, theology and Christian Arabic studies.

Boston Strong is a commemorative chapbook that beautifully reproduces Richard Blanco’s poignant poem presented May 30, 2013 at the benefit concert to help the people most affected by the tragic events that occured on April 15, 2013 during the Boston Marathon.The net proceeds from the sale of this book benefit The One Fund Boston.The One Fund Boston was established through the generosity of businesses, foundations, and individual donors. The Victim Relief Fund of The One Fund Boston will be used to assist those families of the victims who were killed and the victims who were most seriously affected as a result of the tragic events during the Boston Marathon on April 15, 2013, and related events on April 18 and April 19.

As a geometric term, parabola suggests a narrative trajectory or story arc. In science fiction, parabolas take us from the known to the unknown. More concrete than themes, more complex than motifs, parabolas are combinations of meaningful setting, character, and action that lend themselves to endless redefinition and jazzlike improvisation. The fourteen original essays in this collection explore how the field of science fiction has developed as a complex of repetitions, influences, arguments, and broad conversations. This particular feature of the genre has been the source of much critical commentary, most notably through growing interest in the "sf megatext," a continually expanding archive of shared images, situations, plots, characters, settings, and themes found in science fiction across media. Contributors include Jane Donawerth, Terry Dowling, L. Timmel Duchamp, Rachel Haywood Ferreira, Pawel Frelik, David M. Higgins, Amy J. Ransom, John Rieder, Nicholas Ruddick, Graham Sleight, Gary K. Wolfe, and Lisa Yaszek.

During the 18th and 19th centuries, many travellers aimed to record their travels through Egypt, Mesopotamia, the Levant and Turkey by collecting souvenirs and mementos of places they had visited. This natural inclination took many different guises: from innocent activities such as making diaries and sketches, gathering academic knowledge or taking photographs, to acquiring souvenirs, very often antiquities. Other, more unscrupulous, travellers undertook journeys specifically to ‘collect’ antiquities to form the basis of museum collections or to profit by re-selling them. Souvenirs and New Ideas explores the human desire to retain the memory of a journey by ‘collecting objects’ with a series of essays examining the motivation of a variety of different travellers ranging from intrepid female solo travellers to European royalty. The acquisitions of these individuals ranged from tales of folklore and academic knowledge to the wholesale looting of Egyptian antiquities. Although the habit of ‘collecting antiquities’ is deplored and condemned today, this volume sheds light on the attitudes behind the practice and seeks to strengthen our current beliefs about the value of cultural patrimony.

Providing an analysis of the most important works of Goethe, Nietzsche, and Thomas Mann based on the methodology of comparative literature, this book attempts to determine the elements which reflect a common line of thought in their writings, as well as investigating how these cultural themes reflect their perspective on life and the world, the German spirit and nationality, art and music, politics and society.

A truly useful introduction to the Syriac language is a rare find. This practical initiation to the study of this ancient language of the Christian church speaks with clarity and authority. A fruitful integration of scholarly introduction and practical application, this primer is more than a simple grammar or syntactic introduction to the language. Writing in a style designed for beginners, Kiraz avoids technical language and strives for a reader-friendly inductive approach. Readings from actual Syriac texts allow the student to experience the language first hand and the basics of the grammar of the language are ably explained. The book comes with downloadable material so that readers may listen to all reading sentences and text passages in the book.