The fifth published colloquia of the International Syriac Language Project (ISLP), presenting papers from an international team of authors working to develop contemporary, interdisciplinary approaches to linguistics and lexicography.

Ferdinand Christian Baur’s thought about religion focuses on the idea of Gnosis in close connection with the notion of history, but rather than favor a traditional approach, he prefers a different path: a “new” understanding of religion which draws quite heavily on Hegel’s philosophy, promoting the idea that history is the realm where God and man exist and work together.

This work is a collection of 712 obscure Hebrew and Aramaic words from the Talmud and Mishnah, compiled by Renaissance scholar Paul Fagius.

For the first time in his life, Robert Ryder doesn't have orders. He has just buried his son Mark; his career in the French Foreign Legion is finished. Unable to settle into civilian life, he drifts to Thailand, where he learns of a man on death row for dealing with the same drug lords responsible for Mark's deadly overdose. However, the smugglers find Ryder before he can find them. Kidnapped to Burma, Ryder escapes and realizes his mission. Facing the reality of a growing drug culture and the greed that fuels it, Ryder aims to make peace with his past by exacting retribution in the best way he knows. With the vengeance of a father wronged and the precise brutality of a Foreign Legionnaire, Ryder infiltrates the organization. But the deeper he goes, the more familiar the faces become. "Walk With The Devil is a scintillating fuel pumped thriller. A true in your face juggernaut of adrenaline, plotting and pace. Both a fascinating insider's view of The Legion, and a deeply moving compassionate examination of loss. This is thriller writing of the highest order and Tom Foote is the new name to reach for. Foote rules on just every level there is!" - Ken Bruen "Walk With the Devil is Tom Foote at the peak of his Powers! Read it!" - Stuart Woods "An old-fashioned, no-holds-barred revenge story." - Publishers Weekly "A meticulously detailed and very exciting story of revenge. Think of Ryder as having the wrath of an Old Testament prophet and skills of a professional killer." - Irish AmNew

Though he was a recipient of both the Pulitzer Prize and the Nobel Prize for Literature, American novelist John Steinbeck (1902--1968) has frequently been censored. Even in the twenty-first century, nearly ninety years after his work first appeared in print, Steinbeck's novels, stories, and plays still generate controversy: his 1937 book Of Mice and Men was banned in some Mississippi schools in 2002, and as recently as 2009, he made the American Library Association's annual list of most frequently challenged authors. A Political Companion to John Steinbeck examines the most contentious political aspects of the author's body of work, from his early exploration of social justice and political authority during the Great Depression to his later positions regarding domestic and international threats to American policies. Featuring contemporaneous and present-day interpretations of his novels and essays by historians, literary scholars, and political theorists, this book covers the spectrum of Steinbeck's writing, exploring everything from his place in American political culture to his seeming betrayal of his leftist principles in later years.

In 1962, Walker Percy (1916--1990) made a dramatic entrance onto the American literary scene when he won the National Book Award for fiction with his first novel, The Moviegoer. A physician, philosopher, and devout Catholic, Percy dedicated his life to understanding the mixed and somewhat contradictory foundations of American life as a situation faced by the wandering and won-dering human soul. His controversial works combined existential questioning, scientific investigation, the insight of the southern stoic, and authentic religious faith to produce a singular view of humanity's place in the cosmos that ranks among the best American political thinking. An authoritative guide to the political thought of this celebrated yet complex American author, A Political Companion to Walker Percy includes seminal essays by Ralph C. Wood, Richard Reinsch II, and James V. Schall, S.J., as well as new analyses of Percy's view of Thomistic realism and his reaction to the American pursuit of happiness. Editors Peter Augustine Lawler and Brian A. Smith have assembled scholars of diverse perspectives who provide a necessary lens for interpreting Percy's works. This comprehensive introduction to Percy's "American Thomism" is an indispensable resource for students of American literature, culture, and politics.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

As virtually all Christian Palestinian Aramaic texts consist of translations, one cannot adequately discuss its verbal system without taking into account translation technique. The present study consists of a study of the translation of Greek Indicative verbs in the Christian Palestinian Aramaic Gospels and its implications for the understanding of the Christian Palestinian Aramaic verbal system.

Speculative Fictions views the Chilean neoliberal transition as reflected in cultural production from the postdictatorship era of the 1970s to the present. To Alessandro Fornazzari, the move to market capitalism effectively blurred the lines between economics and aesthetics, perhaps nowhere more evidently than in Chile. Through exemplary works of film, literature, the visual arts, testimonials, and cultural theory, Fornazzari reveals the influence of economics over nearly every aspect of culture and society. Citing Karl Marx, Michel Foucault, Walter Benjamin, Willy Thayer, Milton Friedman, and others, Fornazzari forms the theoretical basis for his neoliberal transitional discourse as a logical progression of capitalism. Fornazzari identifies Casa de campo, Jos\u00e9 Donoso’s allegory of the military coup of 1973 and the ensuing monetary crisis, as a harbinger of transitional texts, challenging them to explore new forms of abstraction. Those forms are explored in the novels Oir su voz by Arturo Fontaine and Mano de obra by Diamela Eltit, where Fornazzari examines divergent views of workers in the form of neoliberal human capital or post-Fordist immaterial labor. In documentaries by Patricio Guzm\u00e1n and Silvio Caiozzi, he juxtaposes depictions of mass mobilization and protest to the mass marketing of individual memory and loss, claiming they serve as symbols of the polarities of dictatorship and neoliberalism. Fornazzari then relates the subsuming of the individual under both fascism and neoliberalism by recalling the iconic imbunche (a mutilated figure whose orifices have been sewn closed) in works by Donoso and the visual artist Catalina Parra. He continues the theme of subsumption in his discussion of the obliteration of the divide between physical labor and intellectualism under neoliberalism, as evidenced in the detective novel A la sombra del dinero by Ram\u00f3n D\u00edaz Eterovic.In these examples and others, Fornazzari presents a firmly grounded theoretical analysis that will appeal to Latin Americanists in general and to those interested in the intersection of economics and culture. The Chilean experience provides a case study that will also inform students and scholars of neoliberal transitions globally.

In Ambient Rhetoric, Thomas Rickert seeks to dissolve the boundaries of the rhetorical tradition and its basic dichotomy of subject and object. With the advent of new technologies, new media, and the dispersion of human agency through external information sources, rhetoric can no longer remain tied to the autonomy of human will and cognition as the sole determinants in the discursive act. Rickert develops the concept of ambience in order to engage all of the elements that comprise the ecologies in which we exist. Culling from Martin Heidegger’s hermeneutical phenomenology in Being and Time, Rickert finds the basis for ambience in Heidegger’s assertion that humans do not exist in a vacuum; there is a constant and fluid relation to the material, informational, and emotional spaces in which they dwell. Hence, humans are not the exclusive actors in the rhetorical equation; agency can be found in innumerable things, objects, and spaces. As Rickert asserts, it is only after we become attuned to these influences that rhetoric can make a first step toward sufficiency.Rickert also recalls the foundational Greek philosophical concepts of kairos (time), chora (space/place), and periechon (surroundings) and cites their repurposing by modern and postmodern thinkers as \u201cinformational scaffolding\u201d for how we reason, feel, and act. He discusses contemporary theory in cognitive science, rhetoric, and object-oriented philosophy to expand his argument for the essentiality of ambience to the field of rhetoric. Rickert then examines works of ambient music that incorporate natural and artificial sound, spaces, and technologies, finding them to be exemplary of a more fully resonant and experiential media.In his preface, Rickert compares ambience to the fermenting of wine—how its distinctive flavor can be traced to innumerable factors, including sun, soil, water, region, and grape variety. The environment and company with whom it’s consumed further enhance the taste experience. And so it should be with rhetoric—to be considered among all of its influences. As Rickert demonstrates, the larger world that we inhabit (and that inhabits us) must be fully embraced if we are to advance as beings and rhetors within it.

Saul Bellow is one of the twentieth century's most influential, respected, and honored writers. His novels The Adventures of Augie March, Herzog, and Mr. Sammler's Planet won the National Book Award, and Humboldt's Gift was awarded the 1976 Pulitzer Prize for fiction. In addition, his plays garnered popular and critical acclaim, and some were produced on Broadway. Known for his insights into life in a post-Holocaust world, Bellow's explorations of modernity, Jewish identity, and the relationship between art and society have resonated with his readers, but because his writing is not overtly political, his politics have largely been ignored. A Political Companion to Saul Bellow examines the author's novels, essays, short stories, and letters in order to illuminate his evolution from liberal to neoconservative. It investigates Bellow's exploration of the United States as a democratic system, the religious and ideological influences on his work, and his views on race relations, religious identity, and multiculturalism in the academy. Featuring a fascinating conclusion that draws from interviews with Bellow's sons, this accessible companion is an excellent resource for understanding the political thought of one of America's most acclaimed writers.

It is commonly agreed that we live in an age of globalization, but the profound consequences of this development are rarely understood. Usually, globalization is equated with the expansion of economic and financial markets and the proliferation of global networks of communication. In truth, much more is at stake: Traditional concepts of individual and national identity as well as perceived relationships between the self and others are undergoing profound change. Every town has become a potential cosmopolis -- an international city -- affecting the way that people conceptualize the relationship between public order and political practice.In Being in the World, noted political theorist Fred Dallmayr explores the globe's transition from the traditional Westphalian system of states to today's interlocking cosmopolitan network. Drawing upon sacred scriptures as well as the work of ancient philosophers such as Plato and Aristotle and more recent scholars such as Martin Heidegger, Hans-Georg Gadamer, and Raimon Panikkar, this book delves into what Dallmayr calls "being in the world," seen as an aspect of ethical-political engagement. Rather than lamenting current problems, he suggests addressing them through civic education and cosmopolitan citizenship. Dallmayr advocates a politics of the common good, which requires the cultivation of public ethics, open dialogue, and civic responsibility.

Ang Lee (b. 1954) has emerged as one of cinema's most versatile, critically acclaimed, and popular directors. Known for his ability to transcend cultural and stylistic boundaries, Lee has built a diverse oeuvre that includes films about culture clashes and globalization ( Eat Drink Man Woman, 1994, and The Wedding Banquet, 1993), a period drama ( Sense and Sensibility, 1995), a martial arts epic ( Crouching Tiger, Hidden Dragon, 2000), a comic book action movie ( Hulk, 2003), and an American western ( Brokeback Mountain, 2005). The Philosophy of Ang Lee draws from both Eastern and Western philosophical traditions to examine the director's works. The first section focuses on Taoist, Confucian, and Buddhist themes in his Chinese-language films, and the second examines Western philosophies in his English-language films; but the volume ultimately explores how Lee negotiates all of these traditions, strategically selecting from each in order to creatively address key issues. With interest in this filmmaker and his work increasing around the release of his 3-D magical adventure The Life of Pi (2012), The Philosophy of Ang Lee serves as a timely investigation of the groundbreaking auteur and the many complex philosophical themes that he explores through the medium of motion pictures.

Too many incoming students are fluent in English but unable to discuss the language grammatically. Introductory language courses and textbooks often assume a proficiency and familiarity with grammatical terms that is not possessed by the students. This guide delivers an understanding of English grammar starting from simple concepts and presupposing no background or vocabulary. This book is designed as a textbook and a reference for students beginning a New Testament Greek, Biblical Hebrew, Aramaic or Latin course.

Aimé Césaire's masterpiece, Notebook of a Return to the Native Land, is a work of immense cultural significance and beauty. This long poem was the beginning of Césaire's quest for négritude, and it became an anthem of Blacks around the world. Commentary on Césaire's work has often focused on its Cold War and anticolonialist rhetoric—material that Césaire only added in 1956. The original 1939 version of the poem, given here in French, and in its first English translation, reveals a work that is both spiritual and cultural in structure, tone, and thrust. This Wesleyan edition includes the original illustrations by Wifredo Lam, and an introduction, notes, and chronology by A. James Arnold.

This paper examines the “muscular Christianity” phenomenon in Mel Gibson’s 2004 film The Passion of the Christ and Ernest Hemingway’s 1926 short play, “Today is Friday.”