To the short list that includes Jules Verne and H.G. Wells as founding fathers of science fiction, the name of the Belgian writer J. -H. Rosny Aîné must be added. He was the first writer to conceive, and attempt to narrate, the workings of aliens and alternate life forms. His fascination with evolutionary scenarios, and long historical vistas, from first man to last man, are important precursors to the myriad cosmic epics of modern science fiction. Until now, his work has been virtually unknown and unavailable in the English-speaking world, but it is crucial for our understanding of the genre. Three wonderfully imaginative novellas are included in this volume. "The Xipehuz" is a prehistoric tale in which the human species battles strange geometric alien life forms. "Another World" is the story of a mysterious being who does not live in the same acoustic and temporal world as humans. "The Death of the Earth" is a scientifically uncompromising Last Man story. The book includes an insightful critical introduction that places Rosny's work within the context of evolutionary biology.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

The journal "Ural-Altaic studies" is concerned with linguistic matters, connected with the Uralic and Altaic languages. It is bilingual; all papers are published in both Russian and English.

The article reviews a set of texts on mental philosophy. It reviews the author’s assessments of various sources and the aspects of the mind. The reviewer takes issue with certain philosophers’ beliefs.

Much criticism has been directed at negative stereotypes of Appalachia perpetuated by movies, television shows, and news media. Books, on the other hand, often draw enthusiastic praise for their celebration of the simplicity and authenticity of the Appalachian region.Dear Appalachia: Readers, Identity, and Popular Fiction since 1878 employs the innovative new strategy of examining fan mail, reviews, and readers' geographic affiliations to understand how readers have imagined the region and what purposes these imagined geographies have served for them. As Emily Satterwhite traces the changing visions of Appalachia across the decades, from the Gilded Age (1865--1895) to the present, she finds that every generation has produced an audience hungry for a romantic version of Appalachia.According to Satterwhite, best-selling fiction has portrayed Appalachia as a distinctive place apart from the mainstream United States, has offered cosmopolitan white readers a sense of identity and community, and has engendered feelings of national and cultural pride. Thanks in part to readers' faith in authors as authentic representatives of the regions they write about, Satterwhite argues, regional fiction often plays a role in creating and affirming regional identity. By mapping the geographic locations of fans, Dear Appalachia demonstrates that mobile white readers in particular, including regional elites, have idealized Appalachia as rooted, static, and protected from commercial society in order to reassure themselves that there remains an "authentic" America untouched by global currents.Investigating texts such as John Fox Jr.'s The Trail of the Lonesome Pine (1908), Harriette Arnow's The Dollmaker (1954), James Dickey's Deliverance (1970), and Charles Frazier's Cold Mountain (1997), Dear Appalachia moves beyond traditional studies of regional fiction to document the functions of these narratives in the lives of readers, revealing not only what people have thought about Appalachia, but why.

This publication presents the transcription and translation of eight Syriac inscriptions from the Persian region of Salamas found in ancient cemeteries and church buildings. The inscriptions are accompanied by brief commentary and helpful introduction.

This study presents a modern linguistic approach to the function of the Syriac et-verbal prefix. Based on a detailed analysis of a number of early Syriac texts, it proposes a unified account of the different values traditionally attributed to the Syriac et- stems. Farina views the data within a typologically comparative framework derived from a cross-linguistic study of middle conjugations.

An early study of the Babylonian kudurru (boundary stone) inscriptions of what is now known as the Kassite Era, this booklet presents a self-contained exploration of two of the markers. Focusing on Kudurru Inscriptions III R. 43 and III R. 41, Belser gives transcriptions and translations of both texts. A detailed commentary follows the presentation of the actual texts, and this is accompanied by notes from the original drawings of the text. Carefully reproduced full text hand-drawn copies are also included.

Nemrod Simono’s intermediate grammar for Modern Assyrian that serves as a follow up to his beginner’s grammar. The volume includes exercises for self-guided study.

This new book by eminent scholar Michael Davidson gathers his essays concerning formally innovative poetry from modernists such as Mina Loy, George Oppen, and Wallace Stevens to current practitioners such as Cristina Rivera-Garza, Heriberto Yépez, Lisa Robertson, and Mark Nowak. The book considers poems that challenge traditional poetic forms and in doing so trouble normative boundaries of sexuality, subjectivity, gender, and citizenship. At the heart of each essay is a concern with the "politics of form," the ways that poetry has been enlisted in the constitution-and critique-of community. Davidson speculates on the importance of developing cultural poetics as an antidote to the personalist and expressivist treatment of postwar poetry. A comprehensive and versatile collection, On the Outskirts of Form places modern and contemporary poetics in a cultural context to reconsider the role of cultural studies and globalization in poetry.

Left dead after our cultures were broken by triumphant enemies, our stories changed to suit others. We now change them again to suit ourselves. Songs and Stories of the Ghouls purports to give power to the dead-voices to the victims of genocide both ancient and contemporary-and presence to women. Medea did not kill her sons; Dido founds a city, over and over again, the city of the present author's poetry. In these poems the poet asserts that though her art comes from a tradition as broken as Afghanistan's statuary, there is always a culture to pass on to one's children, and one is always involved in doing so. We are the ghouls, the drinkers of the blood-sacs, and we insist that we are alive.

Better known as a poet and dramatist, Johann Wolfgang von Goethe (1749–1832) was also a learned philosopher and natural scientist. Astrida Orle Tantillo offers the first comprehensive analysis of his natural philosophy, which she contends is rooted in creativity.Tantillo analyzes GoetheÆs main scientific texts, including his work on physics, botany, comparative anatomy, and metereology. She critically examines his attempts to challenge the basic tenets of Newtonian and Cartesian science and to found a new natural philosophy. In individual chapters devoted to different key principles, she reveals how this natural philosophy—which questions rationalism, the quantitative approach to scientific inquiry, strict gender categories, and the possibility of scientific objectivity—illuminates GoetheÆs standing as both a precursor and critic of modernity.Tantillo does not presuppose prior knowledge of Goethe or science, and carefully avoids an overreliance on specialized jargon. This makes The Will to Create accessible to a wide audience, including philosophers, historians of science, and literary theorists, as well as general readers.

The contributors list includes a number of distinguished and internationally renowned crime writers, such as John Connolly, Tana French, John Banville and Alex Barclay, featuring rare and unpublished pieces. Is crime fiction now the most relevant and valid form of writing to deal with Modern Ireland in terms of the post-'Troubles' landscape and the post-Celtic Tiger economic boom? As the first book written on this topic, Down These Green Streets is both detailed and diverse, with each chapter providing a new author's approach and discussing a different aspect of Irish Crime Writing. For example, Declan Hughes focuses on the influence of American culture on Irish crime writing, while Tana French reflects on crime fiction and the post-Celtic Tiger Irish identity. Down These Green Streets is for both the academic and the general reader. List of Contributors in Alphabetical Order: Adrian McKinty, Alan Glynn, Alex Barclay, Andrew Nugent, Arlene Hunt, Brian McGilloway, Colin Bateman, Cora Harrison, Cormac Millar, Declan Hughes, Eoin McNamee, Gene Kerrigan, Gerard Brennan, Gerry O'Carroll, Ingrid Black, Jane Casey, John Banville, John Connolly, Ken Bruen, Kevin McCarthy Neville Thompson, Niamh O'Connor, Paul Charles, Ruth Dudley Edwards, Sara Keating, Stuart Neville, Tana French and Tara Brady.

"Poems that stick with you like a song that won't stop repeating itself in your brain, poems whose cadences burrow into your bloodstream, orchestrating your breathing long before their sense attaches its hooks to your heart."—Washington Post on Captivity

This collection of transcribed stories from the Thule region of northern Greenland, begun in 1935, represents stories told to the editor by 5 different Inuit. Holtved recorded these on long playing records along with songs and chants, providing a rich and accurate portrayal of the people and their culture. Multiple versions of the same story are included here, providing greater clarity into the individual storyteller and their own motives. With the help of linguists and in re-reading the transcribed texts back to the storytellers themselves, errors in meaning are corrected and clarified, leaving this most important early record of these tales.

Apples from Shinar was Hyam Plutzik's second complete collection. Originally published in 1959 as a part of Wesleyan University Press's newly minted poetry series, the collection includes "The Shepherd"-a section of the book-length poem "Horatio," which earned Plutzik a finalist position for the Pulitzer Prize. "The love and the words and the simplicity," that mark Plutzik's poetry, writes Philip Booth, "are all here [in Apples from Shinar], and the poems come peacefully, and wonderfully, alive. " With a previously unpublished foreword by Hyam Plutzik and a new afterword by David Scott Kastan, this edition marks the centenary of Plutzik's birth and will introduce a new generation of readers to the work of one of the best mid-century American poets.