This volume studies the strophic patterns used by Ephrem the Syrian, which the author divides into five types. An appendix deals with possible relationships between Byzantine (esp. Romanos) and Syriac poetic forms.

The present work, Michel Feghali’s doctoral dissertation, is the first large scale investigation of the survival of Syriac linguistic features in Arabic dialects; he examines in particular, the Lebanese dialects.

Mark Lidzbarski (1868-1928) here presents annotated German translations of Neo-Aramaic stories, tales, and songs, including a version of the Ahiqar legend.

Semitist Friedrich Schulthess (d. 1922) here presents a study of forty-nine homonyms in Syriac considered in light of comparative Semitics. Language indices conclude the study.

This brief Syriac grammar for students, along with a prolegomena showing how Syriac fits in among other Aramaic dialects, includes the standard grammatical items. The paradigms are unique for including Jewish Aramaic forms side by side with the Syriac.

Cowper, having reasoned that English students of Syriac deserve an affordable and complete, yet not too cumbersome and detailed, guide to the language, here offers an abridged and edited English version of Hoffmann’s grammar, originally published in Latin in 1827.

Soleil cou coupé (Solar Throat Slashed) is Aimé Césaire's most explosive collection of poetry. Animistically dense, charged with eroticism and blasphemy, and imbued with an African and Vodun spirituality, this book takes the French surrealist adventure to new heights and depths. A Césaire poem is an intersection at which metaphoric traceries create historically aware nexuses of thought and experience, jagged solidarity, apocalyptic surgery, and solar dynamite. The original 1948 French edition of Soleil cou coupé has a dense magico-religious frame of reference. In the late 1950s, Césaire was increasingly politically focused and seeking a wider audience, when he, in effect, gelded the 1948 text-eliminating 31 of the 72 poems, and editing another 29. Until now, only the revised 1961 edition, called Cadastre, has been translated. The revised text lacks the radical originality of Soleil cou coupé. This Wesleyan edition presents all the original poems en face with the new English translations. Includes an introduction by A. James Arnold and notes by Clayton Eshleman.

In the spring of 1968, the English faculty at the University of Wisconsin-Madison (UW) voted to remedialize the first semester of its required freshman composition course, English 101. The following year, it eliminated outright the second semester course, English 102. For the next quarter-century, UW had no real campus-wide writing requirement, putting it out of step with its peer institutions and preventing it from fully joining the \u201ccomposition revolution\u201d of the 1970s. In From Form to Meaning, David Fleming chronicles these events, situating them against the backdrop of late 1960s student radicalism and within the wider changes taking place in U.S. higher education at the time. Fleming begins with the founding of UW in 1848. He examines the rhetorical education provided in the universityÆs first half-century, the birth of a required, two semester composition course in 1898, faculty experimentation with that course in the 1920s and 1930s, and the rise of a massive \u201ccurrent-traditional\u201d writing program, staffed primarily by graduate teaching assistants (TAs), after World War II. He then reveals how, starting around 1965, tensions between faculty and TAs concerning English 101-102 began to mount. By 1969, as the TAs were trying to take over the committee that supervised the course, the English faculty simply abandoned its long-standing commitment to freshman writing. In telling the story of compositionÆs demise at UW, Fleming shows how contributing factors—the growing reliance on TAs; the questioning of traditional curricula by young instructors and their students; the disinterest of faculty in teaching and administering general education courses—were part of a larger shift affecting universities nationally. He also connects the events of this period to the long, embattled history of freshman composition in the United States. And he offers his own thoughts on the qualities of the course that have allowed it to survive and regenerate for over 125 years.

Oceans Odyssey 2 presents the results of the discovery and archaeological survey of ten deep-water wrecks by Odyssey Marine Exploration. In the Western Approaches and western English Channel, a mid-17th century armed merchantman, the guns of Admiral Balchin's Victory (1744), the mid-18th century French privateer La Marquise de Tourny and six German U-boats lost at the end of World War II are examined in depth. From the Atlantic coast of the United States, the Jacksonville 'Blue China' wreck's British ceramics, tobacco pipes and American glass wares bring to life the story of a remarkable East Coast schooner lost in the mid-19th century. These unique sites expand the boundaries of human knowledge, highlighting the great promise of deep-sea wrecks, the technology needed to explore them and the threats from nature and man that these wonders face. Challenges to managing underwater cultural heritage are also discussed, along with proposed solutions for curating and storing collections.

The beauty and difficulty of Jack Spicer's poetry continues to resonate with contemporary audiences nearly fifty years after his death. After Spicer brings together work by ten eminent literary scholars to provide a long overdue exploration of Spicer's legacy even as it continues to unfold. As editor John Emil Vincent notes, it is Spicer's "boundary crashing"-in his poetry, poetics, and politics-that makes his work so powerful and relevant today. After Spicer extends the conversation between poet and reader that Spicer considered essential to the composition and survival of poems. Incisive essays by Maria Damon, Norman Finkelstein, Kelly Holt, Catherine Imbriglio, Kevin Killian, Michael Snediker, Anita Sokolsky, and Keith and Rosmarie Waldrop, provide an overview of Spicer's oeuvre-his poetry, letters, plays, and his only novel-and explore his work in relation to queer theory, audience, religion, the lyric, and seriality. These essays give us crucial insights into Spicer's transition from a regional cult figure to a canonical postmodern poet.

George Philipps presents the Syriac text and English translation for three ancient texts pertaining to Syriac grammar, orthography and pronunciation.

Robert D. Wilson’s grammar of Syriac includes many excerpts from Syriac literature to help explain grammatical concepts in real syntactical context.

This volume is a ‘phrase book’ for speakers of French and Arabic to learn common words and phrases in modern conversational Syriac.

This volume is an inductive approach to Syriac grammar that focuses on learning through readiing.

Argument by the Norris Professor of Divinity at Cambridge that the spelling of the Syriac version of the Gospels should not be taken as authority for the original Aramaic names.

The book is designed for students who wish to learn the principles of Latin phonetics as well as for more advanced students who wish to review or reevaluate these principles in the light of further philological and linguistic evidence. The body of the book comprises an extensive discussion of the various historical changes that went into the making of Latin, analyzing the development of the vocalic and consonantal systems in light of literary and epigraphical sources.