Prince believes that Hittite shows marked non-Aryan peculiarities. He attempts to examine some important points in the morphology of Hittite in order to determine whether or not some of the most salient forms are of non-Aryan, rather than Indo-European.

The article responds to a postscript from a letter to the editor on the journal’s position on loans by the American Education Society. The editor counters the writer’s claims and defends the journal’s prior position.

Every region around the world has a version of the Fountain of Youth myth. The author is concerned as to the origin of the story. He concludes that India is the source of the fable.

Friedrich Hrozny believes that Hittite is an Indo-European language. On face value, Hrzony makes a strong case. However, Maurice Bloomfield is not entirely convinced by Hrozny’s evidence that Hittite belongs to this etymological group.

The name Copt is restricted to the sect which has formed the national Christian Church of Egypt. This article is an attempt to illustrate the main characteristics of the church Coptic as it is uttered in Egypt today.

The author attacks practices common in newer forms of education. He generally calls for a more conservative, less experimental, approach which emphasizes deep general knowledge. No formal method is offered to replace the broken system.

The article reviews a commentary on the Sermon on the Mount. The reviewer examines the conclusions reached by the author as well as the method used to come to those conclusions. He approves of the author’s unique philosophical approach.

A book of contemporary poetry exploring the fine, shifting line between faith—secular and spiritual faith—and fanaticism in an insecure age, American Fanatics is a lyrical, pop-culture inflected meditation on democracy, morality, beauty, commerce, and the cost of falling dreams.

The author attacks American slavery but disputes the call to instant abolition and race-mixing. He advocates the American Colonization Society’s “back-to-Africa” approach as well as a slow, political approach to ending slavery in America.

This small practice book for learning to read Syriac went through several printings at the Dominican Press in Mosul. It guides the reader through letter forms into words and then some practice reading passages.

This reading or practice book for this Aramaic dialect was originally published at the Catholic Press of Urmia. It progresses from simple letter forms on to words, phrases, sentences, and then short narratives.

This handbook for grammatical forms in Syriac provides students and scholars with a quick reference for the various forms of nouns, pronouns, and verbs, and also offers a simple way to learn Syriac grammatical terminology.

The Wesleyan Anthology of Science Fiction features over a 150 years' worth of the best science fiction ever collected in a single volume. The fifty-two stories and critical introductions are organized chronologically as well as thematically for classroom use. Filled with luminous ideas, otherworldly adventures, and startling futuristic speculations, these stories will appeal to all readers as they chart the emergence and evolution of science fiction as a modern literary genre. They also provide a fascinating look at how our Western technoculture has imaginatively expressed its hopes and fears from the Industrial Revolution of the nineteenth century to the digital age of today. A free online teacher's guide at http://sfanthology.site.wesleyan.edu/ accompanies the anthology and offers access to a host of pedagogical aids for using this book in an academic setting.The stories in this anthology have been selected and introduced by the editors of Science Fiction Studies, the world's most respected journal for the critical study of science fiction.

Rae Armantrout has always organized her collections of poetry as though they were works in themselves. Versed brings two of these sequences together, offering readers an expanded view of the arc of her writing. The poems in the first section, Versed, play with vice and versa, the perversity of human consciousness. They flirt with error and delusion, skating on a thin ice that inevitably cracks: "Metaphor forms / a crust / beneath which / the crevasse of each experience." Dark Matter, the second section, alludes to more than the unseen substance thought to make up the majority of mass in the universe. The invisible and unknowable are confronted directly as Armantrout's experience with cancer marks these poems with a new austerity, shot through with her signature wit and stark unsentimental thinking. Together, the poems of Versed part us from our assumptions about reality, revealing the gaps and fissures in our emotional and linguistic constructs, showing us ourselves where we are most exposed. A reader's companion is available at http://versedreader.site.wesleyan.edu/

The western is arguably the most iconic and influential genre in American cinema. The solitude of the lone rider, the loyalty of his horse, and the unspoken code of the West render the genre popular yet lead it to offer a view of America's history that is sometimes inaccurate. For many, the western embodies America and its values. In recent years, scholars had declared the western genre dead, but a steady resurgence of western themes in literature, film, and television has reestablished the genre as one of the most important.In The Philosophy of the Western, editors Jennifer L. McMahon and B. Steve Csaki examine philosophical themes in the western genre. Investigating subjects of nature, ethics, identity, gender, environmentalism, and animal rights, the essays draw from a wide range of westerns including the recent popular and critical successes Unforgiven (1992), All the Pretty Horses (2000), 3:10 to Yuma (2007), and No Country for Old Men (2007), as well as literature and television serials such as Deadwood. The Philosophy of the Western reveals the influence of the western on the American psyche, filling a void in the current scholarship of the genre.

Bruce McGowan’s novel A Man of the World tells the story of an Austrian who finds himself enslaved in Istanbul amongst his former enemies, the Turks, but becomes captivated by this new world.