From the storied transmission of this famous collection of Indian fables came two Syriac translations. This is an edition of the earlier translation (re-edited after the editio princeps) with German translation and notes.

Moberg had already published a German translation of Barhebraeus’s longer Syriac grammar based on a critically established Syriac text and here presents that text in this volume, along with an introduction (in French) and two indices (Syriac and French).

This volume contains four East Syriac treatises: two dealing with words forms and lexicography, two dealing with the interpretation of difficult words in the Bible. The book will be of interest to students of Syriac grammar and biblical interpretation.

Drawing on the more progressed fields of Greek and Roman and Arabic rhetoric, Haefeli here presents Aphrahat’s style in terms of numerous stylistic categories. Naturally, the work is brimming with examples (in Syriac and German) from Aphrahat.

Jessie Payne Margoliouth here continues the work of her father’s Thesaurus Syriacus, including new words and meanings that had been discovered after publication of the Thesaurus. The Supplement gives definitions in English (not Latin).

The ninth-century Syriac-Arabic lexicon of Bar Ali stands with Bar Bahlul’s as a main witness to contemporary Syriac lexicography. Hoffmann presents the first half of the work—the second was edited by Gottheil—with a critical apparatus.

Baethgen produces here both the Syriac text and a German translation with notes, including remarks on Elias’s grammar in connection with Greek and Arabic grammatical traditions; the Syriac text includes textual notes.

This second Syriac version of the famous collection of fables of Indian origin was translated from the Arabic version of ibn al-Muqaffa‘. Wright gives the Syriac text with notes, a lengthy introduction, and select glossary.

The encyclopedic lexicon of Bar Bahlul (10th century) explains Syriac words, as well as Greek words met in Syriac literature, in Syriac and Arabic. Vol. 3 includes an introduction and indices for the individual languages and biblical passages cited.

The encyclopedic lexicon of Bar Bahlul (10th century) explains Syriac words, as well as Greek words met in Syriac literature, in Syriac and Arabic. Vol. 3 includes an introduction and indices for the individual languages and biblical passages cited.

The encyclopedic lexicon of Bar Bahlul (10th century) explains Syriac words, as well as Greek words met in Syriac literature, in Syriac and Arabic. Vol. 3 includes an introduction and indices for the individual languages and biblical passages cited.

These two volumes constitute the second part (nun-taw) of the Syriac-Arabic dictionary of the 10th cent. physician Isho bar Ali.

These two volumes constitute the second part (nun-taw) of the Syriac-Arabic dictionary of the 10th cent. physician Isho bar Ali.

Duval’s thorough Syriac grammar takes its place beside Nöldeke’s “compendious” grammar as a standard resource for every student and scholar of Syriac.

Pognon gives here the Syriac text of Hippocrates’ Aphorisms, together with a French translation. Each part contains detailed textual and translational notes and is prefaced with a thorough introduction. The book concludes with a Syriac-Greek glossary of medical terms.

In her wry and riveting new collection, Marianne Boruch discovers things often taken for granted and holds them up to deceptively casual light, questioning them both mercilessly and mercifully. Employing a masterly range of tone and form, Boruch makes a sometimes strange but always revealing investigation of world and self, history and memory, resistance and release. Here a woman levitates behind a door as her daughter badly bangs out Mozart. Here God is caught before the moment of creation, before knowledge, before "the invention/ of the question too, the way all/ at heart are rhetorical, each leaf/ suddenly wedded to its shade." It's here raucous boys on their bikes are told-through telepathy-don't go to this war. Here, that a Dutch still life is returned to the small chaos of its making. And Eve, in "stained fascination," stares down the snake of the lost garden. The lyric impulse in these deeply interior poems stops time, even as the world, indifferent to its mystery, keeps happening.Praise for Marianne Boruch:"Her poems are complex rather than simple rooms ... they bring the world's strangeness, and their own, home to whatever reader is open to old mysteries, both in dreams and in the waking life they illuminate."-Philip Booth, The Georgia Review"Marianne Boruch's (work) has the wonderful, commanding power of true attention: She sees and considers with intensity. Her poems often give fresh examples of how rare and thrilling it can be to notice."-Robert Pinsky, Book World, The Washington Post"Every detail of image and syntax shines with multiplicity."-Donald Revell, The Ohio Review