In the fall of 1829, young Robert Wilmot Scott rode away from Frankfort, Kentucky, on a trip that would take him through nine states. His journal entries about those travels present a vivid picture of Jacksonian America and of the prominent people of that era. Excellent pen portraits of James and Dolly Madison, James Monroe, John Marshall, James Buchanan, Sam Houston, Edward Everett, John C. Calhoun, John Randolph, John Quincy Adams, and others show Scott to be a careful and detailed observer. Present at the famous Webster-Hayne debate, he gives a rich account of that discussion and its personalities.But not only people attracted Scott's observations. In visits to Richmond, New York, Boston, Philadelphia, Washington, D.C., and Pittsburgh, among other places, he gave close attention to public buildings, universities, theaters, churches, and manufacturing establishments. His comments on culture and industry detail the quickening pulse of a burgeoning nation, and compare favorably with more familiar accounts by James Silk Buckingham or Thomas Hamilton.In the second half of this work, author Thomas D. Clark traces the later life of this fascinating diarist. Scott became master of a model Kentucky plantation, "Locust Hill," and proved to be an important agricultural reformer. He was active, as well, in education and in politics. In outlining the career of this agrarian, Dr. Clark has made an important contribution to the study of southern agriculture and the men who shaped it. Scott, in his diary comments, made his own contribution to history by offering fine insights about the world in which he lived.

This book of stories celebrates people who have a magnetism, a tenacity, a personal vision, an independence, and a self-sufficiency that elude most of us today.

The social life of older rural Americans is made up of relationships formed through kinship, their neighborhoods, and the organizations to which they belong. These social institutions are shaped by the ways people use them, and therefore change through time. In this precedent-setting study, John van Willigen uses the concept of social network to investigate life-course changes in the relationships of older people within the context of community history. Gettin' Some Age on Me grew out of a study of more than 130 older people in a rural Kentucky county. They were interviewed concerning their relationships with others, and data were collected on the give and take of support that is part of their social life. An understanding of community life and history, developed through interviews and period documentation, provided a context for understanding the changes these people have experienced over time. Finally, related studies by other researchers provided a framework for interpreting rural and urban differences.Van Willigen skillfully interweaves these various accounts to reveal fundamentally important patterns. It is clear that these other people should be viewed not as dependent and isolated but as important sources for social support; that even though their social relationships decline in number late in life, early in the post retirement period there is an apparent increase in social involvement; and that older people are much less isolated in the rural community studied than in many urban areas.This book makes a substantial contribution to the very limited literature on aging in rural America. It is important reading for social gerontologists and for all social scientists with an interest in American communities.

The First World War is a watershed in the intellectual and spiritual history of the modern world. On the one hand, it brought an end to a sense of optimism and decency bred by the prosperity of nineteenth-century Europe. On the other, it brought forth a sense of futility and alienation that has since pervaded European thought. That cataclysmic experience is richly reflected in the work of writers and artists from both sides of the conflict, and this study provides a detailed analysis of two basic themes -- death and degradation -- that mark the literature about the war.From their accounts most men entered the war lightheartedly, filled with ideals of patriotism and glory, but these generous feelings were soon quelled as the war settled into a stalemate, its operations reduced to simply grinding away the opposing forces. In these operations, Alfredo Bonadeo shows, men became mere aggregations thrown against one another, wasted with no appreciable effects or gains, save carnage itself.This cheapening and disregard for human life and being Bonadeo finds rooted not only in the conditions of war but, significantly, in a contempt for the common man prevailing in European political and intellectual circles. This attitude is revealed most plainly in his analysis of the Italian literature, which hitherto has received little note. Italian leaders saw the war as an opportunity to expiate a sense of national guilt, and here the inconclusive campaigns made their futility all the greater.Out of the torn fields of the First World War grew the seeds of a second, greater conflict, but, Professor Bonadeo concludes, the flowering of the seeds was aided by the degradation of man's spirit on those fields. The grim focus of this book, the dead voices it evokes, leads to a new appreciation of the meaning of the Great War.

American literature is no longer the refuge of the solitary hero. Like the society it mirrors, it is now a far richer, many-faceted explication of a complicated and diverse society -- racially, culturally, and ethnically interwoven and at the same time fractured and fractious.Ten women writing fiction in America today -- Toni Cade Bambara, Joan Didion, Louise Erdrich, Gail Godwin, Mary Gordon, Alison Lurie, Joyce Carol Oates, Jayne Anne Phillips, Susan Fromberg Schaeffer, and Mary Lee Settle -- represent that geographic, ethnic, and racial diversity that is distinctively American. Their differing perspectives on literature and the American experience have produced Erdrich's stolid North Dakota plainswomen; Didion's sun-baked dreamers and screamers; the urban ethnics -- Irish, Jewish, and black -- of Gordon, Schaeffer, and Bambara; Oates's small-town, often violent, neurotics; Lurie's intellectual sophisticates; and the southern survivors and victims, male and female, of Phillips, Settle, and Godwin.The ten original essays in this collection focus on the traditional themes of identity, memory, family, and enclosure that pervade the fiction of these writers. The fictional women who emerge here, as these critics show, are often caught in the interwoven strands of memory, perceive literal and emotional space as entrapping, find identity elusive and frustrating, and experience the interweaving of silence, solitude, and family in complex patterns.Each essay in this collection is followed by bibliographies of works by and about the writer in question that will be invaluable resources for scholars and general readers alike. Here is a readable critical discussion of ten important contemporary novelists who have broadened the pages of American literature to reflect more clearly the people we are.

Perspectives on Irish Nationalism examines the cultural, political, religious, economic, linguistic, folklore, and historical dimensions of the phenomenon of Irish nationalism. Its essayists are among the most distinguished Irish studies scholars. Their essays include a comprehensive analysis of the tapestry of Irish nationalism and focused studies that often challenge myths, pieties, and the scholarly consensus. Thomas E. Hachey is Professor of Irish, Irish-American, and British history and Chair of the department at Marquette University. He wrote Britain and Irish Separatism: From the Fenians to the Free State 1807-1922 (1977), coauthored and edited The Problem of Partition: Peril to World Peace (1972); coedited Voices of Revolution: Rebels and Rhetoric (1972), and edited Anglo-Vatican Relations, 1919-1937: Confidential Annual Reports of the British Ministers to the Holy See and Confidential Dispatches: Analyses of American by the British Ambassador, 1939-45 (1974). Lawrence J. McCaffrey is Professor of Irish and Irish-American History at Loyola University of Chicago. He has published a number of articles and books, including Daniel O'Connell and the Repeal Year (1966), The Irish Question, 1800-1922 (1968), The Irish Diaspora in America (1976) and coauthored The Irish in Chicago (1987). "

In The Rest of the Dream, Lyman Johnson, grassroots civil rights leader, tells his own story. All four of Johnson's grandparents were slaves in Tennessee. Yet his father was a college graduate, principal of a black school, and the inspiration for his son's love of justice. Lyman Johnson was born in 1906 during the darkest days of segregation. He learned from his father not to sit in the "crow's nest" reserved for blacks in his hometown movie theater. This refusal to accept second-class citizenship became a guiding principle in Johnson's life. Johnson was almost forty-three when he won admission to graduate study at the University of Kentucky in 1949. Crosses were burned on campus. Because of his family commitments, he returned to his teaching position in Louisville and never completed his doctorate. Thirty years later the university that fought to keep him out awarded him an honorary doctor of letters degree. Johnson earned his doctorate the hard way -- by saying no to the crow's nest and other marks of inequality. Johnson's graphic recall of people and incidents and his storyteller's talent for narrative make this record of a unique American life filled with suspense, humor, tragedy, and triumph.

Twenty years ago the Kentucky General Assembly was one of the least powerful and least effective legislatures in the country, almost entirely dominated by the governor. Over the past two decades the legislature has changed -- gradually and with little public attention -- into a far more powerful, professional, and independent body.This book is a study of that process of change: its causes, the obstacles encountered, and the political and policy consequences. It is a study of changing relationships between governor and legislature, caused in part by less aggressive gubernatorial leadership and in part by the growing assertion of legislative independence. It is also a study of the men and women who initiated change and who play major roles in the legislature today.One important area of change has been in the kinds of persons elected to the legislature. Today's Kentucky legislators are more professional in their approach to legislative service, serve longer tenures, and are likely to be committed to long-term political careers. They work harder to become known in their districts, and they devote more time to constituency service.In preparing this study, Malcolm E. Jewell and Penny M. Miller interviewed and sent questionnaires to many past and present members of the Kentucky legislature, as well as examining election returns, roll call votes, and committee records. They also traced developments since the 1960s to provide historical perspective.The Kentucky General Assembly is not a "typical" legislature. It is less professional and meets less frequently than those in most states. But trends in the Kentucky legislature are typical of those in other states, and this book puts the changes in Kentucky into national perspective.

Samuel Beckett's work harbors an inevitable complicity with traditional modes and values. His idealist and even nihilist inclinations, for example, are closely related to the abstracting and systematizing tendencies that have predominated in Western thinking. His drama and fiction, in reproducing these tendencies, also help to reinforce and legitimate them. Beckett's work can thus be said to encourage an attitude of stoic resignation or life-denying withdrawal.Sylvie Debevec Henning's study reveals an important countertendency. In examining Beckett's art and literary criticism, his novel Murphy, plays Krapp's Last Tape and Endgame, his only film venture, and the late story "The Lost Ones," she shows that through a variety of double-voiced techniques -- irony, parody, and satire -- Beckett also brings a powerful critical light to bear upon our culture's repeated attempts to reduce or eliminate the more problematic aspects of existence and even mocks our desire to do so. His disquieting and occasionally uproarious interweaving of contradictory perspectives -- somber and carnivalized, established and contestory -- suggests that suffering and anguish are fundamental to life, while it affirms their relation to laughter and creative vigor within a richer, if less settled, cultural context.Drawing upon the work of Nietzsche, Heidegger, Foucault, Derrida, and particularly Bakhtin, Henning argues that Beckett's profound critique of Western intellectual tradition does not necessarily entail the loss of all positive values and beliefs. On the contrary, his use of carnivalesque and dialogized modes signals a revitalizing capacity that has not been fully appreciated.

Many books have been written about Appalachia, but few have voiced its concerns with the warmth and directness of this one. From hundreds of interviews gathered by the Appalachian Oral History Project, editors Laurel Shackelford and Bill Weinberg have woven a rich verbal tapestry that portrays the people and the region in all their variety.The words on the page have the ring of truth, for these are the people of Appalachia speaking for themselves. Here they recollect an earlier time of isolation but of independence and neighborliness. For a nearer time they tell of the great changes that took place in Appalachia with the growth of coal mining and railroads and the disruption of old ways. Persisting through the years and sounding clearly in the interviews are the dignity of the Appalachian people and their close ties with the land, despite the exploitation and change they have endured.When first published, Our Appalachia was widely praised. This new edition again makes available an authentic source of social history for all those with an interest in the region.

This volume is the first to explore broadly many important theoretical and applied issues concerning the mental health of Appalachians. The authors -- anthropologists, psychologists, social workers and others -- overturn many assumptions held by earlier writers, who have tended to see Appalachia and its people as being dominated by a culture of poverty.While the heterogeneity of the region is acknowledged in the diversity of sub-areas and populations discussed, dominant themes emerge concerning Appalachia as a whole. The result of the authors' varied approaches is a cumulative portrait of a strong regional culture with native support systems based on family, community, and religion.Some of the contributors examine therapeutic approaches, including family therapy, that consider the implications of the cultural context. Others explore the impact of Appalachian culture on the impact of Appalachian culture on the development of mental health problems and coping skills and the resulting potential for conflict between Appalachian clients and non-Appalachian health providers. Still others examine cultural considerations in therapeutic encounters and mental health service delivery. The book is rich in case studies and empirical data. The practical, applied nature of the essays will enhance their value for practitioners seeking ways to improve mental health care in the region.

"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Mowing," as well as lesser known poems such as "The Draft Horse," "The Ax-Helve," "The Bonfire," "Dust of Snow," "A Cabin in the Clearing," "The Cocoon," and "Pod of the Milkweed," are renewed by fresh and original readings that show why and how these poems pay tribute to their distinguished sources.Frost's insistence that Emerson and Thoreau were the giants of nineteenth-century American letters is confirmed by the many poems, variously influenced, that derive from them. His attitude toward Emily Dickinson, however, was more complex and sometimes less generous. In his twenties he molded his poetry after hers. But later, after he joined the faculty of Amherst College, he found her to be less a benefactor than a competitor. Monteiro tells a two-stranded tale of attraction, imitation, and homage countered by competition, denigration, and grudging acceptance of Dickinson's greatness as a woman poet. In a daring move, he composes -- out of Frost's own words and phrases -- the talk on Emily Dickinson that Frost was never invited to give.In showing how Frost's work converses with that of his predecessors, Monteiro gives us a new Frost whose poetry is seen as the culmination of an in¬tensely felt New England literary experience.

The "singing family" of which Jean Ritchie writes is that of her parents, Balis and Abigail Ritchie, and their fourteen children, all born and reared in Viper, Kentucky, deep in the Cumberland Mountains. Jean, the youngest of the clan, grew up to be a world renowned folksinger. But she was hardly unique in the family. All the Ritchies sang -- when they worked, when they prayed, when they rejoiced, even when tragedy struck.Singing Family of the Cumberlands is both an appealing account of family life and a treasury of American folklore and folksong. In the deceptively simple but picturesque language of rural Kentucky, Jean Ritchie tells of a way of life now nearly vanished and of a gentle, upright people shielded from the outside world by forbidding mountain ranges, preserving the traditions of their forebears.Foremost among those traditions were the British folksongs brought from England by James Ritchie in 1768. Even in a region noted for its wealth of folksongs, the Ritchies' inheritance was exceptional. Forty-two of the family's beloved songs are woven through Jean Ritchie's narrative, complete with words and often musical scores. Each song evokes a memory for Jean -- hoeing corn, stirring off molasses, telling ghost stories, singing a dying baby to its eternal rest. Songs lightened the burden of poverty for the Ritchies and brought them joy and solace. Illustrated by Maurice Sendak, Singing Family of the Cumberlands will delight readers in all walks of life.

The transmission of policy preferences from the mass electorate to the political elite is the subject of Warren Miller's illuminating new book. The elites of whom he writes are the delegates to recent nominating conventions analyzed in their subsequent roles as activists involved in presidential election campaigns. Miller's analysis delineates circumstances and conditions that affect the degree to which the issue preferences of these elite activists are more or less representative of those held by rank-and-file members of the nation's electorate. Miller argues that, although consent and accountability are basic principles in the theory of democratic representation, the ways in which convention delegates are selected are not designed to implement these principles. Nevertheless, empirical analysis demonstrates that they often do so to varying degrees. Delegates selected in primary elections, Miller finds, are more representative of the ordinary voters than are delegates selected by any other means -- except for Democratic super delegates, who are the most representative of all.Miller's analysis explains why elites who campaign on behalf of particular candidates are less representative of mass policy opinions than are those who campaign on behalf of their parties, and why, ironically, the elites who campaign on behalf of specific policies are even less representative of the issue positions of their parties' rank-and-file partisans. Without Consent, a sequel to Parties in Transition, makes an important contribution to the literature on theories of representation by its novel analysis of linkages connecting public opinion and public policy through the presidential campaign elites.

Originally published in 1950, The Enduring Hills was Janice Holt Giles's first novel. It is based in part on her own courtship and introduction to the Kentucky mountain country. Here, Giles introduces Hod and Mary Pierce and begins her Appalachian trilogy. Hod Pierce, a boy not unlike Henry Giles, who grows up on Piney Ridge, where generations of Pierces have made a living from the stubborn soil. Hod loves his people and the land but longs also for wider horizons, for more education, and for the freedom he imagines can be found in the outside world. It takes World War II to carry Hod away from the Ridge and out into the great world, and it is a long time before he comes back. After the war is over, Hod settles into marriage and a factory job in the city. Finally it is Mary, his city-bred wife, who sees at last that to Hod, Piney Ridge will always be home.In her preface to the second edition, Mrs. Giles wrote, "I believe [the story] is timeless and as the hands of the clock have turned and turned, people are turning back to the earth, knowing now that saving this earth is the most important work in the world, that we must all become, as Hod and Mary Pierce did, a man and woman with faith in the earth."Janice Holt Giles (1905-1979), author of nineteen books, lived and wrote near Knifley, Kentucky, for thirty-four years. Her biography is told in Janice Holt Giles: A Writer's Life.

South from Hell-fer-Sartin, a short creek flowing into the Middle Fork of the Kentucky River, lies one of the of the most isolated regions in Kentucky. There, on the north slope of the Pine Mountain range in Leslie and Perry counties -- probably the last stronghold of white, English-language folk tales in North America -- Leonard W. Roberts recorded this rich collection more than three decades ago. To a people who, at that time, watched dancing hearth fires more often than television, the adventures of Jack in the land of witches and giants, monsters and beautiful princesses, provided first-class entertainment. Here are such old favorites as "Sleeping Beauty" and "The Golden Arm," retold in the idiom of the Kentucky mountains. Here are hauntingly beautiful cantes fables and earthy Irishman jokes. Here are encounters with Indians and marvelous hunting escapades.Roberts introduces his collection, first published in 1955, with a sympathetic description of the mountain way of life. He notes especially the bewildering and rapid changes that came to the Pine Mountain watershed in that decade as the highways and electric lines at last brought in a sophistication that preferred the soap opera to the folk tale. Although the stories Roberts recorded were still a firm part of folk tradition at the time, he believed that within a decade or two they would be forgotten -- a prediction, sadly, by now no doubt fulfilled.Any lover of the vanishing art of tale telling will relish this rich treasury of folklore and humor. Full notes on sources, types, motifs, parallels, and possible origins of the tales make this collection valuable also for folklorists.