Mainstream news coverage of the catastrophic earthquake of January 12, 2010, reproduced longstanding narratives of Haiti and stereotypes of Haitians. Cognizant that this Haiti, as it exists in the public sphere, is a rhetorically and graphically incarcerated one, the anthropologist and performance artist Gina Athena Ulysse embarked on a writing spree that lasted over two years. As an ethnographer and a member of the diaspora, Ulysse delivers critical cultural analysis of geopolitics and daily life in a series of dispatches, op-eds and articles on post-quake Haiti. Her complex yet singular aim is to make sense of how the nation and its subjects continue to negotiate sovereignty and being in a world where, according to a Haitian saying, tout moun se moun, men tout moun pa menm (All people are human, but all humans are not the same). This collection contains thirty pieces, most of which were previously published in and on Haitian Times, Huffington Post, Ms Magazine, Ms Blog, NACLA, and other print and online venues. The book is trilingual (English, Kreyòl, and French) and includes a foreword by award-winning author and historian Robin D.G. Kelley.

In her three previous, award-winning collections of blues poetry, Honorée Fanonne Jeffers has explored themes of African American history, Southern culture, and intergenerational trauma. Now, in her fourth and most accomplished collection, Jeffers turns to the task of seeking and reconciling the blues and its three movements - identification, exploration, and resolution - with wisdom. Poems in The Glory Gets ask, "What happens on the road to wisdom? What now in this bewildering place?" Using the metaphor of "gets" - the concessional returns of living - Jeffers travels this fraught yet exhilarating journey, employing unexpected improvisations while navigating womanhood. The spirit and spirituality of her muse, the late poet Lucille Clifton, guide the poet through the treacherous territories other women have encountered and survived yet kept secret from their daughters. An online reader's companion will be available.

The Lives of Robert Ryan provides an inside look at the gifted, complex, intensely private man whom Martin Scorsese called "one of the greatest actors in the history of American film." The son of a Chicago construction executive with strong ties to the Democratic machine, Ryan became a star after World War II on the strength of his menacing performance as an anti-Semitic murderer in the film noir Crossfire. Over the next quarter century he created a gallery of brooding, neurotic, and violent characters in such movies as Bad Day at Black Rock, Billy Budd, The Dirty Dozen, and The Wild Bunch. His riveting performances expose the darkest impulses of the American psyche during the Cold War.At the same time, Ryan's marriage to a liberal Quaker and his own sense of conscience launched him into a tireless career of peace and civil rights activism that stood in direct contrast to his screen persona. Drawing on unpublished writings and revealing interviews, film critic J.R. Jones deftly explores the many contradictory facets of Robert Ryan's public and private lives, and how these lives intertwined in one of the most compelling actors of a generation.

In Wesleyan University, 1910 - 1970, David B. Potts presents an engaging story that includes a measured departure from denominational identity, an enterprising acquisition of fabulous wealth, and a burst of enthusiastic aspirations that initiated an era of financial stress. Threaded through these episodes is a commitment to social service that is rooted in Methodism and clothed in more humanistic garb after World War II. Potts gives an unprecedented level of attention to the board of trustees and finances. These closely related components are now clearly introduced as major shaping forces in the development of American higher education. Extensive examination is also given to student and faculty roles in building and altering institutional identity. Threaded throughout these probes within in the analytical narrative is a close look at the waxing and waning of presidential leadership. All these developments, as is particularly evident in the areas of student demography and faculty compensation, travel on a pathway through middle-class America. Within this broad context, Wesleyan becomes a window on how the nation's liberal arts colleges survived and thrived during the last century. This book concludes the author's analysis of changes in institutional identities that shaped the narrative for his widely praised first volume, Wesleyan University, 1831 - 1910: Collegiate Enterprise in New England. His current fully evidenced sequel supplies helpful insights and reference points as we encounter the present fiscal strain in higher education and the related debates on institutional mission.

The Cinema of Errol Morris offers close analyses of the director's films - from box office successes like The Thin Blue Line and The Fog of War to Morris's early works like Vernon, Florida and controversial films like Standard Operating Procedure. Film scholar David Resha's reappraisal of Morris's films allows us to rethink the traditional distinction between stylistically conservative documentaries, which are closely invested in evidence and reality, and stylistically adventurous films, which artfully call to question such claims of nonfiction and truth. According to Resha, Errol Morris does not fit neatly in this division of the documentary tradition. Rather, his experiments with documentary conventions constitute another way to investigate reality - in particular, to examine the ways in which his subjects understand, and misunderstand, themselves and the world around them. Seen within the nonfiction tradition, an Errol Morris documentary is a flexible form of lively, engaging storytelling and shrewd, cutting, in-depth reportage.

Heather Christle's stunning fourth collection blends disarming honesty with keen leaps of the imagination. Like the boundary between our sun's sphere of influence and interstellar space, from which the book takes its name, the poems in Heliopause locate themselves along the border of the known and unknown, moving with breathtaking assurance from the page to the beyond. Christle finds striking parallels between subjects as varied as the fate of Voyager 1, the uncertain conception of new life, the nature of elegy, and the decaying transmission of information across time. Nimbly engaging with current events and lyric past, Heliopause marks a bold shift and growing vision in Christle's work. An online reader's companion will be available.

Mr. West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities - to their portrayal in the media - and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http://sarahblake.site.wesleyan.edu.

What do "self" and "it" have in common? In Rae Armantrout's new poems, there is no inert substance. Self and it (word and particle) are ritual and rigmarole, song-and-dance and long distance call into whatever dark matter might exist. How could a self not be selfish? Armantrout accesses the strangeness of everyday occurrence with wit, sensuality, and an eye alert to underlying trauma, as in the poem "Price Points" where a man conducts an imaginary orchestra but "gets no points for originality." In their investigations of the cosmically mundane, Armantrout's poems use an extraordinary microscopic lens - even when she's glancing backwards from the outer reaches of space. An online reader's companion is available at http://raearmantrout.site.wesleyan.edu.

Voices of Civil War soldiers rise from the pages of Heroes for All Time. This book presents the war straight from the minds and pens of its participants; rich passages from soldiers' letters and diaries complement hundreds of outstanding period photographs, most previously unpublished. The soldiers' moving experiences, thoughts, and images animate each chapter. Written accounts by nurses and doctors, soldiers' families, and volunteers on the home front add intriguing details to our picture of the struggle, which claimed roughly 6,000 Connecticut lives. Rare war artifacts - a bone ring carved on the battlefield or a wad of tobacco acquired from a rebel picket - connect the reader to the men and boys who once owned them. From camp life to battle, from Virginia to Louisiana, from the opening shot at Bull Run to the cheering at Appomattox, Heroes for All Time tells the story of the war through vivid, personal portrayals.

As long as people have lived along Rhode Island's meandering coast, the ocean has provided them with a ready supply of food. Whether Native American or European transplants, fishermen sought to move beyond capturing individual fish to ensnaring entire schools. Searching for increasingly efficient ways to capture their prey, the trapping technologies that they invented evolved over time, and primitive stake traps gave way to fykes and weirs, much as they had along the entire New England coast. Fishermen from Rhode Island experimented with new designs capable of withstanding the punishing wind and waves, eventually creating a unique floating trap system. Today only four companies still use this ancient but effective technique. Author Markham Starr spent time on the docks, went to sea with the fishermen, and photographed them at work. His striking black-and-white images are accompanied by oral histories, poignantly documenting the industry. This book documents a tradition now hundreds of years old, the spirit and work ethic that drives these fishermen, and the austere beauty of working life on the coast.

Gertrude Stein is a seminal figure in modern and postmodern literature, yet her work is not easily defined and has had both fierce supporters and equally fierce detractors. In a series of linked essays, How Reading Is Written considers a set of questions associated with reading Gertrude Stein today. In particular, how can we read a body of work that is largely resistant to conventional and interpretation-based models of literary criticism? The book is structurally and conceptually an index to Stein's poetics, and it considers Stein alongside other writers and thinkers, and across discourses of philosophy, science, queer theory, and literary criticism. Like Charles Olson's Call Me Ishmael and Susan Howe's My Emily Dickinson, How Reading Is Written joins a tradition of books by poets about the writers who have intensely figured into their conception of poetry. Astrid Lorange recovers previously overlooked critical work on Stein and aims to construct a new intellectual episteme for Stein's work—one that connects with contemporary contexts as well as repositions Stein in her moment of transnational modernism.

Based on ten years of research among hip-hop producers, Making Beats was the first work of scholarship to explore the goals, methods, and values of a surprisingly insular community. Focusing on a variety of subjects—from hip-hop artists' pedagogical methods to the Afrodiasporic roots of the sampling process to the social significance of "digging" for rare records—Joseph G. Schloss examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values, and cultural realities. This second edition of the book includes a new foreword by Jeff Chang and a new afterword by the author.

Public Figures is an essay-poem with photographs and text that begins with a playful thought experiment: statues of people in public spaces have eyes, but what are they looking at? To answer that question, Jena Osman sets up a camera to track the gaze of a number of statues in Philadelphia - mostly 19th century military figures carrying weapons. How does their point of view differ from our own? And how does it compare, say, to the point of view of other watchful military figures, such as drone pilots? In this book, Osman combines the histories behind these statues with poetic narratives that ask us to think about our own relational positions, and how our own everyday gaze may be complicit with the gun-sights of war. Public Figures illustrates how history is transformed, and even erased, by monuments and other public records of events. Through poetry, those histories can be made visible again. Check for the online reader's companion at http://publicfigures.site.wesleyan.edu.

The sixteen birds detailed in this charming field guide will be well known to birders in Connecticut, but the attention to detail and personality quirks in each bird’s description make this book special for any reader. “Having dropped out of high school, Blue Jays are truants experiencing cheap thrills.” Written after leading a student forum on field ornithology, Oliver James developed the book to introduce non-birders to a wonderful new way to experience the world - through encounters with the birds that are most likely to be found on the campus of this liberal arts college. Each species is described through its most distinctive characteristics, and through specific connections to campus (turkey vultures “often seem to be inspecting students on Foss for signs of life as they spiral lazily overhead.”) The book features original colour illustrations by the author in mixed media - watercolor, gouache, and colored pencil - capturing the beauty and unique field marks of each bird. Written while the author was a Wesleyan senior and originally published by a student-run publishing group, Wesleyan University Press has issued this new edition to share it with a larger audience.

Dismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts that are central to society. In Running with the Devil, Robert Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. This edition includes a new foreword by Harris M. Berger contextualizing the work and a new afterword by the author.

Between Nostalgia and Apocalypse is a close-to-the-ground account of musicians and dancers from Arcoverde, Pernambuco—a small city in the northeastern Brazilian backlands. The book's focus on samba de coco families, marked as bearers of tradition, and the band Cordel do Fogo Encantado, marketed as pop iconoclasts, offers a revealing portrait of performers engaged in new forms of cultural preservation during a post-dictatorship period of democratization and neoliberal reform. Daniel B. Sharp explores how festivals, museums, television, and tourism steep musicians' performances in national-cultural nostalgia, which both provides musicians and dancers with opportunities for cultural entrepreneurship and hinders their efforts to be recognized as part of the Brazilian here-and-now. The book charts how Afro-Brazilian samba de coco became an unlikely emblem in an interior where European and indigenous mixture predominates. It also chronicles how Cordel do Fogo Encantado—drawing upon the sounds of samba de coco, ecstatic Afro-Brazilian religious music, and heavy metal—sought to make folklore dangerous by embodying an apocalyptic register often associated with northeastern Brazil. A multimedia app will also be available that complements the themes of the book's ethnography with audio tracks, video footage, and photographs.