This book is about two islands off the coast of Continental Europe, the seas that surrounded them, and the ways in which they were used over a period of three thousand years. Instead of the usual emphasis on finds in the intertidal zone, it focuses on parts of Britain and Ireland where traces of the prehistoric shoreline survive above sea level. It explores a series of Neolithic and Early Bronze Age sites which were investigated in the nineteenth and early twentieth centuries and have been largely forgotten. These places were very different from the Iron Age ports and harbours studied in recent years. How can we identify these special sites, and what are the best ways of interpreting them? The book considers the evidence for travel by sea between the settlement of the earliest farmers and the long distance movement of metalwork. It emphasises the distinctive archaeology of a series of coastal locations. Little of the information is familiar and some of the most useful evidence was recorded many years ago. It is supplemented by new studies of these places and the artefacts found there, as well as reconstructions of the prehistoric coastline. The book emphasises the important role of 'enclosed estuaries', which were both sheltered harbours and special places where artefacts were introduced by sea. Other items were made there and exchanged with local communities. It considers the role played by these places in the wider pattern of settlement and their relationship to major monuments. The book describes how the character of coastal sites changed in parallel with developments in maritime technology and trade. The main emphasis is on Neolithic and Early Bronze Ages uses of the seashore, but the archaeology of the Middle and Later Bronze Age provides a source of comparison.

Excavations at the site of the burial ground of the old Radcliffe Infirmary, Oxford, revealed the largest assemblage of individual burials yet recovered from an 18th/19th century hospital site in Britain. Founded in 1770 with funds from the estate of the Royal physician and MP John Radcliffe, the infirmary was rare in having its own dedicated burial ground. The skeletons span a short period of time, between 1770 and 1852, and comprise patients who had not been claimed for burial in their home parish. Virtually all of them are unidentified, but documentary evidence shows that they comprise members of the labouring and middle classes, most of whom had originated from the locality and the surrounding counties. Their bones provide an important perspective on the health of industrialising post-medieval populations, characterised by high rates of trauma and disease. They highlight the hitherto unrecognised role that the operating theatre and mortuary played in the development of medical education in Oxford. Further, they offer a unique and fascinating perspective on early modern hospital care, surgery and burial, from a period when hospitals underwent a radical transformation, becoming the medically-focused institutions that we know today.

Heritage institutions face major changes in the areas of digitisation, narrative, inclusivity, and participation. In this groundbreaking book Wim Hupperetz, an expert in the field of museums, heritage and digital curation, reflects on the challenge of change. How does a museum move from an object or a collection to storytelling, and what is the impact of digitisation on curatorship? How to assess the biography of a collection when you think of museums as a medium of memory? And in striving to achieve a participatory dialogue, what is the difference between collaborating and doing things together? In six chapters, theory and practice are juxtaposed. Each chapter concludes with practical dos and don’ts. This book is also meant as a tribute to everyone who has contributed to the renovation of the Allard Pierson, the museum and knowledge institute where the collections of the University of Amsterdam are preserved and presented. Museums, Heritage and Digital Curation is intended for heritage professionals and students who want to gain insight into the debate in a rapidly changing field.

This book concerns textile production at the fringes of north-western Europe – areas in western Norway and the North Atlantic in the expanding, dynamic and transformative period from the early Viking Age into the Middle Ages. Textiles constitute one of the basic needs in human life – to protect and keep the body warm but also to show social status and affiliations. Textiles had a wide spectrum of use areas and qualities, fine and coarse in various contexts, and in the Viking Age not least related to the production of sails – all essential for the development and character of the period. So, what were the tools and textiles like, who made them, who used them and who exposed them? By tracing textile production from the remains of tools and textiles in varied landscapes and settings – Viking Age graves and in-situ workplaces from the whole period – and combining this with textual information, many layers of information are exposed about technology and qualities as well as gender, gender roles, social relations, power and networks. By combining tools, textiles and texts in various settings, this book aims to contextualise dispersed archaeological finds of tools and textiles to uncover patterns across larger areas and in a long-term perspective of half a millennium. Related to the overall societal changes from the early Viking Age raids, colonisation to centralisation to urbanisation in the Middle Ages, the tools and textiles reveal diversity, as well as stability and change.

Why are some things valuable while others are not? How much effort does it take to produce valuable objects? How can one explain the different appraisal of certain things in different temporal horizons and in different cultures? Cultural processes on how value is attached to things, and how value is re-established, are still little understood. The case studies in this volume, originating from anthropology and archaeology, provide innovative and differentiated answers to these questions. However, for all contributions there are some common basic assumptions. One of these concerns the understanding that it is rarely the value of the material itself that matters for high valuation, but rather the appreciation of the (assumed or constructed) origin of certain objects or their connection with certain social structures. A second of these shared insights addresses the ubiquity of phenomena of 'value in things'. There is no society without valued objects. As a rule, valuation is something negotiated or even disputed. Value arises through social action, whereby it is always necessary to ask anew which actors are interested in the value of certain objects (or in their appreciation). This also works the other way round: Who are those actors who question corresponding objective values and why?

The Neolithic site of Çatalhöyük has been world famous since the 1960s when excavations conducted by Mellaart revealed the large size and dense occupation of the settlement, as well as spectacular wall paintings and reliefs in the houses. This volume discusses general themes that have emerged in the analysis and interpretation of the results of excavations undertaken at Çatalhöyük between 2009 and 2017, although many authors also discuss data generated through the whole 25-year period of excavation by the Çatalhöyük Research Project since 1993.This volume scrutinizes Çatalhöyük as the by-product of the activities of a community residing in central Turkey 9,000 years ago, but also as the outcome of the interactions of a community of researchers with wide-ranging theoretical perspectives and methodological approaches. The volume commences with an overview of community engagement practices and of the ways different audiences have interacted with the site through the life of the project. It then considers the differences in approach of the Mellaart and recent excavations and reflects on different methodological perspectives that have been used at the site. It synthesizes the diverse array of environmental resources that would have been used in different times of the year. The ways in which the community at Çatalhöyük was held together, but also how community dynamics may have changed over time, are considered through the analysis of open areas, house architecture and contents, and the sequence of activities in houses. Modeling changes in practices over time shows that the effects of new introductions such as cooking pottery played out over many phases of occupation. The evidence for violence at the site is re-evaluated integrating the analysis of human remains and different forms of artifacts such as projectile points, clay balls and maceheads. The use of pigments on house surfaces, objects and human bodies and the social practices surrounding these practices are considered.The diversity of themes discussed in this volume captures the multifaceted nature of Çatalhöyük.

This volume, with origins in a panel at the 2018 Celtic Conference in Classics, presents creative new approaches to epigraphic material, in an attempt to 'shake up' how we deal with inscriptions. Broad themes include the embodied experience of epigraphy, the unique capacities of epigraphic language as a genre, the visuality of inscriptions and the interplay of inscriptions with literary texts. Although each chapter focuses on specific objects and epigraphic landscapes, ranging from Republican Rome to early modern Scotland, the emphasis here is on using these case studies not as an end in themselves, but as a means of exploring broader methodological and theoretical issues to do with how we use inscriptions as evidence, both for the Greco-Roman world and for other time periods. Drawing on conversations from fields such as archaeology and anthropology, philology, art history, linguistics and history, contributors also seek to push the boundaries of epigraphy as a discipline and to demonstrate the analytical fruits of interdisciplinary approaches to inscribed material. Methodologies such as phenomenology, translingualism, intertextuality and critical fabulation are deployed to offer new perspectives on the social functions of inscriptions as texts and objects and to open up new horizons for the use of inscriptions as evidence for past societies.

Archaeoastronomy and archaeology are two distinct fields of study which examine the cultural aspect of societies, but from different perspectives. Archaeoastronomy seeks to discover how the impact of the skyscape is materialised in culture, by alignments to celestial events or sky-based symbolism; yet by contrast, archaeology's approach examines all aspects of culture, but rarely considers the sky. Despite this omission, archaeology is the dominant discipline while archaeoastronomy is relegated to the sidelines. The reasons for archaeoastronomy’s marginalised status may be found by assessing its history. For such an exploration to be useful, archaeoastronomy cannot just be investigated in a vacuum but must be contextualised by exploring other contemporaneous developments, particularly in archaeology. On the periphery of both, there are various strands of esoteric thought and pseudoscientific theories which paint an alternative view of monumental remains and these also play a part in the background. The discipline of archaeology has had an unbroken lineage from the late 19th-century to the present. On the other hand, archaeoastronomy has not been consistently titled, having adopted various different names such as alignment studies, orientation theory, astro-archaeology, megalithic science, archaeotopography, archaeoastronomy and cultural astronomy: names which depict variants of its methods and theory, sometimes in tandem with those of archaeology and sometimes in opposition. Similarly, its academic status has always been unclear, so to bring it closer to archaeology there was a proposal in 2015 to integrate archaeoastronomy research with that of archaeology and call it skyscape archaeology. This volume examines how all these different variants came about and consider archaeoastronomy's often troubled relationship with archaeology and its appropriation by esotericism, to shed light on its position today.

This is the first volume concerned solely with the archaeology of a major late 17th-century building in London, and the major changes it has undergone. St Paul's Cathedral in the City of London was built in 1675–1711 to the designs of Sir Christopher Wren and has been described as an iconic building many times. In this major new account, John Schofield examines the cathedral from an archaeological perspective, reviewing its history from the early 18th to the early 21st century, as illustrated by recent archaeological recording, documentary research and engineering assessment. A detailed account of the construction of the cathedral is provided based on a comparison of the fabric with voluminous building accounts which have survived and evidence from recent archaeological investigation. The construction of the Wren building and its embellishments are followed by the main works of later surveyors such as Robert Mylne and Francis Penrose. The 20th century brought further changes and conservation projects, including restoration after the building was hit by two bombs in World War II, and all its windows blown out. The 1990s and first years of the present century have witnessed considerable refurbishment and cleaning involving archaeological and engineering works. Archaeological specialist reports and an engineering review of the stability and character of the building are provided.

This book explores the role of material culture in the formation of corporeal aesthetics and beauty ideals in different past societies and thus contributes to the cultural relativization of bodily aesthetics and related gender norms. The volume does not explore beauty for the sake of beauty, but extensively explores how it serves to form and keep gender norms in place. The concept of beauty has been a topic of interest for some time, yet it is only in recent times that archaeologists have begun to approach beauty as a culturally contingent and socially constructed phenomenon. Although archaeologists and ancient historians extensively dealt with gender, they dealt less with it in relation to beauty. The contributions in this volume deal with different intersections of gender and corporeal aesthetics by turning to rich archaeological, textual and iconographic data from ancient Sumer, Aegean Bronze Age, ancient Egypt, ancient Athens, Roman provinces, the Viking world and the Qajar Iran. Beauty thus moves away from a curiosity and surface of the body to an analytic concept for a better understanding of past and present societies.

The metaphor of the palimpsest has been increasingly invoked to conceptualise cities with deep, living pasts. This volume thinks through, and beyond, the logic of the palimpsest, asking whether this fashionable trope slyly forces us to see contradiction where local inhabitants saw (and see) none, to impose distinctions that satisfy our own assumptions about historical periodisation and cultural practice, but which bear little relation to the experience of ancient, medieval or early modern persons. Spanning the period from Constantine’s foundation of a New Rome in the fourth century to the contemporary aftermath of the Lebanese civil war, this book integrates perspectives from scholars typically separated by the disciplinary boundaries of late antique, Islamic, medieval, Byzantine, Ottoman and modern Middle Eastern studies, but whose work is united by their study of a region characterised by resilience rather than rupture. The volume includes an introduction and eighteen contributions from historians, archaeologists and art historians who explore the historical and cultural complexity of eastern Mediterranean cities. The authors highlight the effects of the multiple antiquities imagined and experienced by persons and groups who for generations made these cities home, and also by travellers and other observers who passed through them. The independent case studies are bound together by a shared concern to understand the many ways in which the cities’ pasts live on in their presents.

If you want to understand ancient Egypt, the Nile Delta is of key importance. Excavations and surveys in the Delta keep unearthing new information about how the ancient Egyptians lived, how they envisaged the afterlife and how they interacted with other cultures. The study of finds from the Delta gives us a glimpse into the beliefs and everyday life of the ancient Egyptians. From 1979 to 2014 Willem van Haarlem worked on several archaeological sites in the Nile Delta, focusing on the excavations at Tell Ibrahim Awad in the eastern Delta from 1991 onward. At the same time he was curator of Egyptian Antiquities at the Allard Pierson, the heritage collections of the University of Amsterdam. On the occasion of his retirement a number of archaeologists, Egyptologists and museum curators have written a series of short studies in his honour, varying from current excavation results from Delta sites to new or renewed research into museum objects from this region. This book offers a rich palette of subjects to scholars interested in Delta archaeology and above all provides hitherto unpublished materials from excavations and museum depots that will inspire the next generation of Nile Delta scholars.

The borders of the Roman Empire were frontiers that were often wild and dangerous. The expansion of the empire after the Punic Wars saw the Roman Republic become the dominant force in the Mediterranean as it first took Carthaginian territories in Gaul, Spain and north Africa and then moved into Greece with purpose, subjugating the area and creating two provinces, Achaea and Macedonia. The growth of the territories under Roman control continued through the rise of Julius Caesar - who conquered the rest of Gaul - and the establishment of the empire: each of the emperors could point to territories annexed and lands won. By AD 117 and the accession of Hadrian, the empire had reached its peak. It held sway from Britain to Morocco, from Spain to the Black Sea. And its wealth was coveted by those outside its borders. Just as today those from poorer countries try to make their way into Europe or North America, so those outside the empire wanted to make their way into the Promised Land – for trade, for improvement of their lives or for plunder. Thus the Roman borders became a mix - just as our borders are today - of defensive bulwark against enemies, but also control areas where import and export taxes were levied, and entrance was controlled. Some of these borders were hard: the early equivalents of the Inner German Border or Trump’s Wall - Hadrian's Wall and the line between the Rhine and Danube. Others, such as these two great rivers, were natural borders that the Romans policed with their navy. This book examines these frontiers of the empire, looking at the way they were constructed and manned and how that changed over the years. It looks at the physical barriers - from the walls in Britain to the Fossatum Africae in the desert. It looks at the traders and the prices that were paid for the traffic of goods. It looks at the way that civil settlements - vici - grew up around the forts and fortlets and what life was like for soldiers, sailors and civilians. As well as artefacts of the period, the book provides a guidebook to top Roman museums and a gazetteer of visitable sites

Mythical Ireland embodies the search for a soul among Ireland's ancient ruins, and is an attempt to retrieve something of deeper import from 5,000-year-old megalithic monuments and their associated myths. The book represents a fascinating and engaging journey through time, landscape and the human spirit. Dealing with archaeology, interpretive mythography, cosmology and cosmogony, the book attempts to grapple with a core meaning, something beyond the functional interpretations of academia. In this revised and expanded edition, Anthony Murphy delves further into the many enthralling aspects of this journey. Just how much knowledge did locals have of the secrets of Newgrange before it was excavated? Who is the Cailleach, the ancient hag goddess whose image is ubiquitous in the ancient landscape? What happened to make Ireland’s Stonehenge disappear from the landscape? Who were the first kings of Tara? What were the indigenous Irish myths about the Milky Way? Did someone try to steal the Tara Brooch? Why are there myths in Ireland about flooded towns and cities? Lavishly illustrated with exquisite photographs of the Irish landscape and ancient monuments, Mythical Ireland represents a personal and yet universal journey, a quest to reimagine the shrines as empowering and transformative sacred places. Murphy invokes the druids and poets of the Boyne and thus the sídhe of the ancient texts are reawakened for a modern and turbulent world.

This newest volume in the Çatalhöyük Research Project Series continues the interpretation of the material obtained during excavation of the site from 2009 to 2017 under the direction of Professor Ian Hodder. Çatalhöyük, a 9,000-year-old tell site in central Turkey, is of international importance due to its large size at an early date, its dense population and its long occupation. Its well-preserved buildings and rich art in the Neolithic East Mound give a unique insight into early village life, and the site allows study of many of the main questions dealing with the formation of settled villages/towns and the early intensification of agriculture. This volume, in 16 chapters by project specialists, focuses on the material artefacts recovered from the site, including a range of clay objects (ceramics, clay balls, tokens, figurines) and others made of stone, shell and textile. The analysis of these items, within a framework of intersecting and transformative “flows” of matter that are entangled with human aims and strategies, illuminates issues of procurement and exchange, house and community (including shifting cooking practices and the early management of cattle), and the organisation of production. Collectively, they reveal how change was generated across 1,100 years of occupation by the ‘productive potential’ of things.

New Kingdom burial customs in Nubia (northern Sudan) are well traceable by means of large cemeteries, in particular Egyptian style rock-cut shaft tombs with pyramidal superstructures. These tombs and their contents have lately been discussed as important data sets offering insights into the diverse population, material culture, funerary and social practices in New Kingdom Nubia.A new rock-cut shaft tomb, potentially with pyramidal superstructure (Tomb 26), was discovered by the AcrossBorders project on Sai Island in 2015. This tomb yielded intact interments of officials connected with the Egyptian administration of colonial Nubia, buried together with family members and rich burial assemblages. Tomb 26 allows a close comparison with contemporaneous evidence from the nearby New Kingdom town of Sai, therefore providing a more complete picture of life and death in New Kingdom colonial Nubia. This book is the final publication of Tomb 26, its architecture and material culture, including chapters on geology, human remains, scientific analyses and a compilation of the material discovered. New information provided by AcrossBorders excavations of Tomb 26 contribute to recently discussed questions regarding cultural encounters and social practices in New Kingdom Nubia. Comparable material from other tombs on Sai and elsewhere in Nubia is discussed in order to stress the relevance of the new discovery.The archaeological contextualisation of Tomb 26, in combination with scientific analyses like strontium isotope analysis, offers fresh information on the complex coexistence of various cultural groups on Sai with slightly different approaches to their cultural and social affinities during the New Kingdom. Overall, Tomb 26 and its associated finds are of prime significance for understanding lived experience on New Kingdom Sai and more broadly in New Kingdom Nubia.with contributions byJohannes Auenmüller, Cajetan Geiger, Rennan Lemos, Andrea Stadlmayr and Marlies Wohlschlager