This volume presents the Greek and Roman pottery collected and analyzed by the Sphakia Survey project and provides a ceramic model for a large section of western Crete, where ceramic traditions, both domestic and imported, are little known. This research integrates two approaches. It first presents a morphological and functional study of a body of pottery from a sizable part of Crete with little known archaeological evidence. Second, fabric analysis identifies and defines clays and clay mixtures, with macroscopic and petrographic analyses providing results from two perspectives. The rigorous application of fabric analysis, combined with the morphological examination, contribute to reconstructions of sites and areas within Sphakia. This data provides information about the history of individual sites, but then more broadly about that of Sphakia itself.Elements like site chronology, activities undertaken in particular areas, available landscape resources and their exploitation, and contact within the region, with other parts of Crete, and the wider Greek and Roman worlds are explored.

Trajan's Column, set up in the heart of Rome, was completed in 113 CE to commemorate the emperor Trajan's wars across the Danube. Its reliefs provide a uniquely detailed picture of the army at war in perfect harmony with Trajan who in his own lifetime and forever after was accounted 'The Best of Emperors'. The sculptures are a panegyric to military achievement of the troops and to leadership by their emperor, but, much more than this, they have exerted an enormous influence on modern perceptions of Roman art, architecture, warfare, politics, religion, ethnography and geography. The author's research answers questions which have been asked about Trajan's Column since the first studies of the 16th century. How were the reliefs planned and executed? Can they be used as a reliable historical source for Trajan's reign? How accurate is their depiction of the Roman army at war? What does the Column reveal about the political balance between emperor and army, and about Rome's attitude to the 'barbarian'?The Column's pedestal reliefs depicted more than 600 captured barbarian trophies, and its 200m helical frieze represents 2600 human figures engaged in frontier warfare. Never before has this vast mass of material been studied in detail, in its entirety, using modern methods of recording, comparison and analysis. The author was granted unprecedented access by the Rome authorities to scaffolding erected around the Column for conservation studies, allowing detailed photographic evidence to be collected as well as the chance to study the whole monument at close hand. This book will be of interest to researchers and students of Roman imperial history, art, and the city of Rome.

This study considers the detailed archaeological and documentary records of Cyprus and Ugarit (Syria) to gain new insights into the long-term relations between two of the best known, well-connected polities in the Late Bronze Age eastern Mediterranean.I engage with concepts such as maritime space and spheres of interaction, merchants and mercantilism, actors and agents. Some background on both Ugarit and Cyprus is presented, followed by examination of the common material features of both (e. g., ashlar masonry, urban mortuary practices, composite anchors, the Cypro-Minoan script). The study then zeroes in more specifically to present the Cypriot material uncovered in Ugarit (especially seals, metals and pottery), followed by some of the Levantine materials found on Cyprus.All known documentary evidence related to these two polities is presented and discussed with respect to three factors: people, politics and professions. The discussion section that follows takes a broader look at material and mercantile connectivity in the Late Bronze Age eastern Mediterranean, considering in turn the merchants of Ugarit and Cyprus, maritime spheres of interaction, and the actors and agents involved in these mercantile worlds. Although Ugarit and Cyprus were two very different kinds of society, they shared a vital, commercial link, one that — over time — had a transformative impact on Cyprus.

The first ever large-scale synthesis on identity and social dynamics across archaic Macedonia (600-400 BC), Christos Giamakis’s book provides a detailed narrative exploring the role of power as displayed through material culture in the formation of group identities across the region. Giamakis focuses on data from nine cemeteries in the region combining multiple datasets including grave goods, osteological evidence, burial rites, tomb types and the organisation of the cemetery space in order to explore both inter- and intra-site competition that led to the emergence of different group identities across the region. By doing so, he proposes a new theoretical framework for the study of the region as an alternative to past, ethnicity-based, approaches. Identity, Power and Group Formation in Archaic Macedonia (600-400 BC) encourages the reader to explore the ways in which social inequalities, power dynamics and social interactions all affect the potency of specific identities at the expense of others. The present monograph will be of great interest to researchers working on ancient Macedonia and the wider ancient Greek world but also to scholars interested in power dynamics and identity formation in other parts of the ancient Mediterranean.

This volume presents a cutting-edge perspective on figurine studies in the Neolithic Aegean, sparking renewed interest and innovative ideas. It celebrates two significant milestones in the field: the 50th anniversary of Giorgos Hourmouziadis’ Ph.D. thesis (submitted in 1973 and published in 1974) and the 30th anniversary of Lauren Talalay’s Ph.

For ambitious late antique homeowners seeking to demonstrate their status and taste, water and its display offered almost infinite possibilities. Water Displays in Domestic Spaces across the Late Roman West: Cultivating Living Buildings presents the first synthesis of the archaeological evidence for late antique water features in both urban houses and extra-urban villas across the western Empire. Ginny Wheeler examines a wide and varied range of examples: from decorative basins and pools to fountains of all forms to water-equipped dining couches. Through careful analysis and evocative reconstruction of the water displays in their diverse contexts, this book explores how they were incorporated into late antique residences, the different ways that they enhanced domestic spaces, and the potential motives behind their insertion. To assess the great efforts to which homeowners, particularly in urban settings, went to ensure their installation and continued operation, one case study focuses on the best-preserved cityscape of Ostia. While the roles of water features ranged from practical to aesthetic, to social and symbolic, this book highlights their previously under-considered contributions to thermal comfort and sensory experience through in-depth analyses of two Iberian villas. Wheeler identifies broad patterns and regional distinctions in form and decor before reflecting on the multifaceted significance of water in the domestic sphere, informed by literary, epigraphic, and iconographic sources. Beyond contributing to the ongoing debate over fountains’ utility versus aesthetics, this research offers new insights into the organization of life at household and neighborhood levels, the social relations between homeowners occasioned by water installations, and the understanding and application of environmental design in Antiquity.

Fenster sind multifunktionale Bauteile, die sich sowohl nach Innen als auch nach Außen richten. Sie geben uns durch ihre Zahl, Größe und Art ihrer Verschlüsse wichtige Hinweise auf die Benutzungsarten und -zeiten der jeweiligen Räume, in denen sie angebracht sind. Darüber hinaus sind sie in der Lage zusammen mit dem decor eines Raumes eine Atmosphäre zu schaffen, in manchen Fällen sogar eine von der realen Welt entkoppelte Heterotopie. Zwar waren die Häuser und Thermen der Römer schon lange Gegenstand archäologischer Untersuchungen, doch blieb eine grundlegende Beschäftigung mit ihren Fenstern bisher aus oder sie erfolgte nur in einzelnen Aufsätzen. Das vorliegende Buch bündelt das Desiderat der Forschung und schließt bestehende Forschungslücken in Bezug auf deren Konstruktionen, Verschlüsse und Ausstattungselemente. Es zeichnet die Entwicklungsgeschichte dieses Bauteils über mehr als 500 Jahre Architekturgeschichte nach und berücksichtigt dabei nicht nur dessen pragmatische Funktionen, sondern auch seine kognitiv-sensualistischen.English abstractWindows are multifunctional elements within roman architecture. Their number, size, and type of shutters help us understand the use of architectural spaces within their time. Windows, together with the décor of such spaces, are able to create certain atmospheres, sometimes even heterotopias, which are dissociated from the real world. Whereas houses and baths have been studied for a long time, the analysis of windows and their functions was often neglected and has been the subject of only a few articles.This book aims to summarize research results and close the gap of research regarding methods of window and shutter construction and their features. It traces the evolution of windows over more than 500 years of architectural history, taking into account not only their pragmatic functions but their cognitive-sensualistic effects as well.

Water may separate islands and the mainland, but the sea also offers a vital link. This volume is one of three major outputs of the research and public engagement project ‘Being an Islander’: Art and Identity of the Large Mediterranean Islands, implemented between 2019 and 2024 at the University of Cambridge. This project aimed to elucidate what defines island identity in the Mediterranean. It explored how insularity affects and shapes cultural identity by integrating transdisciplinary research methodologies, for example, by producing an awarded documentary on insularity and island identity, drawing on the principles of visual anthropology, social anthropology and environment studies. This volume is the culmination of the project’s research strands, undertaken by our key research teams in Cambridge, Cyprus, Greece and Italy. It disseminates our research across our main project themes: insularity, connectivity, mobility, migration, island art and material culture production, hybridity and diachronicity, and provides cross-disciplinary arguments and suggestions on the future of island archaeology and associated disciplines. Contributions included suggest that the relationship between people, place and material culture is what reveals important aspects of island identity and reframe the concept of the islands as a dynamic interplay shaped by social and historical episodes, connectivity and mobility, rather than geography or political boundaries. The volume advocates that the complex histories of the Mediterranean islands can also be a story of connections.

This edited volume was written on the occasion of the 33rd Congress of the Rei Cretariæ Romanæ Fautores (www.fautores.org), which was held in September 2024 in Leiden, and offers a status quaestionis of Roman pottery studies in the Netherlands and adjacent regions. A concise history introducing the discipline is followed by ten contributions – centred around four concepts – which are written by experts in their respective fields who discuss key aspects of Roman pottery studies. Many of the contributions are characterised by a diachronic viewpoint, and range from addressing the social and cultural significance of individual ceramic categories, to formative historical developments and regional syntheses. The book concludes by highlighting prospects for future research.The book is packed with detailed information on Roman pottery and focuses on fellow specialists, and rather is not an introduction on the study of Roman pottery. However, readers interested in learning how the study of pottery contributes to our understanding of Roman ways of life and the Roman presence in the Netherlands and surrounding regions can certainly find aspects to their linking.

This publication – Current Approaches to Roman Frontiers – is the first volume of the LIMES XXV’s congress proceedings arranged around the original sessions, in order to form coherent thematical collections that make the vast output more accessible to generalists and specialists alike. This volume starts with a recap of the congress. Regarding the themes it deals with a contemporary feminist approach; new digital methodologies and computational modelling; three themes on archaeological heritage management dealing inter alia with preservation, protection, citizen science and World Heritage aspects, and a comparison between the Roman Limes and the Great Wall of China. It ends with an overview of the sessions and lectures of the congress in Nijmegen.Frontiers are zones, or lines, of contact and coercion, of exchange and exclusion. As such they often express some of the most typical elements of the socio-political spaces that are defined by them. Spanning some 6,000 km along rivers, mountain ranges, artificial barriers and fringes of semi-desert, the frontiers of the Roman empire offer a wide variety of avenues and topics for a very diverse community of scholars. They are the central subject of the International Congress of Roman Frontier Studies (or just Limes Congress after the Latin word for ‘border’), organised every three years since 1949. This four-volume publication contains most of the papers presented at the 25th edition which was hosted by the municipality of Nijmegen in August 2022.

This publication – Living and Dying on the Roman Frontiers and Beyond – is the third volume of the LIMES XXV’s congress proceedings and deals with a variety of themes, including the iconography of victory; aspects of frontier societies; mobility and the place of children; funerary archaeology; the significance of Roman imports beyond the frontiers. The proceedings are mostly arranged around the original sessions, creating coherent thematical collections that make the vast output more accessible to generalists and specialists alike.Frontiers are zones, or lines, of contact and coercion, of exchange and exclusion. As such they often express some of the most typical elements of the socio-political spaces that are defined by them. Spanning some 6,000 km along rivers, mountain ranges, artificial barriers and fringes of semi-desert, the frontiers of the Roman empire offer a wide variety of avenues and topics for a very diverse community of scholars. They are the central subject of the International Congress of Roman Frontier Studies (or just Limes Congress after the Latin word for ‘border’), organised every three years since 1949. This four-volume publication contains most of the papers presented at the 25th edition which was hosted by the municipality of Nijmegen in August 2022.

This publication – Strategy and Structures along the Roman Frontiers – is the second volume of the LIMES XXV’s congress proceedings and deals with the following themes: Roman military activities during the Republic; the early frontier formation processes and tribal reshuffling; new insights in the installations of the Roman armies; an odyssey along different Limes regions; the collapse of Roman frontiers; the afterlife of frontier fortifications. The proceedings are all arranged around the original sessions, creating coherent thematical collections that make the vast output more accessible to generalists and specialists alike.Frontiers are zones, or lines, of contact and coercion, of exchange and exclusion. As such they often express some of the most typical elements of the socio-political spaces that are defined by them. Spanning some 6,000 km along rivers, mountain ranges, artificial barriers and fringes of semi-desert, the frontiers of the Roman empire offer a wide variety of avenues and topics for a very diverse community of scholars. They are the central subject of the International Congress of Roman Frontier Studies (or just Limes Congress after the Latin word for ‘border’), organised every three years since 1949. This four-volume publication contains most of the papers presented at the 25th edition which was hosted by the municipality of Nijmegen in August 2022.

This publication – Supplying the Roman Empire – is the fourth volume of the LIMES XXV’s congress proceedings and deals with various aspects of the supply and provisioning of the Roman empire, and the role of the Roman armies housed on its fringes herein. The result is a wide-ranging collection of papers dealing with topics such as: finds of organic material; riverine and maritime supply and security; militarily controlled mining; building material procurement and processing; agro-political schemes and water management; military material culture. The proceedings are all arranged around the original sessions, trying to create coherent thematical collections that make the vast output more accessible to generalists and specialists alike. Frontiers are zones, or lines, of contact and coercion, of exchange and exclusion. As such they often express some of the most typical elements of the socio-political spaces that are defined by them. Spanning some 6,000 km along rivers, mountain ranges, artificial barriers and fringes of semi-desert, the frontiers of the Roman empire offer a wide variety of avenues and topics for a very diverse community of scholars. They are the central subject of the International Congress of Roman Frontier Studies (or just Limes Congress after the Latin word for ‘border’), organised every three years since 1949. This four-volume publication contains most of the papers presented at the 25th edition which was hosted by the municipality of Nijmegen in August 2022.

Herry Perry (1897-1962) is an important, but neglected, artist of the 1920s-50s. The book brings together all aspects of her art for the first time. She studied at the Central School of Arts and Crafts (now Central Saint Martins) from 1924-7 and was taught wood engraving there by Noel Rooke. Her first love was wood engraving but she quickly moved on to use the wide range of other skills she acquired at the Central. Her best known work is the posters she designed for Frank Pick at London Transport from 1927-38. She produced some sixty witty and inventive posters during this time. Some of these included birds-eye view maps of areas of London. She was also commissioned to paint murals, most famously two on R.M.S. Queen Mary in 1936, and also a map mural for Rothamsted Research Station in 1932 (which can still be seen there). She also illustrated various books, some of which were written by her. The text and illustrations often show her sense of humour. The Second World War and the death of Frank Pick in 1941 put an end to her poster work. After the War she painted a large number of pub signs for various London and Kent breweries.

In Roman History in Roman poetry (the 19th volume of PLLS) distinguished international scholars explore aspects of how historical and historiographical concerns were represented in or affected by Roman poetry. The essays, ranging chronologically from Roman pre-history through the late Republic and early Empire up to the Flavian age, look at the topic in Lucretius, Virgil, Horace, Propertius, Lucan, and Silius, with a concluding paper on the female poet Sulpicia, commenting circumspectly on the politics of the reign of Domitian.

The painter, Romi Behrens, lived in West Cornwall for nearly sixty years, voraciously painting the subjects around her every day. Her artistic career was as long as it was broad and spanned many genres, including still life, portraiture and landscape painting. This is the first monograph to pay homage to the extent of her career, providing a selected but characteristically-diverse range of visual and written material from the artist’s oeuvre and archives, starting with Romi's earliest paintings of her family, friends and the streets of Penzance and extending to religious themes done later in her life. Rachel Rose Smith gives chronological shape to the span of Romi’s work, analysing the varying relationships throughout between the person and her work, as it reflected the many identities she held, including painter, woman, wife and mother. The author also explores rich connections embedded within her ways of seeing to formative examples from the history of painting, including Rembrandt, Van Gogh, Matisse, Cezanne and Picasso, with whom she arguably worked in dialogue. Romi’s works, however, are very much her own throughout, with those forms of expression and attention learnt from precedents mingling with her own humour, flair and surrounding life. Romi’s Christian faith and the loving focus she gave to her many subjects, whether friends or inanimate objects, are similarly explored, revealing a body of work which is both tender and vibrant, as well as persistent and constantly on the move.