Eve in Ireland explores the political and cultural structures used to control Irish women between 1922 and 1972. It challenges the reader to reflect on a shameful and degrading aspect of Irish cultural history, one whose impact is still being felt today.A unique integration of historical research, original photographic material, archival images, official Catholic doctrine and Irish Government statements, Eve in Ireland will touch the hearts of many, and hopefully aid healing for generations of Irish women. These were women who were required to give up paid employment when they got married; who could never refuse sex with their husbands as to do so was a ‘sin’, but could not avoid pregnancy as contraception was banned in order to produce legions of children for Holy Catholic Ireland; who were pressured to surrender their babies if they produced them when unwed; and who dutifully passed on the faith to the next generation, while the church–state alliance allowed thousands of children to be abused in religious institutions.These were the women who dropped to their knees nightly to say the rosary and had to bite their tongue every time something needed to be said. Many went to the doctor to get tablets for ‘the nerves’ or, worse still, were detained in a psychiatric hospital until claimed by their husbands. These were the women who could have been left destitute after a husband’s death if he decided to leave everything to a favourite nephew.Eve in Ireland pays tribute to these lived experiences of Irish women that have left deep scars on their psyche, their children and society. The ghosts of our shared past demand to be heard if Ireland is to reach full maturity as a democratic nation.This is our history, and our children’s history.

Battling time, tide and the weather, Big Dream, Little Boat is a compelling account of one man’s journey by kayak around the island of Ireland. Kevin O’Sullivan, an Aer Lingus pilot based in Skerries in north County Dublin, had set himself a mission – to circumnavigate the entire Irish coast – and to get home safely. The only problem was finding a way to do it. With a demanding job and family commitments he decides to break the journey into manageable three- and four-day chunks, leaving his kayak at stages along the way and resuming the adventure when the opportunity arose. Travelling mainly in the summer months, his expedition takes three years. Along the way he reflects on the fascinating marine life, colourful Irish history, lovely scenery, and in particular on the remarkable people he met on his journey. He also recounts the many challenges he faced, not least of which was his biggest difficulty – chronic seasickness! Despite an attempt to paddle only in good weather, Kevin still encountered some very difficult conditions. Unexpected winds and great swells left him digging deep, using all his skills and experience of years of kayaking to survive.In the great Irish tradition of taking care of travellers on the road, he was supported by oftentimes complete strangers who put him up in their homes, fed him and enthusiastically encouraged him along the way. On a journey of soul-searching and deep contemplation, the kindness of strangers helped to renew his faith in humanity.

One hundred years ago this year, the largest Irish WWI ex-servicemen housing estate on the island of Ireland was completed, the Killester Garden Village. Comprising 247 bungalows, it was the flagship estate for returning Irishmen from what some dubbed ‘the war to end all wars’. So who were those men who lived in Killester Garden Village? In their mid-twenties, more than likely poor, living in tenements or urban dwellings, unskilled or working as casual labourers, they enlisted in the British forces at the outbreak of WWI. Then, having survived the terror of that war, they came home to a hostile Ireland that had politically changed in their absence. In fact, the Irish men and women who served in the British forces during WWI came home to a different country. During their absence in the battlefields of France, Flanders and Gallipoli, a terrible beauty had been born. And during the ensuing War of Independence, Irish ex-servicemen had to keep their heads down. Of the 196 civilians killed by the IRA between 1919 and 1921 for alleged spying activities for the British forces, between 100 and 120 were ex-servicemen. Possibly even worse, as the Irish ex-service men and women died off years later, so too did their place in the narrative of modern Irish history. They were largely forgotten. But now, in this brilliantly researched book, profiles of 300 of these brave Irish men and women bring them back to life so that their stories can finally be told.

A Nurse’s Life tells the remarkable story of one woman’s devotion to a life of care in the medical profession. Beginning her career as a midwife, Geralyn later became an authority in palliative care, but throughout her goal has always been about understanding what it means to truly care for another person. That is precisely what she does in this book: portray the essence of nursing. After years in the hospital wards Geralyn decided it was time for a change and volunteered to work for Concern Worldwide in a two-year post among the most needy in Bangladesh. Here she learned first-hand about the link between poverty and health care. Upon her return to Ireland she returned to academia and enrolled in an MsC programme at Trinity College Dublin. Eventually she became Assistant Professor in the School of Nursing at Trinity. Interspersed between her highly entertaining personal stories as a nurse, Geralyn expounds on many of the key issues in the nursing profession today: the changing nature of nursing and environment of care; challenges in providing person-centred care in the hospital setting, the essential qualities needed to be a good nurse; the problematic doctor/nurse/administration relationship; the future of nursing and possible ways to address the current challenges; and much more. More recently, Geralyn experienced nursing from the other side when she was diagnosed with a brain tumour that while benign meant surgery, radiotherapy and several new chronic conditions as a result. This has given her a deeper, first-hand understanding of nursing and the extraordinary reality of loving care.

“So that’s our setting. Sixty-nine houses, four corners of Georgian Dublin but just one address. Scope enough for some remarkable tales and extraordinary lives. Homes that … provide a backdrop for drawing room intrigue, revelry and temperance, devilry and romance; the abandon of artistic expression and the restraint of social convention…. So follow me, dear reader, into Fitzwilliam Square.” Fitzwilliam Square on the south side of Dublin provides the setting and a true-life cast of characters for Lives Less Ordinary, which examines how the people of this Georgian square impacted on the history of Dublin and the wider world. These disparate denizens from a small residential enclave permeated every walk of Irish life – political, legal and cultural – in the nineteenth and early twentieth centuries.In this updated edition, we follow the inhabitants of Fitzwilliam Square into nineteenth century courtrooms; we witness their soldier sons on a succession of battlefields through personal reminiscences; we examine their remarkable artistic and literary output; we hear amusing anecdotes about the politicians, doctors and academics who lived there, including tales about duels, ghosts and political and personal scandals. On their own, the sketches offer an intriguing portrait of individual lives, but woven together they provide a fascinating overview of Irish life at a particular place and time. The stories are varied and wide-ranging, but they are anchored by the fact that they only involve those inhabitants of the sixty-nine houses of Dublin’s Fitzwilliam Square.

In this ground-breaking book, Niall Downey – a cardio-thoracic surgeon who retrained to become a commercial airline pilot – uses his expertise in medicine and aviation to explore the critical issue of managing human error. With further examples from business, politics, sport, technology, the civil service and other fields, Downey makes a powerful case that by following some clear guidelines any organisation can greatly reduce the incidence and impact of human error. While acknowledging that in our fast-paced world getting things wrong is impossible to avoid completely, Downey offers a strategy based on current best practice that can make a massive difference. He concludes with an easy to use, aviation-style Safety Management System that can be hugely helpful in avoiding preventable catastrophes in organizations of all kinds. An acknowledged expert in error management, Niall Downey advises governments, major corporations and the health industry on how to develop a systemic approach to controlling for human imperfection. Arguing that prevention is far preferable to denying responsibility after the fact, he gave an influential TEDx talk outlining how healthcare could use aviation's experience to reduce tragic outcomes and improve patient safety. Oops! Why Things Go Wrong seeks to understand and navigate error. It shows how we have become particularly vulnerable to blunders due to new technologies and today’s pressurised work environments. But it also shows how we can fight back against our own inherent fallibility to live in a safer and less error-strewn world.

From humble beginnings in Romania, Josef Cretzan went on to become one of the most accomplished glass blowers of the 20th century. For 37 years his knowledge and skills were fundamental in ensuring that Waterford Crystal remained one of the premium glass manufacturers in the world. In the early 1940s, when still only a teenager, Josef journeyed with his family across Central Europe to Germany in a bid to escape the turmoil in Romania brought about by the Second World War and the encroachment of the Russians. He was sent to fight as an infantryman on the Eastern Front with Russia, then served in Rommel’s Afrika Korps in Tobruk, and in Italy fought in the fierce Battle of Monte Cassino. He was wounded on three occasions, and was awarded the Iron Cross for distinguished service. Following the post-war division of Germany into four separate zones, Josef was separated from his father and siblings, who were trapped in the Russian zone. In 1951, an advertisement in a German newspaper brought Josef to the newly established glass factory in Waterford, where he remained for nearly four decades. Uniquely gifted, he created crystal masterpieces that were presented to kings, queens, presidents and dignitaries of all kinds, including a special commission given to Jackie Kennedy for her children. Today, his glass is displayed in some of the most prestigious buildings in the world, including Westminster Abbey in London and the John F. Kennedy Presidential Library and Museum in Boston. Called the ‘Master of Masters’ by John Hearne in his book Waterford Crystal, Josef Cretzan was a remarkable talent who survived incredible hardship and personal tragedies to hone his craft. Josef Cretzan died in Waterford in 1990.

Tales from the Ivory Tower recalls moving or amusing incidents from a career in healthcare and academia, and often makes a serious point without belabouring it. The tales include accounts of a terrifying car journey through the Kuwaiti night desert; helping a bishop at risk of unfair prosecution; and surprisingly comical events in a hospital threatened with closure. They are built around aspects of everyday life including public transport; life-skills like dancing, mitching from work/school and meditation; travel to exotic places; and a fascination with personal spirituality that allows us to escape the excesses of religion. They also provide a sideways glimpse at the inner workings of hospitals and universities. Tales from the Ivory Tower frames a successful career in Trinity College, St James’s Hospital and the international arena. But perhaps more importantly it is rooted in Dublin city and West Clare, and alert to the humour and wisdom encountered away from the cut and thrust of life in the Ivory Tower. Far from a typical memoir, Tales from the Ivory Tower is sometimes sad, often happy, sometimes humorous, sometimes earnest and mostly true, and it offers an elegiac view of things Ireland needs but may not quite deserve.

During World War I, Major William Orpen, a highly successful commercial painter in Ireland and the UK, takes up a posting as official British war artist. Full of high hopes he sets off to the front with a Rolls-Royce and a driver. But nothing in his privileged life prepared him for the horrors he encounters. Based in Amiens, he is initially unable to capture on canvas the sights that haunt him, but eventually his inspired output becomes prolific – Tommies in rat-infested, water-sodden trenches; men charging across the tortured earth with fixed bayonets; generals in luxurious quarters; nurses ministering gently to the wounded in the hell-hole hospitals. Commissioned to paint the Paris Peace Conference he settles in Paris with Yvonne, his model and muse. His epic, To the Unknown British Soldier in France, is hailed by some as ‘symbolic’; but by others as a ‘blasphemous disgrace’. Disheartened at the ending of the war, he is consumed by its futility and what he sees as the fighting men’s betrayal by the politicians. At war with himself, he divides his time between Paris and London but suffers from depression and ill health. Alienated from his family, he dies in 1931 of alcohol-related complications. This illustrated biographical novel – featuring dozens of Orpen’s paintings and B&Wdrawings – will enthral anyone interested in the brutal reality of World War I, and help us to appreciate one artist’s remarkable personal and creative journey.

Mental health difficulties bring us face to face with our vulnerability as human beings, and after two years of struggling with the effects of Covid-19 concerns about mental health worldwide have never been higher. But our discussions are still fraught with issues of language and understanding. Are we all on a ‘spectrum’ of mental wellness? Is ‘well-being’ about ‘being well’ or about coping? Mental health problems can be frightening when we experience them ourselves, or see them in others. And despite all the talk, most of us find it hard to decide when or where to seek help. What is often missing from these discussions is the most valuable resource of all – the personal accounts of those with lived experience of mental health difficulties. Making Sense of Mental Health is centred on hours of in-depth interviews with adults coping with mental health issues. The author follows their journeys from the origin of their distress to their lowest moments to eventual recovery and a sense of moving on. These lived experiences show how in times of crisis people can move forward amidst the chaos, vulnerability and uncertainty brought on by mental health problems. There are no quick fixes or miracle cures to serious mental health issues. This book shows that ‘what works’ is whatever helps an individual make sense of what is happening to them. A problem entwined with the human condition, mental health difficulties can best be treated by understanding the experiences of those who have lived through them, and as a society by finding a way to ascribe meaning to the complex reality of mental health.

When Charles Frederick Ball was killed at Gallipoli in 1915 The Irish Times called him ‘one of the best known botanists and horticulturists in Ireland’. Fred Ball (to friends and family) trained in horticulture at Kew Gardens in the UK, moved to Dublin in 1906, became Assistant Keeper at the Royal Botanic Gardens in Glasnevin, and was editor of the journal Irish Gardening. A skilled plant breeder, he could have expected, in time, to succeed Sir Frederick Moore as Keeper of the Botanic Gardens. Instead, he responded to the call to serve king and country, enlisting in the famous 7th Battalion, Royal Dublin Fusiliers.This book describes Fred Ball’s life and achievements up to his tragic death at Suvla Bay in September 1915, shedding new light on his contribution to Irish horticulture as well as his time as a soldier. It is also the story of Fred Ball’s relationship with Alice Lane, the youngest daughter of a well to do Anglo-Irish family, who was the love of his life. They were married in Dublin in December 1914, just after Fred had joined up.The author, Alice’s grandson, discovered among his mother’s papers a small metal box containing over 100 letters that Fred wrote to Alice between 1911 and 1914. These letters, combined with further research in libraries and archives in Ireland and England, provide a captivating account of Fred Ball’s life in the Victorian and Edwardian worlds of which he was a part. Richly illustrated with historical photographs, Charles Frederick Ball offers a moving testament to a life tragically cut short.“A fascinating story, beautifully told. And what a wonderful collection of photographs.” – Jeff Kildea, author of Anzacs and Ireland“Excellent … [a] really valuable reference … It is a sad though exciting story.” – Seamus O’Brien, Head Gardener, National Botanic Gardens, Kilmacurragh

In a career spanning 41 years in the Irish diplomatic service, Ambassador Dónal Denham has lived among nine very different societies, spanning three continents. With stops in France, Zambia, the USA, Lithuania, Belarus, Finland and finally the Holy See, Dónal has a few choice tales to tell. He opened two Irish embassies, served in all seven Irish Presidencies and had thought-provoking conversations with some fascinating people, including Ronald Reagan in the White House, Kenneth Kaunda in the State House and Mary Robinson in our own President's House. Dónal was inspired by is his grandfather, Eamonn Tuke, a volunteer in the Irish Citizen Army and a footsoldier of the Irish Rebellion of 1916 and War of Independence. And Dónal’s other hero, John F. Kennedy, famously said, "Ask not what your country can do for you but what you can do for your country." With those words in his ear and his partner Siobhan at his side, Dónal served his country under many different guises to make its presence known in international settings and to offer the legendary Irish hospitality to fellow world citizens, and along the way made many enduring friendships. There were some tears, but much laughter too. With a focus on funny incidents, happy moments and some achievements for Ireland Inc., Nine Lives is a refreshing and enjoyable read by a diplomat who thoroughly enjoyed his years as Ireland’s envoy.

What makes the Irish unique? Why do over 70 million people worldwide embrace their Irish heritage? What does it mean to be Irish today? These and other questions are addressed in this fascinating new book. Being Irish gathers a diverse group of 100 people - including well-known actors, musicians, novelists, sportspeople, journalists, political and religious leaders, community activists, asylum seekers, students and others - each trying to give expression to that special something that is more or less recognisable as Irish. This is not a sociological study; it consists of highly personal responses to a question of identity. Twenty-one years ago, Paddy Logue compiled the original edition of Being Irish to better understand the recent changes Ireland had undergone. Now his daughter, Derry-based solicitor Marie-Claire Logue, takes up the challenge to take a fresh look at Irishness, this time against a backdrop of Covid-19, Brexit, economic insecurity, weakening influence of the Catholic Church and a rapidly changing Northern Ireland. The contributions come from the ranks of the famous and not so famous, people at the centre of things and people at the margins, people who live in Ireland and those who live abroad, the Irish and not-Irish-but-interested. Some delve into their personal histories to give meaning to their identities; while others rely on storytelling, humour and lyricism to approach a tentative sense of self. Above all, the reflections in this volume show that we can be Irish by birth, Irish by ancestry, Irish by geography, Irish and British, Northern Irish, Irish by accident, Irish by necessity, Irish and European, Irish by association, Irish by culture, Irish by history, Irish and American and Irish by choice. The life stories contained herein are sure to illuminate and entertain.

Mythical Ireland embodies the search for a soul among Ireland's ancient ruins, and is an attempt to retrieve something of deeper import from 5,000-year-old megalithic monuments and their associated myths. The book represents a fascinating and engaging journey through time, landscape and the human spirit. Dealing with archaeology, interpretive mythography, cosmology and cosmogony, the book attempts to grapple with a core meaning, something beyond the functional interpretations of academia. In this revised and expanded edition, Anthony Murphy delves further into the many enthralling aspects of this journey. Just how much knowledge did locals have of the secrets of Newgrange before it was excavated? Who is the Cailleach, the ancient hag goddess whose image is ubiquitous in the ancient landscape? What happened to make Ireland’s Stonehenge disappear from the landscape? Who were the first kings of Tara? What were the indigenous Irish myths about the Milky Way? Did someone try to steal the Tara Brooch? Why are there myths in Ireland about flooded towns and cities? Lavishly illustrated with exquisite photographs of the Irish landscape and ancient monuments, Mythical Ireland represents a personal and yet universal journey, a quest to reimagine the shrines as empowering and transformative sacred places. Murphy invokes the druids and poets of the Boyne and thus the sídhe of the ancient texts are reawakened for a modern and turbulent world.

Written for food aficionados everywhere, this book provides an entertaining look at the history and development of the key foods we eat every day. Mike Gibney, Professor Emeritus of Food and Health at University College Dublin, traces the story of food from early hunter gatherers through settled agriculture to the migration across Europe, and examines the influence early trading, imperial conquests and medieval exploration had on the food chain.Along the way Food through the Ages uncovers some fascinating nuggets:* Indian rice is fluffy to eat with the hand, while Chinese rice is sticky to eat with chopsticks. * In the Middle Ages it became fashionable to stuff boned smaller birds into bigger birds into even bigger birds and so on. This process, known as engastration, is still popular today in Cajun cuisine with Turducken, a hen in a duck in a turkey.* A passion for tea led two great powers, China and England, to engage in warfare* The popularity of the potato accounted for about 25% of the population growth in Europe from 1700 to 1900* The Arabs brought pasta to Italy but the popular shaped pastas were most often produced in religious orders by nuns* The Jesuits and Dominicans argued bitterly over the perceived magical yet sinful attributes of Aztec chocolate.Professor Gibney explains the origins of commonplace foods, including bread, meat, fish, fruits, vegetables, pasta, rice, sugar, tea, chocolate and of course Ireland’s beloved potato. He defines a well-stocked larder and shows how the kitchen has changed over thousands of years, getting cleaner, less smelly, more reliable, less dangerous and more accessible to all.

“What are we if not our stories?” – Enda Walsh, Playwright Stories. Life stories. Stories of love and loss. Success and failure. Stories about people and place. Stories about the magical spark of creativity. Life stories that make us feel and that make us think. Stories that are stirring and inspirational. With a particular emphasis on the role of landscape and environs, The Art of Place brings together 30 captivating personal stories by some of the most creative people in Ireland, who all live in or come from County Clare. Featured contributors include writers and visual artists, musicians and composers, sculptors and crafts people, photographers and filmmakers. Their compelling and deeply personal stories will resonate not only with people from the West of Ireland, but with people worldwide who are enthralled by the creative process. Beautifully designed and including 30 specially commissioned photographic interpretations by award-winning photographer John Kelly, The Art of Place is a work of art itself, and a magnificent testament to the artistic spirit for which Ireland is justifiably famous.