How can exhibitions stage encounters between art and science that not only make sense for visitors but encourage them to explore the intricate relationship between themselves and the world further? This book presents a collection of texts that explore exhibitions as a medium for new insights into connections between aesthetic and scientific knowledge production and how such insights facilitate new, more holistic understandings of entanglements between self and lifeworld. The texts all take their outset in a series of three exhibitions called Wunderkammer at Esbjerg Art Museum in Denmark from 2018 to 2022. The three main texts cover the conception, presentation, and reception of the exhibitions, respectively elaborating the curatorial process, the aesthetics of the exhibitions and the reception of the exhibitions by individual visitors. Also included is a written dialogue of a more associative nature between members of the research group of art historians who were invited to experience the exhibitions and contemplate and discuss the implications of the series of exhibitions.

From Homer to Hatzi-Yavrouda provides a multidisciplinary discussion of the concept of orality in the framework of Greek narrative tradition, from Antiquity to the 21st century.

Danish physician and anatomist Thomas Bartholin (1616-1680) was one of the most important anatomists of the 17th century. As a scientist, his greatest achievement was the discovery and naming of the lymphatic vessels, but he was also a pioneer in a number of other areas of medicine.In Denmark, his tireless efforts as head of the Anatomy House in Copenhagen and professor of anatomy and medicine were crucial to the rise of anatomical science in the 17th century. He was a skilled and sought-after teacher and mentor, and his efforts in this area were crucial to his famous student Niels Stensen's (1638-1686) outstanding career as an anatomist and geologist. With his authorship of over 80 comprehensive books, Thomas Bartholin was one of the most diligent and skilful communicators of his time. The book unfolds the entire life and work of Thomas Bartholin and analyses and puts into perspective his significance for contemporaries and posterity in a scientific context. The book is an expanded English version of the author's Danish biography of Thomas Bartholin from 2017, where the new material relates in particular to his importance to Niels Stensen.

Taking as its point of departure the astounding longevity and ubiquity in our culture of so many themes, genres, visual forms and personalities from the ancient Greek and Roman world, this volume focuses on popular receptions of Classical Antiquity. In doing so, it will explore specific receptions that make immediate sense in a ‘present’ and among large, popular audiences. In particular, it will focus on three main themes: the reception of Classical Antiquity in Danish popular culture, in popular European music, as well as the popular reception of individual lives in both antiquity and later periods.

Recent studies have reshaped the understanding of the early Viking Age power center, near Erritsø just a few kilometers from Fredericia in Southern Denmark. Investigations at the site, which in many ways resembles the grand royal halls at Lejre in Zealand, have revealed significant new insights into the Iron Age and Viking Age around the royal estate. Notably, Erritsø's strategic location, where all transportation routes between north, south, east, and west converge, both by land and by sea. This anthology presents several similar sites in Northern Europe by multiple top international researchers: from Norway, Sweden, North Germany and England. Similarities and differences in time and space are examined, providing a nuanced understanding of the international power dynamics of this period. Notably, the latest research results and datings provided by the studies at Erritsø are presented. Here, the acquisition of the majority of c-14 datings and chronological modeling of c-14 data on such halls has significantly refined the dating framework. The book is the result of a research project that over the past eight years, has greatly expanded our understanding of this subject and location.

Carl Nielsen (1865-1931) occupies a prominent place among European modern composers of the early twentieth century. He represents the generation of Richard Strauss, Ferruccio Busoni, Jean Sibelius and Gustav Mahler. His music is performed all over the world. With Carl Nielsen. A Cultural Biography, for the first time a thoroughly researched, all-encompassing biography of Nielsen is available for international readers. Carl Nielsen took part in the lively cultural circles in Copenhagen in the late nineteenth century at a time when Scandinavian authors were fashionable in all of Europe. He travelled extensively throughout his life – and kept a firm connection to his cultural heritage. As a cultural biography the book introduces to music and cultural life in the Danish capital of Copenhagen and to cultural activities among ordinary people into the farthest corner of the countryside.

“Pulse is essential to life. Everything we do as humans is influenced by the phenomenon of rhythm.”The Hildebrandt Method is about rhythm – or more precisely polyrhythm. A polyrhythm is the rhythmic pattern that results when two or more independent rhythm or tempo layers are played simultaneously. Polyrhythms are used in virtually every culture throughout the world, from Polynesian folk music to Beethoven symphonies, and from avant-garde compositions to jazz, pop and electronica.This book presents a polyrhythmic method that guides the reader through the jungle of polyrhythms, equipping them with tools to understand and execute even the most challenging constellations of rhythms.The Hildebrandt Method sets new standards of what is possible within the field of polyrhythms. Through analyses of rhythm structures, polyrhythm is presented in a new and simplified light. The method is for anyone who wishes to improve their polyrhythmic ability.

Endlich befreit. Die Erleichterung in Dänemark im Frühjahr 1945 war groß. Allerdings war dies keine große Hilfe für die über 200. 000 deutschen Flüchtlinge, die in den letzten Kriegsmonaten auf der Flucht vor der Roten Armee ins Land kamen. Der Zufall wollte, dass die in Dänemark gestrandeten Flüchtlinge von der Gnade ihrer dänischen Gastgeber abhingen. Die Deutschen träumten von einem neuen Leben, doch Dänemark war soeben erst von einer verhassten Besatzungsmacht befreit worden. Deswegen waren die Flüchtlinge nicht sonderlich populär – sie trafen auf Ablehnung bei den Dänen und bei den Behörden bis die letzten deutschen Flüchtlinge im Februar 1949 ausreisen konnten. Sie dokumentierten ihre Schicksale in Briefen und Tagebüchern, die in einer globalen Welt mit großen Flüchtlingsströmen eine zeitlose, aktuelle Geschichte erzählen. Treten Sie mit John V. Jensen, Kurator beim Museumsverbund Varde, hinter den Stacheldraht und tauchen Sie ein in eine Geschichte von Unglück, Leid und einem kleinen Hoffnungsschimmer.

Hospitalized following a mental health crisis in 1929, Louis Marcussen (1894—1985) begins a spectacular journey. He fills his room at the psychiatric institution with artworks, with tall and eloquent cut-out female figures, and he seems to invest himself deeply in his work and visions. He dissolves into a swirl of male, female, animal and divine identities. He discards the name ‘Louis’ and takes the name ‘Ovartaci’. The present book reads Ovartaci’s work through psychoanalytical notions of madness and psychosis. It is the first major monograph on an artist that through highly original artistic practices invented a new way of living. Brian Benjamin Hansen is a postdoctoral researcher at Aarhus University and senior associate professor at VIA University College. Ovartaci is increasingly recognized as one of the most enthralling Danish artists of the 20th century. At the 2022 Venice Biennale, the art of Ovartaci is part of the main exhibition and displayed in the Central Pavilion.

Excavations in 1958-1963 on the island of Failaka in Kuwait uncovered a small community of Dilmun traders from the second millennium BC. Prominent among the finds were 629 beads, most of them made of semi-precious stone, such as different varieties of chalcedony (agate, carnelian, jasper, and moss agate) and quartz (rock crystal, milky quartz, and smoky quartz), and a range of other stone types, such as calcite, chlorite, lapis lazuli, turquoise and porphyry. Additionally, part of the beads was made of glass: a new prestige material of the second millennium. The study consists of a typology, a classification of materials and an analysis of the dating and distribution of the beads. Manufacturing techniques, including perforation and use-wear, are also considered. In a final discussion, the bead corpus from Failaka is compared with similar material from contemporary sites on Failaka and in Bahrain, along with some thoughts on connections and trade relations, which may be inferred from the materials and forms in the bead assemblage. The study proposes far-reaching connections with the Indus in the east and the Aegean in the west.

Cultural differences are often the trigger for conflict – whether politically motivated or arising from dissonant understandings of national culture. But what we regard as distinctive today in our cultural heritage or day-to-day cultural experience is deeply rooted in the rich diversity of the national currents of the nineteenth century. Culture and Conflict: Nation-Building in Denmark and Scandinavia, 1800–1930 explores the many strands of Danish and Scandinavian culture that helped to shape these cultural identities. The sixteen contributions in this volume analyse how competing national agendas influenced the development of political life as well as literature, the visual arts, and music. A central theme is the cultural conflicts that formed an essential part of nineteenth-century nation-building. Culturally as well as politically, boundaries were drawn up, ideologies were formulated and discussed, and determined attempts were made to suppress divergent cultural voices in the drive to forge strong national or Scandinavian narratives. The results of these conflicts were the enduring cultural struggles that form the subject of this volume. The contributions at hand, by scholars from Denmark, Britain, Norway, the United States, and Germany, bring a broad and interdisciplinary perspective to bear on these distinctively Nordic themes. Aimed both at students and at established scholars, the chapters discuss the many facets of nationalism, its cultures, and its countercultures, as well as revisiting the historiography of the 1800–1930 period with a more pluralistic approach.

‘A lover of light’: in 1912, a French critic used these words to describe the great Danish painter Peder Severin Krøyer, who had close ties to the French art scene for more than two decades. Krøyer first visited Paris in 1877, and his many letters clearly show the impact French art had on Krøyer’s own development as a painter, on the artists’ colony in Skagen, and on Danish art history in general. In Krøyer and Paris. French Connections and Nordic Colours, art historians Mette Harbo Lehmann and Dominique Lobstein describe Krøyer’s artistic development from the Golden Age tradition favoured by the Danish academy to Naturalism and the Modern Breakthrough. They show how inspiration from France can be traced in his painting technique and his open-air paintings from Skagen, revealing how French Naturalism made its mark on Krøyer’s distinctive style.

PoDIA 10 features articles presenting the results from archaeological sites in Cyprus and at Sikyon, Greece, the activities of Danish philhellenes, and a re-evaluation of the significance of an archaic Attic Sphinx in the Ny Carlsberg Glyptotek in Copenhagen. Kristina Winther-Jacobsen analyses and discusses the ceramics and associated burial customs from two tombs in Cyprus from the Hellenistic-Roman period. Silke Müth and her team of researchers offer a preliminary report on the excavations and accompanying research in Old Sikyon 2018-2019. It is in the same connection that M. Arenfeldt Christensen presents a case study of human skeletal material from an Archaic grave in Sikyon, uncovered in 2019. Annette Højen Sørensen and Helge Wiingaard discuss the role of the Danish diplomat and minority expert as a Philhellene and present his collection of antiquities at Haderslev Cathedral School in Denmark in the light of the extraordinary circumstances in the first half of the 20th century which formed the borderland not only between Denmark and Germany but also between Greece and Turkey. John Lund discusses the activities of Frederik Scholten in Greece and the Greek world during the period around the Greek Revolution and presents his drawings from this period. Finally, Ingrid Strøm makes a case for adding the Ny Carlsberg Glyptotek marble sphinx to the oeuvres of the Moscophoros Master and for rendering it a more central position in the studies of Early Attic marble sculpture.

Urban planning is a keystone in the materialization of the Nordic welfare states. That is not to say that there is one particular city form or planning practice that is synonymous with the emerging welfare city, as welfare per se is far from normative. On the contrary, welfare is a highly ambiguous and contested notion that has changed over the postwar decades, which is also reflected in the development of the welfare city. However, welfare in urban planning has mainly been associated with ideas of “the good life” and egalitarianism. In a Nordic context, the state has taken the lead in providing the social engineering “hardware” for advancing this universal aim. Social demographic welfare is economically based on full employment, and in this regard housing and caregiving support are key components. Yet education, infrastructure, and leisure facilities are also basic features in the distribution of universal welfare services for citizens’ entire lives. The results, ideally, are green and spacious welfare cities. This book outlines the origins, development, challenges, and lived realities of the changing welfare city, focusing primarily on Denmark. Strategies have changed over the decades as models of development have shifted and as the needs of society and a warming planet have come into focus. The current welfare city can be described as an urban landscape characterized by, on the one hand, a division of functions and, on the other, mutual competition. The role of the state has been minimized, turning municipalities into the new major agents in attracting taxpayers and providing goods—both by means of urban planning.

What do we mean when we say "the people"? In a Nordic context, the word "people" was historically associated not with members of a sovereign nation but of a household, church, or state. The term remains a battlefield of mixed or even opposing interests and has developed at least three different meanings: a political unit, a cultural entity, and a social multitude. Modern historian Ove Korsgaard focuses on the crucial struggles over who has (or has not) belonged to the people over the past 175 years, and elucidates their implications for state and nation building in Denmark and other Nordic countries.

In the early Middle Ages, a network of maritime trading towns – emporia – emerged along the northern coasts of Europe. These early urban sites are among archaeology’s most notable contributions to our knowledge of the period between the disintegration of the Western Roman Empire and the growth of a maritime-oriented world in the Viking Age. Ribe, on the western coast of Denmark, is one of these sites. In 2017-18 the Northern Emporium research project conducted seminal research excavations, which provided new foundations for the study of this nodal point between Western Europe, Scandinavia, and the world beyond. This first volume presents the results of these excavations and analyses to piece together the history of the emporium and its social fabric. The research employs novel, high-definition methods to explore the networks of the site, integrating an extensive use of geoarchaeology and 3D stratigraphic recording with intensive environmental sampling and artefact recovery, resulting in more than 100,000 artefact finds. The results transform our understanding of key points of the early history of the North Sea region. Through the remains of dwellings and workshops – the traces left by traders, sailors, weavers, tailors, comb makers, and skilled producers of glass beads and metal ornaments – we follow the creation of Viking Age social networks, along with some of the most iconic artistic products of this world and the daily lives of some of its notable inhabitants.